· Public charity
South Arts Inc
South arts strengthens the south through advancing excellence in the arts by presenting programs and connecting with state arts agencies in the region.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 233 grants below total $9,253,512 — the rows itemised in this filing. The $10,400,732 headline is the total grant expense reported on the return, so the remaining $1,147,220 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k45 grants · $307k
- $10k–50k100 grants · $2.5M
- $50k–250k88 grants · $6.4M
| Recipient | Amount |
|---|---|
| Ballet After Dark Inc | $130,000 |
| Wyandotte Nation of Kansas Inc | $130,000 |
| South Sudanese Foundation | $130,000 |
| Border Youth Tennis Exchange | $126,972 |
| The Indy Convergence INC | $122,000 |
| The Laundromat Project | $117,000 |
| North Carolina Arts Council | $99,019 |
| The Beautiful Project Inc | $98,750 |
| Ko-Thi Inc | $97,500 |
| Phamaly Theatre Company | $97,500 |
| Indigenous Performance Productions | $97,500 |
| Working Classroom | $96,706 |
| PRISMID Inc | $96,359 |
| NorthStar Church of the Arts Inc | $94,889 |
| Dancing Grounds | $93,169 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY18–25, $612k) land where the poverty rate runs at 12%, against an area that typically sits at 11%. 46% of those dollars go to grantees based in above-average-need neighborhoods. Your grants spread fairly evenly across need levels.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +11% since the first grant, against +4% for the ones you funded once.
129 repeat relationships — 79 still active in FY2025, 50 since wound down; 152 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 20% of grant dollars renewed an existing relationship; $7.4M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TCTRUE COLORS THEATRE COMPANY5× · 2021–2025 · $398k · revenue +1%
- NCNorth Carolina Arts Foundation6× · 2020–2025 · $359k · revenue +392%
- BBB B KING MUSEUM AND DELTA INTERPRETIVE CENTER3× · 2023–2025 · $315k · revenue +38%
Funded once
- NONASHVILLE OPERA ASSOCIATIONgraduatedone grant, 2021 · $100k · revenue +83%
- MMMISSISSIPPI MUSEUM OF ART INCone grant, 2021 · $100k · revenue -17%
- NPNATIONAL PERFORMANCE NETWORK INCgraduatedone grant, 2021 · $100k · revenue +66%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Dedicated to the creation, presentation and advancement of contemporary art through its exhibitions, educational programming and studio art program.
ARTNOIR is a global collective and a 501(c)(3) non-profit organization with a mission to celebrate and highlight the work of creatives of color from around the world while catalyzing cultural equity across the arts and culture industries.…
Cultivating a vibrant network of artists who create community and impact culture.
To make savannah a destination for art and culture in the southeast by supporting established and emerging artists, engaging a diverse community with creative programming, and developing awareness and appreciation of the arts.
To cultivate the arts in Jefferson County and the State of Alabama.
The Consortium will advance the arts and culture by educating the public, policy makers, government leaders and others on the salience of the sector across society and government.
Cultural enrichment through arts programs
The District of Columbia Arts Center serves the Washington DC area by presenting high caliber and challenging works. It encourages professionalism among artists by providing a forum for educational and cultural exchange. DCAC was founded…
The mission of the arts association in newton county is to encourage youth and adults in the community to participate in the arts both as audience and as artists and to present world-class artists to all the citizens of the metro atlanta…
For reference, the grantee most central to the portfolio’s shape is Mid Atlantic Arts Inc and the most unlike its peers is The Paramount Theatre Foundation the Paramount Theatre Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 24 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 3% of your grantees by number, and just 4% of your money.
The orgs you fund almost never close — 0.9% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
381 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 381 of the 459 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds TRUE COLORS THEATRE COMPANY ↗
- Who funds DEEP CENTER INCORPORATED ↗
- Who funds North Carolina Arts Foundation ↗
- Who funds COLLAGE DANCE COLLECTIVE ↗
- Who funds Colour of Music ↗
- Who funds JUNEBUG PRODUCTIONS INC ↗
- Who funds DIASPORA VIBE CULTURAL ARTS INCUBATOR ↗
- Who funds B B KING MUSEUM AND DELTA INTERPRETIVE CENTER ↗
- Who funds EFFORTS OF GRACE INC ↗
- Who funds OTIS REDDING FOUNDATION INC ↗
- Who funds JAZZARTS CHARLOTTE ↗
- Who funds MISSISSIPPI CENTER FOR CULTURAL PRODUCTION ↗
- Who funds BALLETHNIC DANCE COMPANY ↗
- Who funds TEATRO AVANTE INC ↗
- Who funds HINDMAN SETTLEMENT SCHOOL INC ↗
- Who funds ART2ACTION INC ↗
- Who funds APPALSHOP INC ↗
- Who funds JUNIOR APPALACHIAN MUSICIANS INC ↗
- Who funds ASIA INSTITUTE INC ↗
- Who funds Alabama Dance Council ↗
- Who funds Alabama Jazz Hall of Fame Inc ↗
- Who funds BALLET AFTER DARK INCORPORATED ↗
- Who funds SOUTH SUDANESE FOUNDATION ↗
- Who funds WYANDOTTE NATION OF KANSAS ↗
- Who funds BORDER YOUTH TENNIS EXCHANGE INC ↗
- Who funds INDY CONVERGENCE INC ↗
- Who funds The Laundromat Project Inc ↗
- Who funds AMERICAN DANCE FESTIVAL INC ↗
- Who funds DANCING GROUNDS ↗
- Who funds NASHVILLE OPERA ASSOCIATION ↗
- Who funds MISSISSIPPI MUSEUM OF ART INC ↗
- Who funds NATIONAL PERFORMANCE NETWORK INC ↗
- Who funds HIGHLANDER RESEARCH & EDUCATION CENTER INC ↗
- Who funds The Beautiful Project Inc ↗
- Who funds PHAMALY THEATRE COMPANY ↗
- Who funds INDIGENOUS PERFORMANCE PRODUCTIONS ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: New England Foundation for the Arts Incorporated · The Andrew W Mellon Foundation · The Mary Duke Biddle Foundation Missionpost Pmb #101 · National Performance Network Inc · The Andy Warhol Foundation for the Visual Arts Inc · Doris Duke Charitable Foundation Inc · Arts Midwest Incorporated · Mississippi Humanities Council Inc · The Shubert Foundation Inc · The Poetry Foundation · The Bloomberg Family Foundation Inc · Triangle Community Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization South Arts Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Community Partners in Action Inc — 90% of income from government
- Mid Atlantic Arts Inc — 66% of income from government
- 4YOUTH Productions Inc — 21% of income from government
- Community Building Art Works — 18% of income from government
- National Association of Black Storytellers Inc — 18% of income from government
- Afro Caribbean Cultural Center Inc — 11% of income from government
- Clemmons Family Farm Inc — 9% of income from government
- Fundarte Inc — 5% of income from government
- Company One Inc — 2% of income from government
- Native Arts and Cultures Foundation Inc — 1% of income from government
- Nxthvn Inc — 1% of income from government
- ARTS4ALL Florida Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.