· Private foundation
Carl & Marilynn Thoma Foundation
Its FY2024 filing reports that it accepted unsolicited grant applications.
Read this first · the figures below need context
91% of Carl & Marilynn Thoma Foundation’s FY2024 grant dollars went to Schwab Charitable Fund, not to grantees.
Its money now reaches organizations through that sponsor, which does not report who recommended each grant. FY2024 names 28 organizations directly, so a portfolio cannot be read from it. Everything below is therefore FY2021, the last year Carl & Marilynn Thoma Foundation named its own grantees at scale: 36 organizations, $15M. It is dated, not current.
Organizations named directly on the return
Amber years are those where most dollars went to a sponsor.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2021
- Under $10k16 grants · $34k
- $10k–50k22 grants · $513k
- $50k–250k20 grants · $1.7M
- $250k+3 grants · $13M
| Recipient | Amount |
|---|---|
| Schwab Donor Advised Fund | $12,176,953 |
| University of Texas at Austin | $553,645 |
| Amarillo College | $300,000 |
| Museum of Contemporary Art Cleveland | $176,000 |
| New Mexico School for the Arts | $110,000 |
| Individual grant recipient | $103,155 |
| Chicago Shakespeare Theater | $100,000 |
| Individual grant recipient | $100,000 |
| Shirley Ryan AbilityLab | $100,000 |
| RootED Alliance | $100,000 |
| Flagstaff Arts Council | $100,000 |
| Santa Fe Opera | $100,000 |
| American Enterprise Institute | $91,000 |
| Los Angeles County Museum of Art | $80,000 |
| CNM Ingenuity Deep Dive | $76,650 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY23–24, $78k) land where the poverty rate runs at 12%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +39% since the first grant, against +12% for the ones you funded once.
43 repeat relationships — 25 still active in FY2021, 18 since wound down; 122 grantees were first funded in FY2021 (too recent to call). Read against FY2021, the last year this funder named its own grantees directly; its giving has since run through a sponsor, which reports no donor behind each grant.
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 32% of grant dollars renewed an existing relationship; $2.2M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- CSCHICAGO SHAKESPEARE THEATER3× · 2021–2024 · $575k · revenue +108%
- SSSITE SANTA FE4× · 2021–2024 · $310k · revenue +238%
- GAGOLDEN APPLE FOUNDATION FOR EXCELLENCE IN TEACHING3× · 2022–2024 · $300k · revenue +77%
Funded once
- MOMUSEUM OF CONTEMPORARY ARTone grant, 2017 · $125k · revenue +0%
- IGIndividual grant recipientone grant, 2019 · $40k
- IGIndividual grant recipientone grant, 2017 · $40k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
To collect, display and interpret objects in craft art and design.
The museum of contemporary art san diego invites all audiences to experience our world, our region, and ourselves through the prism of contemporary art.
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
To inspire, educate and cultivate curiosity through great works of art.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
For reference, the grantee most central to the portfolio’s shape is Museum of Contemporary Art and the most unlike its peers is Rooted Alliance Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 41 years old; the field is 12. You back the established end — and your money leans older still.
The field is 27% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 17% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
82 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 82 of the 196 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds DONOR ADVISED CHARITABLE GIVING INC ↗
- Who funds COLLEGIATE EDU-NATION ↗
- Who funds CHICAGO SHAKESPEARE THEATER ↗
- Who funds THE SANTA FE OPERA ↗
- Who funds NEW MEXICO SCHOOL FOR THE ARTS - ARTS INSTITUTE ↗
- Who funds AMERICAN ENTERPRISE INSTITUTE FOR PUBLIC POLICY RESEARCH ↗
- Who funds SITE SANTA FE ↗
- Who funds NGAGE NEW MEXICO ↗
- Who funds GOLDEN APPLE FOUNDATION FOR EXCELLENCE IN TEACHING ↗
- Who funds PORTLAND ART MUSEUM ↗
- Who funds MUSEUM ASSOCIATES ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
- Who funds EMPOWER SCHOOLS INC ↗
- Who funds MASS DESIGN GROUP LTD ↗
- Who funds MUSEUM OF CONTEMPORARY ART CLEVELAND ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds ASIA SOCIETY TEXAS CENTER ↗
- Who funds GEORGIA O'KEEFFE MUSEUM ↗
- Who funds PHOENIX ART MUSEUM ↗
- Who funds MUSEUM OF CONTEMPORARY ART ↗
- Who funds RHIZOME COMMUNICATIONS INC co NEW MUSEUM OF CONTEMPORARY ART ↗
- Who funds Oklahoma State University Foundation ↗
- Who funds SANTA FE CHAMBER MUSIC FESTIVAL LTD ↗
- Who funds ROOTED ALLIANCE INC ↗
- Who funds Rehabilitation Institute of Chicago ↗
- Who funds FLAGSTAFF ARTS COUNCIL INC ↗
- Who funds BUFFALO FINE ARTS ACADEMY ↗
- Who funds Parallel Studios Inc ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Terra Foundation for American Art · Santa Fe Community Foundation · The Andrew W Mellon Foundation · Gale Family Foundation · The Abeles Foundation · New Mexico Humanities Council · Los Alamos National Laboratory Foundation · Helen Frankenthaler Foundation Inc · Thornburg Foundation · Albuquerque Community Foundation · Marshall L and Perrine D McCune Charitable Foundation Inc · Pnm Tnmp Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Carl & Marilynn Thoma Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Utec Inc — 46% of income from government
- Massachusetts Institute of Technology — 35% of income from government
- The Morris Museum Inc — 7% of income from government
- Portland Art Museum — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Carl & Marilynn Thoma Foundation?
Find your warmest path to Carl & Marilynn Thoma Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.