· Private foundation
Cornelia T Bailey Charitable Trust
Its FY2022 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2022.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2022
- Under $10k2 grants · $10k
- $10k–50k83 grants · $2.0M
- $50k–250k8 grants · $918k
- $250k+15 grants · $486M
| Recipient | Amount |
|---|---|
| CORNELIA T BAILEY CHARITABLE TRUST | $243,622,453 |
| GLEN W BAILEY CHARITABLE TRUST | $234,979,115 |
| NORTON MUSEUM | $1,000,000 |
| PALM BEACH OPERA | $1,000,000 |
| BUSCH WILDLIFE SANCTUARY | $1,000,000 |
| PALM BEACH OPERA | $1,000,000 |
| WELLESLEY COLLEGE | $500,000 |
| RAYMOND F KRAVIS CENTER FOR THE PERFORMING ARTS | $500,000 |
| LIGHTHOUSE ARTCENTER | $500,000 |
| HOBE SOUND COMMUNITY CHEST | $450,000 |
| YWCA OF PALM BEACH COUNTY | $402,500 |
| LOGGERHEAD MARINELIFE CENTER | $400,000 |
| NATIONAL PARK FOUNDATION | $300,000 |
| JUPITER MEDICAL CENTER FOUNDATION | $250,000 |
| METROPOLITAN OPERA LINCOLN CENTER | $250,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–22, $1.5M) land where the poverty rate runs at 11%, against an area that typically sits at 10%. 52% of those dollars go to grantees based in above-average-need neighborhoods. Your grants spread fairly evenly across need levels.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +38% since the first grant, against +31% for the ones you funded once.
126 repeat relationships — 57 still active in FY2022, 69 since wound down; 48 grantees were first funded in FY2022 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 2% of grant dollars renewed an existing relationship; $480M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PBPALM BEACH OPERA INC5× · 2017–2022 · $5.3M · revenue +69% · 31% of their budget
- MJMALTZ JUPITER THEATRE INC3× · 2017–2020 · $4.5M · revenue +71% · 30% of their budget
- LMLOGGERHEAD MARINELIFE CENTER INC4× · 2019–2022 · $2.6M · revenue +3%
Funded once
- PSPBS SOUTH FLORIDAone grant, 2020 · $2.3M
- JIJUPITER ISLAND ARTS COUNCIL INCgraduatedone grant, 2021 · $1.0M · revenue +33% · 97% of their budget
- TCTHE CORAL RESTORATION FOUNDATION INCgraduatedone grant, 2021 · $1.0M · revenue +31%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Please refer to schedule o for the organization's complete mission statement.
To offer accessible, high-quality performing arts education that sparks personal growth and builds inclusive communities. its vision is to transform performing arts education in an inclusive community accessible to all.
For more than a century, diller-quaile has offered an environment where music can flourish in all its aspects, enriching the lives of students of all ages and cultural backgrounds. the belief that music is a fundamental part of human life…
Organization's mission statement true to the ambitious vision of its founder and her spirit of creative risk-taking, the mission of the isabella stewart gardner museum is: - to bring to life and preserve the rich historic collection; - to…
Deeply rooted in our local beverly hills community and influenced by cultural change, the wallis annenberg center for the performing arts, a public-private partnership with the city of beverly hills, strives to be a site for the…
Balletx expands the vocabulary of contemporary ballet for all audiences through innovative performances, world premiere choreography, dance education, and community programs.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
From classrooms to careers, studio in a school expands access to visual arts education and professions in the arts by partnering with practicing artists, schools, and cultural institutions.
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
The mission of lyrica baroque is to support a diverse community of students, teachers, artists, institutions and audiences of all ages through education, collaboration and performance. lyrica baroque seeks to promote the extraordinary…
Balletmet will celebrate dance by engaging the community through quality performances, instruction, education programs, and creation of new work.
The purposes of the corporation are to introduce and foster the arts into the experience, participation and knowledge of children using dance as a catalyst; promote the belief that the arts are primary and vital in our society and should…
For reference, the grantee most central to the portfolio’s shape is Orlando Family Stage Inc and the most unlike its peers is The Ed Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 38 years old; the field is 12. You back the established end — and your money leans older still.
The field is 27% startups (under 5 years old) — 1% of your grantees by number, and just 91% of your money.
The orgs you fund almost never close — 0.6% lost their exemption, against 17% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
308 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 308 of the 394 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds CORNELIA T BAILEY CHARITABLE TRUST ↗
- Who funds GLENN W BAILEY CHARITABLE TRUST ↗
- Who funds PALM BEACH OPERA INC ↗
- Who funds MALTZ JUPITER THEATRE INC ↗
- Who funds LOGGERHEAD MARINELIFE CENTER INC ↗
- Who funds CENTER FOR CREATIVE EDUCATION ↗
- Who funds THE BUSCH WILDLIFE SANCTUARY INC ↗
- Who funds LIGHTHOUSE ARTCENTER INC ↗
- Who funds YWCA OF PALM BEACH COUNTY ↗
- Who funds AMERICAN CANCER SOCIETY INC ↗
- Who funds NATIONAL PARK FOUNDATION ↗
- Who funds Museum of Modern Art ↗
- Who funds Wellesley College ↗
- Who funds RAYMOND F KRAVIS CENTER FOR THE PERFORMING ARTS INC ↗
- Who funds Jupiter Medical Center Foundation Inc ↗
- Who funds HOBE SOUND COMMUNITY CHEST INC ↗
- Who funds The Society of the Four Arts Inc ↗
- Who funds JUPITER ISLAND ARTS COUNCIL INC ↗
- Who funds Nicklaus Children's Health Care Foundation ↗
- Who funds THE CORAL RESTORATION FOUNDATION INC ↗
- Who funds FLORIDA ATLANTIC UNIVERSITY FOUNDATION INC ↗
- Who funds FLORIDA INTERNATIONAL UNIVERSITY FOUNDATION INC ↗
- Who funds MARC LUSTGARTEN PANCREATIC CANCER FOUNDATION ↗
- Who funds YWCA SOUTH FLORIDA INC ↗
- Who funds ANN NORTON SCULPTURE GARDENS INC ↗
- Who funds Cultural Council of Palm Beach County Inc ↗
- Who funds Norwalk Hospital Foundation ↗
- Who funds BOCA BALLET THEATRE COMPANY ↗
- Who funds BIOBUS INC ↗
- Who funds ELAINE KAUFMAN CULTURAL CENTER LUCY MOSES SCHOOL FOR MUSIC AND DANCE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Cornelia T Bailey Charitable Trust · The Hyde and Watson Foundation · The Batchelor Foundation Inc · Lily Auchincloss Foundation Inc · Td Charitable Foundation · The Pierre & Tana Matisse Foundation Inc · The Howard Gilman Foundation Inc · Connecticut Humanities Council Inc · Fairfield County's Community Foundation Inc · Pinkerton Foundation · Mid Atlantic Arts Inc · Glenn W Bailey Charitable Trust
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Cornelia T Bailey Charitable Trust funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Five Points Center for the Visual Arts Inc — 75% of income from government
- Ywca of Palm Beach County — 72% of income from government
- Friends of the Underline Inc — 66% of income from government
- Icon Preparatory School Inc — 22% of income from government
- Our Piece of the Pie Inc — 21% of income from government
- Biscayne Bay Waterkeeper Inc — 19% of income from government
- 211 Palm BeachTreasure Coast Inc — 17% of income from government
- The Coral Restoration Foundation Inc — 16% of income from government
- The Discovery Museum Inc — 15% of income from government
- Arts for Learning Connecticut — 14% of income from government
- Design Museum Foundation Inc — 12% of income from government
- The Community Fund of Darien — 9% of income from government
- Cox Science Center and Aquarium Inc — 6% of income from government
- The Children's Home Society of Florida — 6% of income from government
- Person to Person Inc — 5% of income from government
- Orlando Science Centerinc — 4% of income from government
- Tampa Metropolitan Area Young Men's Christian Association Inc — 4% of income from government
- Fairchild Tropical Botanic Garden Inc — 4% of income from government
- Hartford Stage Company Inc — 3% of income from government
- Hartford Performs Inc — 3% of income from government
- Center for Creative Education — 2% of income from government
- Intempo Organization Inc — 2% of income from government
- Boys & Girls Club of Martin County — 2% of income from government
- Cathedral Arts Project Inc — 1% of income from government
- Hispanic Unity of Florida Inc — 1% of income from government
- Shakespeare & Company Inc — 1% of income from government
- Wellesley College — 1% of income from government
- Stepping Stones Museum for Children Inc — 1% of income from government
- Klein Memorial Auditorium Foundationinc — 1% of income from government
- Fairfield University — 1% of income from government
- Silvermine Guild of Artists Inc — 1% of income from government
- Yale New Haven Hospital — 0% of income from government
- Palm Beach County Food Bank Inc — 0% of income from government
- Big Dog Ranch Rescue Inc — 0% of income from government
- The Palm Beach Symphony Society Inc — 0% of income from government
- The Armory Art Center Inc — 0% of income from government
- Ballet Vero Beach Inc — 0% of income from government
- Rowayton Arts Center — 0% of income from government
- Adrienne Arsht Center Trust Inc — 0% of income from government
- Ywca South Florida Inc — 0% of income from government
- Lighthouse Artcenter Inc — 0% of income from government
- Pequot Library Association — 0% of income from government
- Oliver Patch Project Inc — 0% of income from government
- Boca Ballet Theatre Company — 0% of income from government
- Bay Street Players Inc — 0% of income from government
- Caridad Center Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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