· Private foundation
Perenchio Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- $10k–50k6 grants · $183k
- $50k–250k71 grants · $9.9M
- $250k+44 grants · $33M
| Recipient | Amount |
|---|---|
| HENRY E HUNTINGTON LIBRARY AND ART GALLERY | $5,000,000 |
| FOUNDATION FOR THE LOS ANGELES COMMUNITY COLLEGES | $3,500,000 |
| PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA | $3,174,000 |
| INNER-CITY ARTS | $975,000 |
| LOS ANGELES MASTER CHORALE ASSOCIATION | $850,000 |
| JAPANESE AMERICAN NATIONAL MUSEUM | $850,000 |
| MOLAA | $850,000 |
| THE HARMONY PROJECT | $850,000 |
| LA PLAZA DE CULTURA Y ARTES | $850,000 |
| PS ARTS | $811,000 |
| THE LA CHAMBER ORCHESTRA SOCIETY INC | $800,000 |
| AMERICAN CINEMATHEQUE | $760,000 |
| A NOISE WITHIN | $750,000 |
| JAPANESE AMERICAN CULTURAL & COMMUNITY CENTER | $746,000 |
| WENDE MUSEUM | $745,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY22–24, $481k) land where the poverty rate runs at 14%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +11% since the first grant, against +6% for the ones you funded once.
90 repeat relationships — 85 still active in FY2024, 5 since wound down; 36 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 63% of grant dollars renewed an existing relationship; $16M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- GPGEFFEN PLAYHOUSE INC3× · 2020–2023 · $6.5M · revenue +9%
- TPTHE PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA INC3× · 2022–2024 · $4.8M · revenue +109% · 28% of their budget
- LALOS ANGELES MASTER CHORALE ASSOCIATION3× · 2022–2024 · $2.7M · revenue +11%
Funded once
- LALOS ANGELES PHILHARMONIC ASSOCIATIONgraduatedone grant, 2020 · $10M · revenue +141%
- TMThe Music Center of LA Countyone grant, 2020 · $10M
- TATHE AMERICAN FILM INSTITUTEgraduatedone grant, 2020 · $5.5M · revenue +33%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The orchestra pursues its mission, "to enrich and connect our community through intimate and transformative musical experiences which exemplify and foster artistic excellence, education and innovation," through the blend of traditional…
To serve the public by producing world-class opera that preserves, promotes and advances the art form while embodying the diversity, spirit and artistic sensibility unique to los angeles. we envision an engaged and enlightened community in…
To celebrate the human experience while encouraging the participation of artist and audience in theatre productions.
See schedule otmc champions the arts in los angeles for all people. tmc connects the people of los angeles with one another and with art that can enrich their lives. tmc embraces patrons, visitors and community members from all…
ARTRONIKA is a collective of Los Angeles based artists that produce immersive arts programming showcasing an array of South Asian talent and culture. Through innovative and inclusive events, we reimagine traditional music, art, and…
Deeply rooted in our local beverly hills community and influenced by cultural change, the wallis annenberg center for the performing arts, a public-private partnership with the city of beverly hills, strives to be a site for the…
Rogue Machine Theatre was founded in 2008 as a performing arts organization to serve the greater Los Angeles community in developing and nurturing emerging playwrights, introducing important contemporary works to Southern California and…
Occidental Center for the Arts exists to provide a welcoming and accessible venue for the performing and visual arts in Sonoma County California for local regional national and international artists. our mission is to enrich our community…
Lawndale is a multidisciplinary contemporary art center that engages Houston communities with exhibitions and programs that explore the aesthetic, critical, and social issues of our time.See Schedule O for continuation.For over 40 years,…
Slo rep strengthens theatre's cultural influence and enriches the central coast by producing professional theatre, nurturing artists and providing theatre education for children and adults.
For reference, the grantee most central to the portfolio’s shape is Dance Downtown La Inc La Dance Project and the most unlike its peers is Henry E Huntington Library and Art Gallery. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 30 years old; the field is 12. You back the established end — and your money leans older still.
The field is 25% startups (under 5 years old) — 3% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.7% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
134 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 134 of the 176 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds LOS ANGELES PHILHARMONIC ASSOCIATION ↗
- Who funds GEFFEN PLAYHOUSE INC ↗
- Who funds THE AMERICAN FILM INSTITUTE ↗
- Who funds CALIFORNIA STATE UNIVERSITY FRESNO FOUNDATION ↗
- Who funds HENRY E HUNTINGTON LIBRARY AND ART GALLERY ↗
- Who funds THE PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA INC ↗
- Who funds FOUNDATION FOR THE LOS ANGELES COMMUNITY COLLEGES ↗
- Who funds LOS ANGELES MASTER CHORALE ASSOCIATION ↗
- Who funds JAPANESE AMERICAN NATIONAL MUSEUM ↗
- Who funds Harmony Project ↗
- Who funds LA PLAZA DE CULTURA Y ARTES ↗
- Who funds PS ARTS ↗
- Who funds JAPANESE AMERICAN CULTURAL AND COMMUNITY CENTER ↗
- Who funds CALIFORNIA COMMUNITY FOUNDATION ↗
- Who funds ICA LA ↗
- Who funds GET LIT - WORDS IGNITE INC ↗
- Who funds ARMORY CENTER FOR THE ARTS ↗
- Who funds MuseIque ↗
- Who funds SELF HELP GRAPHICS & ART INC ↗
- Who funds INNER-CITY ARTS ↗
- Who funds 18TH STREET ARTS COMPLEX ↗
- Who funds EAST-WEST PLAYERS INC ↗
- Who funds LATINO THEATER COMPANY ↗
- Who funds EVERYBODY DANCE LA ↗
- Who funds A Noise Within ↗
- Who funds ANGELS GATE CULTURAL CENTER INC ↗
- Who funds THE ACTORS' FUND OF AMERICA ↗
- Who funds CRAFT CONTEMPORARY ↗
- Who funds SHAKESPEARE CENTER OF LOS ANGELES ↗
- Who funds DIAVOLO DANCE THEATRE ↗
- Who funds ACTOR'S GANG INC ↗
- Who funds INNER CITY YOUTH ORCHRSTRA OF LOS ANGELES INC ↗
- Who funds THE UNUSUAL SUSPECTS THEATRE COMPANY ↗
- Who funds AMERICAN CINEMATHEQUE ↗
- Who funds L A THEATRE WORKS ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Ralph M Parsons Foundation · The Ahmanson Foundation · The J Paul Getty Trust · California Community Foundation · The Annenberg Foundation · The Rose Hills Foundation · Elbridge Stuart Foundation Dba Stuart Foundation · Snap Foundation · The Green Foundation · Weingart Foundation · The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation) · The Wilhelm Family Foundation Co Cascade Wilhelm
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Perenchio Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.