· Public charity
California Humanities
CALIFORNIA HUMANITIES was founded in 1975 with a defined mission to connect californians to ideas and one another in order to understand our shared heritage and diverse cultures, inspire civic participation, and shape our future.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2024.
Where the money goes
Your grants by size, and where they go.
The 41 grants below total $857,605 — the rows itemised in this filing. The $1,059,044 headline is the total grant expense reported on the return, so the remaining $201,439 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- Under $10k10 grants · $55k
- $10k–50k29 grants · $703k
- $50k–250k2 grants · $100k
| Recipient | Amount |
|---|---|
| FROM THE HEART PRODUCTIONS INC | $50,000 |
| FJC | $50,000 |
| KARTEMQUIN EDUCATIONAL FILMS | $45,000 |
| VISUAL COMMUNICATIONS | $40,000 |
| INTERNATIONAL DOCUMENTARY ASSOCIATION | $35,000 |
| NORTHERN CALIFORNIA RESOURCE CENTER | $30,000 |
| WRITING DOWNTOWN INC | $30,000 |
| MENDOCINO COUNTY PUBLIC BROADCASTING | $30,000 |
| BAY AREA VIDEO COALITION INC | $30,000 |
| MEXICALI BIENNIAL INC | $25,000 |
| MADERA COUNTY LIBRARY | $25,000 |
| LITQUAKE FOUNDATION | $25,000 |
| ECOARTS OF LAKE COUNTY DBA MIDDLETOWN ART CENTER | $25,000 |
| SANTA MONICA HISTORICAL SOCIETY INC | $25,000 |
| KOREATOWN YOUTH & COMMUNITY CENTER | $25,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY18–24, $234k) land where the poverty rate runs at 12%, against an area that typically sits at 10%. 87% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +45% since the first grant, against +36% for the ones you funded once.
143 repeat relationships — 20 still active in FY2024, 123 since wound down; 20 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 47% of grant dollars renewed an existing relationship; $427k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
THE CENTER FOR INDEPENDENT DOCUMENTARY INC5× · 2018–2024 · $185k · revenue +264%- WMWOMEN MAKE MOVIES INC4× · 2019–2023 · $185k · revenue +82%
- VCVISUAL COMMUNICATIONS MEDIA7× · 2018–2024 · $133k · revenue +213%
Funded once
- FRFort Ross Conservancyone grant, 2019 · $50k · revenue -52%
- SFSWELL FOUNDATIONgraduatedone grant, 2020 · $40k · revenue ×18
- PAPACIFIC ARTS MOVEMENTgraduatedone grant, 2021 · $38k · revenue +106%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To present the breadth of california art and design through exhibitions that explore the cultural dynamics and influence that are unique to california.
The Museo De Las Americas is dedicated to educating our community through collecting preserving interpreting and exhibiting the diverse arts and cultures of the Americas from ancient to contemporary through innovative exhibitions and…
Galeria's mission is to foster public awareness and appreciation of Chicano/Latino art. Galeria sees itself as a laboratory where emerging and established artists explore contemporary issues in Latino art, culture and civic society.…
MACLA/Movimiento de Arte y Cultura Latino Americana is an inclusive contemporary arts space grounded in the Chicano/Latino experience that incubates new visual, literary and performance art in order to engage people in civic dialogue and…
The california film institute celebrates film and videos as art and education. its goal is to present and support emerging and established independent filmakers whose works address issues relevant to contemporary society. this is…
Support local artists through workshops, gallery exhibitions, and other educationalevents which reach out to the community at large; support local and internationalartists through renting spaces at rates below market value to artists…
Ksw makes artists out of community members and community members out of artists. since 1972, ksw has nurtured the creative spirit, and offered an important platform for new voices to be heard -full statement on schedule o
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
Occidental Center for the Arts exists to provide a welcoming and accessible venue for the performing and visual arts in Sonoma County California for local regional national and international artists. our mission is to enrich our community…
Our mission at Californians for the Arts is to ensure that the arts are accessible to all Californians; are an ongoing part of the public dialogue and to encourage Californians to care about the arts as a critical component of their own…
For reference, the grantee most central to the portfolio’s shape is California Center for the Arts Escondido Foundation and the most unlike its peers is Mineral King Preservation Society. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 31 years old; the field is 13. You back the established end — and your money leans older still.
The field is 25% startups (under 5 years old) — 2% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.8% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
425 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 425 of the 467 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds INTERNATIONAL DOCUMENTARY FOUNDATION INC ↗
- Who funds THE CENTER FOR INDEPENDENT DOCUMENTARY INC ↗
- Who funds WOMEN MAKE MOVIES INC ↗
- Who funds VISUAL COMMUNICATIONS MEDIA ↗
- Who funds COMMUNITY PARTNERS ↗
- Who funds KALW PUBLIC MEDIA INC ↗
- Who funds FILM INDEPENDENT ↗
- Who funds The Bay Area Video Coalition Incorporated ↗
- Who funds Independent Arts & Media ↗
- Who funds MUSEUM OF ART AND HISTORY AT THE MCPHERSON CENTER ↗
- Who funds THE LITQUAKE FOUNDATION ↗
- Who funds Earth Island Institute Inc ↗
- Who funds San Francisco Film Society ↗
- Who funds KITCHEN SISTERS ↗
- Who funds FILMMAKERS COLLABORATIVE ↗
- Who funds LOS ANGELES POVERTY DEPARTMENT ↗
- Who funds SAN DIEGO STATE UNIVERSITY FOUNDATION SDSU RESEARCH FOUNDATION ↗
- Who funds Arhoolie Foundation ↗
- Who funds Bayview-Hunters Point Center for Arts and Technology DBA BAYCAT ↗
- Who funds LTSC COMMUNITY DEVELOPMENT CORPORATION ↗
- Who funds White Ash Broadcasting Inc ↗
- Who funds JAPANESE AMERICAN NATIONAL MUSEUM ↗
- Who funds MUSEUM OF LATIN AMERICAN ART ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds TEADA PRODUCTIONS ↗
- Who funds MEDIA ARTS CENTER SAN DIEGO ↗
- Who funds Fort Ross Conservancy ↗
- Who funds International Media Project ↗
- Who funds FJC ↗
- Who funds Alliance for California Traditional Arts ↗
- Who funds SANTA MONICA HISTORICAL SOCIETY ↗
- Who funds OUTSIDE THE LENS ↗
- Who funds El Teatro Campesino ↗
- Who funds From The Heart Productions ↗
- Who funds San Jose Museum of Quilts & Textiles ↗
- Who funds CALIFORNIA INSTITUTE FOR RURAL STUDIES ↗
- Who funds KARTEMQUIN EDUCATIONAL FILMS ↗
- Who funds THE OAKLAND PUBLIC EDUCATION FUND ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Zellerbach Family Foundation · Walter and Elise Haas Fund · The J Paul Getty Trust · Center for Cultural Innovation · Kenneth Rainin Foundation · The James Irvine Foundation · Fleishhacker Foundation · The California Endowment · Phyllis C Wattis Foundation · The San Francisco Foundation · The Conrad Prebys Foundation · The Ralph M Parsons Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization California Humanities funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Center for Independent Documentary Inc — 6% of income from government
- Documentary Educational Resources Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.