· Private foundation
McKinney Charitable Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k5 grants · $30k
- $10k–50k30 grants · $532k
- $50k–250k1 grant · $50k
| Recipient | Amount |
|---|---|
| CITY THEATRE COMPANY INC | $50,000 |
| PITTSBURGH YOUTH PHILHARMONIC ORCHESTRA | $35,100 |
| SQUONK OPERA INC | $25,000 |
| IMANI CHRISTIAN ACADEMY | $25,000 |
| THE PITTSBURGH CULTURAL TRUST | $25,000 |
| MEADVILLE COMMUNITY THEATRE | $22,000 |
| OPEN FIELD | $20,000 |
| CONCORDIA LUTHERAN MINISTRIES FOUNDATION | $20,000 |
| PITTSBURGH MUSICAL THEATER | $20,000 |
| UNION PROJECT | $20,000 |
| PITTSBURGH SHAKESPEARE IN THE PARK | $20,000 |
| RANKIN CHRISTIAN CENTER | $20,000 |
| NEW HAZLETT CENTER FOR THE PERFORMING | $20,000 |
| BAREBONES PRODUCTIONS INC | $20,000 |
| MATTRESS FACTORY | $20,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–25, $338k) land where the poverty rate runs at 11%, against an area that typically sits at 9%. 82% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +37% since the first grant, against +12% for the ones you funded once.
48 repeat relationships — 14 still active in FY2025, 34 since wound down; 22 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 45% of grant dollars renewed an existing relationship; $337k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TMTHE MATTRESS FACTORY LTD4× · 2020–2025 · $125k · revenue +20%
- TCThe City Theatre Company Inc4× · 2020–2025 · $95k · revenue +8%
- PMPITTSBURGH MUSICAL THEATER3× · 2021–2025 · $65k · revenue +106%
Funded once
- PCPittsburgh Community Broadcasting Corporone grant, 2020 · $40k
- UIURBAN IMPACTone grant, 2022 · $30k
- VTVariety the Childrens Charityone grant, 2021 · $25k · revenue -1%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Pittsburgh festival opera presents innovative opera for imaginative audiences. pittsburgh festival opera is pittsburgh's modern music drama company and, as such, focuses on creating new works, on reinterpreting older works in new ways, on…
Challenging, educating and entertaining pittsburgh audiences by providing high quality theatre at reasonable prices, while focusing on irish, english and classical works.
Allentown Public Theatre is dedicated to empowering our diverse communities through the performing arts. We expand opportunities for cultural participation and education in theatre, and create works that address contemporary issues.
To create a vibrant, responsible, and sustainable film and digital media sector in southwestern pennsylvania.
To create and distribute trusted content, build connections and strengthen our community through public media.
Provide quality, diverse arts programming to impact our communities and enrich people's lives in the twin tiers
To inspire creativity and confidence, promote cultural enrichment, and instill a love of the theatre arts in people of all ages and abilities through quality education and performance.
To present world class chamber music ensembles and soloists, promising emerging artists, and innovative programs; and to foster an appreciation for chamber music in the pittsburgh community by offering educational programs and experiences.
We connect the people and places of philadelphia through art and partnership. the organization is a free-standing platform that endeavors to show forward-thinking, high-quality contemporary visual and performance art in the city. the…
See schedule o.inspired by our home city, baltimore center stage acts as a cultural catalyst for all communities to access theater in every form and engage in compelling conversations. programming: capture the collective imagination and…
The association for public art (apa, formerly the fairmount park art association) commissions, preserves, interprets and promotes public art in philadelphia. dedicated to creating a museum without walls that informs, engages and inspires…
Village theater company/dba the lindsay theater and cultural center, carries its nonprofit mission of strengthening cultural, educational and entertainment opportunities, working to make these opportunities accessible to suburban…
For reference, the grantee most central to the portfolio’s shape is Pittsburgh Cultural Trust and the most unlike its peers is Mary S Biesecker Public Libary. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 31 years old; the field is 19. You back the established end — and your money leans older still.
The field is 17% startups (under 5 years old) — 4% of your grantees by number, and just 2% of your money.
The orgs you fund almost never close — 0.7% lost their exemption, against 9% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
138 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 138 of the 167 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE MATTRESS FACTORY LTD ↗
- Who funds The City Theatre Company Inc ↗
- Who funds PITTSBURGH MUSICAL THEATER ↗
- Who funds QUANTUM THEATRE INC ↗
- Who funds OPEN FIELD ↗
- Who funds UNION PROJECT ↗
- Who funds FRIENDS OF HOPITAL ALBERT SCHWEITZER HAITI ↗
- Who funds PITTSBURGH PUBLIC THEATER CORPORATION ↗
- Who funds POISE FOUNDATION ↗
- Who funds COMMUNITY ARTS CENTER OF CAMBRIA COUNTY ↗
- Who funds CIVIC LIGHT OPERA ASSOCIATION OF GREATER PITTSBURGH ↗
- Who funds FRONT PORCH THEATRICALS ↗
- Who funds PITTSBURGH GLASS CENTER INC ↗
- Who funds DREAMS OF HOPE ↗
- Who funds COMMUNITY THEATER PROJECT CORPORATION ↗
- Who funds ALUMNI THEATER COMPANY ↗
- Who funds FILM PITTSBURGH ↗
- Who funds PITTSBURGH YOUTH PHILHARMONIC ORCHESTRA ↗
- Who funds BREW HOUSE ARTS ↗
- Who funds CITY OF ASYLUM ↗
- Who funds LATIN AMERICAN STUDIES ASSOCIATION ↗
- Who funds BAREBONES PRODUCTIONS INC ↗
- Who funds PITTSBURGH CULTURAL TRUST ↗
- Who funds RANKIN CHRISTIAN CENTER ↗
- Who funds PITTSBURGH SYMPHONY INC ↗
- Who funds THE BOTTLEWORKS INC ETHNIC ARTS CENTER ↗
- Who funds Fine Art Miracles Inc ↗
- Who funds BODIOGRAPHY CONTEMPORARY BALLET ↗
- Who funds RADIANT HALL STUDIOS ↗
- Who funds Little Lake Theatre Company ↗
- Who funds OFF THE WALL PRODUCTIONS ↗
- Who funds 25 CARRICK AVE PROJECT ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Heinz Endowments · The Pittsburgh Foundation · Hillman Family Foundations · The Grable Foundation · Opportunity Foundation · The Fine Foundation · Richard King Mellon Foundation · Program to Aid Citizen Enterprise Inc · Staunton Farm Foundation 540-054 Dba Staunton Farm Foundation · The Buhl Foundation · The Jack Buncher Foundation · The United Way of Southwestern Pennsylvania
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization McKinney Charitable Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.