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Maryland · Nonprofit
National Gallery of Art (Maryland) is funded by 241 grantmakers whose IRS filings report $76,318,091 in grants to it, the largest being THE LEE AND JULIET FOLGER FUND ($13,016,000). 161 of them have funded it in more than one year.
Against its field
National Gallery of Art runs a healthier operating margin than half of the 34 arts & culture nonprofits its size.
this organization peer median middle 50% of peers· 34 arts & culture nonprofits over $100M, FY2024
Revenue, expenses and net assets — each indexed to 100 at its first filing year, so you read the trajectory, not the magnitude. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.
The funding model — what share of revenue comes from contributions, programs, investments and other sources — and whether it's shifting.
67% of National Gallery of Art’s revenue is contributions — more donation-reliant than the typical peer (58% for the typical peer).
Operating surplus or deficit each year, and months of liquidity in hand. 1 of the last 7 reported years ran a deficit.
$1.2M from 12 funders in 2025, up from $4.3M and 55 in 2017.
26 of 241 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 10% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.
From the IRS filings of National Gallery of Art’s funders (the co-funder graph). Top 30 of 241 funders by total. Association, not causation.
National Gallery of Art has a broad base — no single funder exceeds 17% of grant income, and it takes 6 funders to reach half.
the vertical line marks half of all grant income — 6 funders to its left
Largest funder’s share by year: 2017 19% · 2018 29% · 2019 49% · 2020 40% · 2021 33% · 2022 12% · 2023 27% · 2024 22% · 2025 47% — growing more concentrated.
“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration.
45% of National Gallery of Art's funders are still giving 3 years after their first grant; 67% give in more than one year at all.
Share of funders still giving k years after their first recorded grant, pooled across every acquisition cohort. A funder counts as retained in a year only if it made a grant that year.
National Gallery of Art draws 79% of its grant income from funders outside Maryland — its reputation reaches beyond the state, across 26 states in all.
In-state vs out-of-state, by year
Grantmakers that don’t fund you yet, surfaced two ways: they back organizations that share your funders, or their grantees resemble your mission. The ones both signals agree on come first. Your 241 funders put you typical among the 400 organizations that share them.
From the co-funder graph (funders backing at least two comparable organizations, shrunk for grantee count, donor-advised and mega-funds excluded) and the universe embeddings. A research starting point; overlap is association, not a guarantee of fit.
Nonprofits whose mission and program text most resemble this one, by semantic similarity over the universe of US filings — the closest peers, and often the clearest route to shared or prospective funders.
Read directly from this organization’s own Form 990, as neutral context.
70% of spending goes to programs.
96%
Share of support from the public (Schedule A) — the basis for its public-charity status.
Part of a family of 2 related entities
Every figure is read directly from IRS Form 990 / 990-PF e-file XML — this organization’s own return for FY2024 (financials across 2018–2024), and the filings of 241funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. view filing