· Private foundation
The J Paul Getty Trust
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k293 grants · $1.3M
- $10k–50k140 grants · $3.8M
- $50k–250k37 grants · $4.0M
- $250k+22 grants · $20M
| Recipient | Amount |
|---|---|
| THE CENTER FOR CULTURAL INNOVATION | $10,909,326 |
| NATIONAL TRUST FOR HISTORIC PRESERVATION IN THE UNITED STATES | $1,550,000 |
| CENTER FOR CURATORIAL LEADERSHIP | $1,000,000 |
| MAX-PLANCK-GESELLSCHAFT ZUR FORDERUNG DER WISSENSCHAFTEN EV | $846,226 |
| JAMES COOK UNIVERSITY | $442,500 |
| LOS ANGELES CONSERVANCY | $420,000 |
| BOARD OF TRUSTEES OF THE TATE GALLERY | $408,850 |
| NEW YORK UNIVERSITY | $365,000 |
| ROCHESTER INSTITUTE OF TECHNOLOGY | $343,530 |
| ICA LA | $335,000 |
| THE UNIVERSITY COLLEGE LONDON | $331,667 |
| SMITHSONIAN INSTITUTION | $310,000 |
| COLLEGE ART ASSOCIATION OF AMERICA INC | $304,000 |
| SCHOOL FOR ADVANCED RESEARCH | $300,000 |
| FUNDACION DEL MUSEO GUGGENHEIM BILBAO | $286,454 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
US giving: 72% of grant dollars ($118M). The need read here covers only this US portion; the 28% that went abroad ($47M) is mapped below.
Its human-services grants (FY17–25, $91k) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
Beyond the US: 28% of all-years giving ($47M)
72 countries, by the recipient’s country on the filing.
How this is measured
Where the work is directed
The same grants placed two ways: where each recipient sits, and where its stated purpose sends the money.
About 6% of The J Paul Getty Trust’s grant dollars are earmarked for a different county than the recipient’s own address.
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +31% since the first grant, against +12% for those funded once.
671 repeat relationships: 236 still active in FY2025, 435 since wound down; 220 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 75% of grant dollars renewed an existing relationship; $7.3M went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- CFCenter for Cultural Innovation2× · 2017–2025 · $11M · revenue ×31 · 43% of their budget
- ACAMERICAN COUNCIL OF LEARNED SOCIETIES7× · 2017–2024 · $5.0M · revenue +33%
NATIONAL TRUST FOR HISTORIC PRESERVATION IN THE UNITED STATES6× · 2020–2025 · $4.8M · revenue +54%
Funded once
- IAINTERNATIONAL ALLIANCE FOR THE PROTECTION OF HERITAGE IN CONFLICT AREASone grant, 2023 · $1.0M
- AFARTS FOR HEALING AND JUSTICE NETWORKone grant, 2024 · $502k · revenue +1%
- STStichting tot Beheer Museum Boijmans Van Beuningenone grant, 2018 · $346k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
California college of the arts educates students to shape culture and society through the practice and critical study of art, architecture, design, and writing. benefitting from its san francisco bay area location, the college prepares…
The bac is committed to provide excellence in design education grounded in practice and accessible to diverse communities.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The organization's mission is to educate students for creative occupations in diverse fields of arts and media.
The asian art museum celebrates, preserves, and promotes asian and asian american art and cultures for local and global audiences. we provide a dynamic forum for exchanging ideas, inviting collaboration, and fueling imagination to deepen…
To collect, display and interpret objects in craft art and design.
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
The monterey museum of art cultivates curiosity in the visual arts and engages community with the diversity of california art - past, present, and future.
The new york academy of art is a unique graduate school that combines intensive technical training in the fine arts with active critical discourse. we believe that rigorously trained artists are best able to realize their artistic vision.…
The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…
The new york studio school is committed to giving a significant education to the aspiring artist, a preamble to a lifetime's engagement in drawing, painting, and sculpture. (see schedule o for continuation)
How this is measured
584 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 584 of the 1,987 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Showing the 200 largest grantees by grant value.
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds CALIFORNIA COMMUNITY FOUNDATION ↗
- Who funds Center for Cultural Innovation ↗
- Who funds AMERICAN COUNCIL OF LEARNED SOCIETIES ↗
- Who funds NATIONAL TRUST FOR HISTORIC PRESERVATION IN THE UNITED STATES ↗
- Who funds DESTINATION CRENSHAW ↗
- Who funds COLLEGE ART ASSOCIATION OF AMERICA INC ↗
- Who funds MUSEUM ASSOCIATES ↗
- Who funds President and Fellows of Harvard College ↗
- Who funds LA PROMISE FUND ↗
- Who funds TRUSTEES OF THE UNIVERSITY OF PENNSYLVANIA ↗
- Who funds ARMAND HAMMER MUSEUM OF ART AND CULTURAL CENTER INC ↗
- Who funds CALIFORNIA INSTITUTE OF THE ARTS ↗
- Who funds New York University ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds VINCENT PRICE ART FOUNDATION ↗
- Who funds HENRY E HUNTINGTON LIBRARY AND ART GALLERY ↗
- Who funds THE MUSEUM OF CONTEMPORARY ART LOS ANGELES ↗
- Who funds CENTER FOR CURATORIAL LEADERSHIP INC ↗
- Who funds National Gallery of Art ↗
- Who funds ACADEMY FOUNDATION ↗
- Who funds AUTRY MUSEUM OF THE AMERICAN WEST ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds ICA LA ↗
- Who funds AMERICAN ASSOCIATION OF MUSEUMS ↗
- Who funds Claremont Graduate University ↗
- Who funds POMONA COLLEGE ↗
- Who funds LOS ANGELES PHILHARMONIC ASSOCIATION ↗
- Who funds THE AAMC FOUNDATION ↗
- Who funds AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIO ↗
- Who funds SELF HELP GRAPHICS & ART INC ↗
- Who funds SKIRBALL CULTURAL CENTER ↗
- Who funds LOS ANGELES COUNTY MUSEUM OF NATURAL HISTORY FOUNDATION ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Ahmanson Foundation · The Ralph M Parsons Foundation · Perenchio Foundation · The Annenberg Foundation · California Community Foundation · California Humanities · The Andrew W Mellon Foundation · Pasadena Art Alliance · The Mike Kelley Foundation for the Arts · The Rose Hills Foundation · Snap Foundation · The Andy Warhol Foundation for the Visual Arts Inc
How this is measured
How much its grantees rely on government
Each dot is one organization The J Paul Getty Trust funds: left to right is the share of its income from government, bottom to top the share from The J Paul Getty Trust. Bigger dots raise more.
- Trustees of Tufts College: 13% of income from government
- Johns Hopkins University: 12% of income from government
- President and Fellows of Harvard College: 7% of income from government
- Baltimore Museum of Art: 4% of income from government
- American Academy of Arts & Sciences: 3% of income from government
- Willamette University: 1% of income from government
- Jacob's Pillow Dance Festival Inc: 1% of income from government
- American Repertory Theatre Co Inc: 0% of income from government
- Museum of Fine Arts: 0% of income from government
- Williams College: 0% of income from government
How this is measured
Play a game based on J Paul Getty’s filings →