· Private foundation
The Elizabeth C Quinlan Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k36 grants · $211k
- $10k–50k6 grants · $90k
| Recipient | Amount |
|---|---|
| THE BASILLICA LANDMARK | $25,000 |
| CATHOLIC CHARITIES | $25,000 |
| ST DAVID'S CENTER | $10,000 |
| NATIONAL ALLIANCE ON MENTAL ILLNESS | $10,000 |
| PEOPLE INCORPORATED | $10,000 |
| PROJECT FOR PRIDE IN LIVING INC | $10,000 |
| MINNESOTA PUBLIC RADIO | $8,000 |
| TUBMAN | $8,000 |
| GUTHRIE THEATER | $8,000 |
| MINNESOTA ORCHESTRAL ASSOCIATION | $8,000 |
| WASHBURN CENTER FOR CHILDREN | $8,000 |
| TWIN CITIES PUBLIC TELEVISION | $8,000 |
| ST MARY'S HEALTH CLINICS | $8,000 |
| MINNEAPOLIS INSTITUTE OF ARTS | $8,000 |
| ST PAUL CHAMBER ORCHESTRA | $8,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–25, $235k) land where the poverty rate runs at 11%, against an area that typically sits at 7%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +22% since the first grant, against +13% for the ones you funded once.
64 repeat relationships — 41 still active in FY2025, 23 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 98% of grant dollars renewed an existing relationship; $5k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TBTHE BASILICA LANDMARK6× · 2020–2025 · $70k · revenue +408%
- WCWashburn Center for Children6× · 2020–2025 · $69k · revenue +37%
- SDST DAVID'S CENTER6× · 2020–2025 · $49k · revenue +75%
Funded once
- CCCATHOLIC CHARITIES OF THE ARCHDIOCEone grant, 2023 · $20k
- GTGREATER TWIN CITIES UNITED WAYone grant, 2020 · $15k · revenue -26%
- CCCATHOLIC CHARITIES OF THE ARCHDIOCESE OF ST PAUL MPLSone grant, 2020 · $15k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To enrich the community by producing and presenting exceptional live theatre that touches the heart, engages the mind and delights the spirit.
Theater mu produces great performances born of arts, equity, and justice from the heart of the asian american experience.
To advance the success of women attorneys and strive for a just society.
Minnesota fringe connects adventurous artists with adventurous audiences by creating open, supportive forums for free and diverse artistic expression.
Mity's mission is to inspire and challenge intellectually curious students to pursue their passions within a diverse, inclusive community and empower them by building skills and relationships for lifelong success.
The minnesota business partnership's mission is to maintain a high quality of life for all minnesotans by ensuring that the state's economy remains strong, globally competitive and its prospects for growth bright by working with elected…
The great northern celebrates our cold, creative winters through ten days of diverse programming that invigorate mind and body. in an era of changing climate that threatens our signature season, we seek to create community, inspire action,…
To create an extraordinary downtown minneapolis, applying the core values of leadership, collaboration, advocacy and innovation.
Women's Foundation of Minnesota is a statewide community foundation investing in ending systemic inequities and driving innovation for gender and racial justice. WFM applies an Intersectional Equity Framework inclusive of gender, race,…
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
The m inspires understandings of identities, experiences, and complex truths through american art.
Move minnesota leads the movement for an equitable and sustainable transportation system that puts people first. we are passionate about connecting communities, ending the climate crisis, expanding access to jobs and resources, and…
For reference, the grantee most central to the portfolio’s shape is Charities Review Council and the most unlike its peers is Giving Voice Initiative. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
50 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 50 of the 72 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE BASILICA LANDMARK ↗
- Who funds Washburn Center for Children ↗
- Who funds ST DAVID'S CENTER ↗
- Who funds PROJECT FOR PRIDE IN LIVING INC ↗
- Who funds MINNEAPOLIS SOCIETY OF FINE ARTS DBA MINNEAPOLIS INSTITUTE OF ARTS ↗
- Who funds GUTHRIE THEATER FOUNDATION ↗
- Who funds TUBMAN ↗
- Who funds MINNESOTA PUBLIC RADIO AMERICAN PUBLIC MEDIA ↗
- Who funds TWIN CITIES PUBLIC TELEVISION INC ↗
- Who funds MACPHAIL CENTER FOR MUSIC ↗
- Who funds Children's Theatre Company and School ↗
- Who funds PEOPLE INCORPORATED ↗
- Who funds The Saint Paul Chamber Orchestra Society ↗
- Who funds The Family Partnership ↗
- Who funds GREATER MINNEAPOLIS CRISIS NURSERY ↗
- Who funds MINNESOTA ORCHESTRAL ASSOCIATION ↗
- Who funds The Minnesota Opera ↗
- Who funds MINNESOTA HISTORICAL SOCIETY ↗
- Who funds THEATER LATTE DA ↗
- Who funds JEREMIAH PROGRAM ↗
- Who funds ST MARYS HEALTH CLINICS ↗
- Who funds Minnesota Children's Museum ↗
- Who funds THE BRIDGE FOR YOUTH ↗
- Who funds YOUTH FRONTIERS INC ↗
- Who funds AMPERSAND FAMILIES ↗
- Who funds Guild ↗
- Who funds NAMI National ↗
- Who funds HILL MUSEUM & MANUSCRIPT LIBRARY ↗
- Who funds HOSPITALITY HOUSE YOUTH DEVELOPMENT ↗
- Who funds THE LOFT INC ↗
- Who funds AGATE HOUSING & SERVICES INC ↗
- Who funds CHILDREN'S LAW CENTER OF MINNESOTA ↗
- Who funds YOUTHLINK ↗
- Who funds GRAYWOLF PRESS ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Minneapolis Foundation · Saint Paul & Minnesota Foundation · Xcel Energy Foundation · The Richard M Schulze Family Foundation · Mightycause Charitable Foundation · Otto Bremer Trust · The Hubbard Broadcasting Foundation · The McKnight Foundation · Hardenbergh Foundation · Target Foundation · The Walser Foundation · Ch Robinson Worldwide Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Elizabeth C Quinlan Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Elizabeth C Quinlan Foundation?
Find your warmest path to The Elizabeth C Quinlan Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.