· Private foundation
The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation)
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k5 grants · $10k
- $10k–50k6 grants · $140k
- $50k–250k26 grants · $3.0M
- $250k+4 grants · $1.1M
| Recipient | Amount |
|---|---|
| JOHN F KENNEDY CENTER FOR PERFORMING ARTS | $300,000 |
| ASPEN INSTITUTE | $300,000 |
| THE REGENTS OF THE UNIVERSITY OF CALIFORNIA | $250,000 |
| SAVE THE MUSIC FOUNDATION | $250,000 |
| AMERICAN MUSIC THERAPY ASSOCIATION | $200,000 |
| ETM-LA INC | $175,000 |
| ARTS FOR HEALING AND JUSTICE NETWORK | $175,000 |
| LOS ANGELES COUNTY DEPARTMENT OF ARTS AND CULTURE | $150,000 |
| STATE EDUCATION AGENCY DIRECTORS OF ARTS EDUCATION | $150,000 |
| MUSIC WILL | $150,000 |
| HEART OF LOS ANGELES YOUTH INC | $150,000 |
| EQUITY ARC | $135,000 |
| LOS ANGELES OPERA COMPANY | $125,000 |
| CREATE CA | $125,000 |
| LOS ANGELES PHILHARMONIC ASSOCIATION | $125,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–24, $1.3M) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +54% since the first grant, against +31% for the ones you funded once.
62 repeat relationships — 21 still active in FY2024, 41 since wound down; 13 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 72% of grant dollars renewed an existing relationship; $1.2M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MCMASON CITY FOUNDATION8× · 2017–2024 · $969k · revenue +376% · 51% of their budget
- LALOS ANGELES PHILHARMONIC ASSOCIATION7× · 2018–2024 · $775k · revenue +14%
- AAARTS AND SERVICES FOR DISABLED INC DBA ABLE ARTS WORK6× · 2017–2023 · $774k · revenue +60%
Funded once
- SESTATE EDUCATION AGENCY DIRECTORS OF ARTS EDUCATION (SEADAE)one grant, 2019 · $250k
- IGIndividual grant recipientone grant, 2022 · $125k
- OAOPERA AMERICA INCone grant, 2023 · $90k · revenue +23%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The orchestra pursues its mission, "to enrich and connect our community through intimate and transformative musical experiences which exemplify and foster artistic excellence, education and innovation," through the blend of traditional…
The ojai music festival serves as a creative music laboratory for pioneering new works,championing adventurous programming, and working with today's emerging artists with events during the year and the ojai music festival serves as a…
Kaufman music center stimulates appreciation of and participation in music through music performance and education in ways that awaken creativity, advance innovation, and create a sense of wonder among performers, students, teachers, and…
To seek and nurture exceptional young string musicians, foster and further their performance and professional skills development, and provide them with performance opportunities and monetary support.
Sound art dba in the band is dedicated to empowering the youth of los angeles and beyond through access to music education and mentoring in community centers, schools and online. founded to fulfill the need for an affordable and culturally…
To bring high quality classical musicians from around the globe to the santa barbara area to perform orchestral, vocal, solo instrumental, and chamber concerts.
The mission of lyrica baroque is to support a diverse community of students, teachers, artists, institutions and audiences of all ages through education, collaboration and performance. lyrica baroque seeks to promote the extraordinary…
Manhattan school of music is deeply committed to excellence in education, performance, and creative activity; to the humanity of the school's environment; and to the cultural enrichment of the larger community. a premiere international…
Choral Music Performances: California Bach Society is a 30-voice chamber choir known for finely wrought interpretations of Renaissance and Baroque music, often accompanied by leading period instrumentalists. Each season, the choir performs…
Chicago opera theater expands the tradition of opera as a living art form by engaging lovers of music and storytelling through innovative experiences, predominantly of new and rarely performed works.
The mission of the Fresno Philharmonic is to enrich the lives of Central San Joaquin Valley residents through inspiring performances of orchestral music. We are an essential and collaborative member of a vibrant arts scene which unites,…
For reference, the grantee most central to the portfolio’s shape is Los Angeles Music and Art School and the most unlike its peers is New York University. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 29 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 1.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
100 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 100 of the 126 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds EDUCATION THROUGH MUSIC INC ↗
- Who funds CALIFORNIA COMMUNITY FOUNDATION ↗
- Who funds MASON CITY FOUNDATION ↗
- Who funds LOS ANGELES PHILHARMONIC ASSOCIATION ↗
- Who funds ARTS AND SERVICES FOR DISABLED INC DBA ABLE ARTS WORK ↗
- Who funds HEART OF LOS ANGELES YOUTH INC ↗
- Who funds LOS ANGELES OPERA COMPANY ↗
- Who funds SAVE THE MUSIC FOUNDATION ↗
- Who funds Create CA ↗
- Who funds Harmony Project ↗
- Who funds NATIONAL GUILD FOR COMMUNITY ARTS EDUCATION INC ↗
- Who funds ETM-LA INC ↗
- Who funds MUSIC WILL INC ↗
- Who funds Californians for the Arts ↗
- Who funds Resounding Joy Inc ↗
- Who funds UCLA FOUNDATION ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds CALIFORNIA STATE UNIVERSITY NORTHRIDGE FOUNDATION ↗
- Who funds THE GREAT AMERICAN SONGBOOK FOUNDATION INC ↗
- Who funds MEMORIAL MEDICAL CENTER FOUNDATION ↗
- Who funds VISTA DEL MAR CHILD AND FAMILY SERVICES ↗
- Who funds Braver AngelsInc ↗
- Who funds CREATIVETS ↗
- Who funds AMERICAN MUSIC THERAPY ASSOCIATION ↗
- Who funds Arts for LA ↗
- Who funds Children's Hospital Los Angeles ↗
- Who funds JOHN F KENNEDY CENTER FOR THE PERFORMING ARTS ↗
- Who funds ARTS FOR HEALING AND JUSTICE NETWORK ↗
- Who funds STREET POETS INC ↗
- Who funds YOUNG MUSICIANS FOUNDATION ↗
- Who funds THE COLBURN SCHOOL ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Ralph M Parsons Foundation · The Ahmanson Foundation · Perenchio Foundation · California Community Foundation · Colburn Foundation · The Rose Hills Foundation · Thelma Pearl Howard Foundation · The Annenberg Foundation · Ann & Gordon Getty Foundation · Elbridge Stuart Foundation Dba Stuart Foundation · The J Paul Getty Trust · Snap Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation) funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Arts Ed Nj Inc — 21% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation)?
Find your warmest path to The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation) through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.