· Private foundation
The Wilhelm Family Foundation Co Cascade Wilhelm
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k7 grants · $48k
- $10k–50k17 grants · $171k
| Recipient | Amount |
|---|---|
| COMMUNITY PARTNERS | $10,900 |
| YOUTH ARTS UNLOCKED | $10,000 |
| A STUDIO IN THE WOODS | $10,000 |
| INDIGENOUS ROOTS | $10,000 |
| WOMEN IN MEDIA | $10,000 |
| MANIFEST WORKS | $10,000 |
| MONO NO AWARE | $10,000 |
| LAXART | $10,000 |
| ASSOCIATION FOR COMMUNITY DESIGN | $10,000 |
| WOMENS AUDIO MISSION | $10,000 |
| THE CURTIS LEGACY FOUNDATION | $10,000 |
| GYOPO | $10,000 |
| BOB BAKER MARIONETTE THEATER | $10,000 |
| THE IN SERIES INC | $10,000 |
| ACTIVE CULTURES | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY19–24, $56k) land where the poverty rate runs at 16%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +63% since the first grant, against +12% for the ones you funded once.
38 repeat relationships — 4 still active in FY2024, 34 since wound down; 19 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 15% of grant dollars renewed an existing relationship; $185k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TWTHE WENDE MUSEUM OF THE COLD WAR INC6× · 2017–2022 · $86k · revenue ×12
- FAFULCRUM ARTS3× · 2020–2023 · $73k · revenue +34%
SARAH LAWRENCE COLLEGE4× · 2017–2020 · $70k · revenue +14%
Funded once
United States Artists Incgraduatedone grant, 2020 · $29k · revenue +67%- SASOCIAL AND ENVIRONMENTAL ENTREPREUNone grant, 2022 · $21k
- IOINSTITUTE OF CONTEMPORARY ART LAone grant, 2020 · $15k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
As creative producers, we are devoted to the production and presentation of groundbreaking experiences in contemporary performance that use innovative approaches to collaboration, technology, and social engagement. As a service…
ARTNOIR is a global collective and a 501(c)(3) non-profit organization with a mission to celebrate and highlight the work of creatives of color from around the world while catalyzing cultural equity across the arts and culture industries.…
Contemporary Art Review Los Angeles (Carla) is a Los Angeles-based nonprofit organization and publishing platform that is dedicated to providing inclusive perspectives on contemporary art. Publishing in both print and online, Carla is an…
On the Boards' mission is to invest in leading contemporary performing artists near and far and connect them to a diverse range of communities interested in forward-thinking art and ideas.
Artpace san antonio is a nonprofit residency program which supports texas, national, and international artists in the creation of new art. see schedule o for continuation.
For reference, the grantee most central to the portfolio’s shape is Fulcrum Arts and the most unlike its peers is Fathomers. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 20 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 2% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 1% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
98 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 98 of the 121 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE WENDE MUSEUM OF THE COLD WAR INC ↗
- Who funds FULCRUM ARTS ↗
- Who funds SARAH LAWRENCE COLLEGE ↗
- Who funds WOMEN'S CENTER FOR CREATIVE WORK ↗
- Who funds CLOCKSHOP ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds Joan Los Angeles ↗
- Who funds LOS ANGELES NOMADIC DIVISION ↗
- Who funds ART RESOURCES TRANSFER INC ↗
- Who funds United States Artists Inc ↗
- Who funds PRIMARY INFORMATION INC ↗
- Who funds FATHOMERS ↗
- Who funds ARTISTIC FREEDOM INITIATIVE INC ↗
- Who funds ACTIVE CULTURES ↗
- Who funds NAVEL LA CO ↗
- Who funds CENTER FOR LAND USE INTERPRETATION ↗
- Who funds REDISCOVER CENTER INC ↗
- Who funds RAIR INC ↗
- Who funds DANCE DOWNTOWN LA INC LA DANCE PROJECT ↗
- Who funds MUSEUM OF JURASSIC TECHNOLOGY ↗
- Who funds VELASLAVASAY PANORAMA ↗
- Who funds THE INDUSTRY PRODUCTIONS INC ↗
- Who funds ARTISTS IN RESIDENCE INC ↗
- Who funds COAXIAL ARTS FOUNDATION ↗
- Who funds INTERNATIONAL STUDIO & CURATORIAL PROGRAM INC ↗
- Who funds CRAFT CONTEMPORARY ↗
- Who funds COMMUNITY PARTNERS ↗
- Who funds ACTORS BRIDGE ENSEMBLE THEATER OF NASHVILLE INC ↗
- Who funds GRAY AREA FOUNDATION FOR THE ARTS ↗
- Who funds PHILADELPHIA CONTEMPORARY ↗
- Who funds PHOTO ALLIANCE ↗
- Who funds SPACE Gallery ↗
- Who funds SAN FRANCISCO ART INSTITUTE ↗
- Who funds SIDE STREET PROJECTS ↗
- Who funds EQUITABLE VITRINES ↗
- Who funds FUTURE ROOTS INC ↗
- Who funds HIGH DESERT TEST SITES ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Andy Warhol Foundation for the Visual Arts Inc · The Mike Kelley Foundation for the Arts · Perenchio Foundation · The J Paul Getty Trust · The Andrew W Mellon Foundation · The Annenberg Foundation · California Community Foundation · The Ralph M Parsons Foundation · The Ahmanson Foundation · Pasadena Art Alliance · California Humanities · Robert Rauschenberg Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Wilhelm Family Foundation Co Cascade Wilhelm funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.