· Private foundation
Glenstone Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- $10k–50k2 grants · $21k
- $50k–250k2 grants · $100k
- $250k+3 grants · $15M
| Recipient | Amount |
|---|---|
| FOUNDATION TO COMBAT ANTISEMITISM | $11,871,000 |
| NATIONAL GALLERY OF ART | $1,800,000 |
| SCOTLAND AME CHURCH | $1,500,000 |
| AMERICAN FUND FOR THE SOUTHBANK CENTRE | $50,252 |
| NATIONAL FOUNDATION FOR ADVANCEMENT OF THE ARTS | $50,000 |
| UNITED WAY OF NATIONAL CAPITAL AREA | $10,829 |
| SHELBURNE MUSEUM | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–24) land where the poverty rate runs at 12%, against an area that typically sits at 12%. 61% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +53% since the first grant, against +28% for the ones you funded once.
11 repeat relationships — 4 still active in FY2024, 7 since wound down; 3 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 22% of grant dollars renewed an existing relationship; $12M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NGNational Gallery of Art6× · 2019–2024 · $12M · revenue +40%
- TSTHE STUDIO MUSEUM IN HARLEM2× · 2021–2022 · $10M · revenue +53%
- TATHE ART INSTITUTE OF CHICAGO2× · 2017–2018 · $695k · revenue +45%
Funded once
BALTIMORE MUSEUM OF ARTone grant, 2023 · $600k · revenue +15%- MDMOUNT DESERT 365one grant, 2020 · $490k · revenue -90%
- BMBLANTON MUSEUM OF ARTone grant, 2017 · $100k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
The philadelphia museum of art - in partnership with the city, the region, and art museums around the globe - seeks to preserve, enhance, interpret, and extend the reach of its great collection in particular, and the visual arts in…
The institute of contemporary art, miami (ica miami), is dedicated to promoting the work of contemporary artists, and to the exchange of art and ideas throughout the miami region and internationally. through an energetic calendar of…
The mint museum welcomes all to be inspired and transformed through the power of art and creativity.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
To inspire, educate and cultivate curiosity through great works of art.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
For reference, the grantee most central to the portfolio’s shape is National Foundation for Advancement in the Arts Inc and the most unlike its peers is Anyone Can Fly Foundation Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 36 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 3% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
36 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 36 of the 46 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds FOUNDATION TO COMBAT ANTI-SEMITISM INC ↗
- Who funds National Gallery of Art ↗
- Who funds THE STUDIO MUSEUM IN HARLEM ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds BALTIMORE MUSEUM OF ART ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds MOUNT DESERT 365 ↗
- Who funds FOUNDATION FOR CONTEMPORARY ARTS INC ↗
- Who funds United States Artists Inc ↗
- Who funds STORM KING ART CENTER ↗
- Who funds AMERICAN FUND FOR THE SOUTHBANK CENTRE INC C/O MCDERMOTT WILL & EMERY LLP ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds MADISON SQUARE PARK CONSERVANCY INC ↗
- Who funds NATIONAL FOUNDATION FOR ADVANCEMENT IN THE ARTS INC ↗
- Who funds MYRIAD USA INC ↗
- Who funds SHELBURNE MUSEUM INC ↗
- Who funds WASHINGTON PROJECT FOR THE ARTS INC ↗
- Who funds SOLOMON R GUGGENHEIM FOUNDATION ↗
- Who funds Visual Arts Foundation Inc ↗
- Who funds BETHESDA COMMUNITY BASE BALL CLUB ↗
- Who funds ANYONE CAN FLY FOUNDATION INC ↗
- Who funds ARMAND HAMMER MUSEUM OF ART AND CULTURAL CENTER INC ↗
- Who funds Alliance for Global Justice Corp ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds MUSEUM OF CONTEMPORARY ART ↗
- Who funds ASIA ART ARCHIVE IN AMERICA INC ↗
- Who funds MANNA FOOD CENTER INC ↗
- Who funds Foundation for Art and Preservation in Embassies ↗
- Who funds UNIVERSITY OF MARYLAND FOUNDATION INC ↗
- Who funds City Kids to Wilderness Project Inc ↗
- Who funds BETHESDA GREEN INC ↗
- Who funds FOOD & FRIENDS INC ↗
- Who funds MOCO KIDSCO INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Greater Washington Community Foundation · National Philanthropic Trust · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Glenstone Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Moco Kidsco Inc — 15% of income from government
- Shelburne Museum Inc — 9% of income from government
- Baltimore Museum of Art — 4% of income from government
- Manna Food Center Inc — 1% of income from government
- National Foundation for Advancement in the Arts Inc — 0% of income from government
- University of Maryland Foundation Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Glenstone Foundation?
Find your warmest path to Glenstone Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.