· Public charity
Pasadena Showcase House For The Arts
The primary and specific purposes of Pasadena Showcase House For The Arts are to foster public interest in and appreciation for symphony, further the work of the los angeles philharmonic association and other local public benefit symphonic associations, support symphonic, cultural and educational programs for young people in southern…
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k17 grants · $123k
- $10k–50k21 grants · $252k
- $50k–250k1 grant · $246k
- $250k+1 grant · $405k
| Recipient | Amount |
|---|---|
| LOS ANGELES PHILHARMONIC ASSC | $405,000 |
| OTHERS 5000 AND LESS | $245,800 |
| CENTER THEATRE GROUP OF LOS A | $20,000 |
| OAK KNOLL MONTESORRI SCHOOL | $20,000 |
| THERAPEUTIC LIV CNTRS BLIND | $15,000 |
| PASADENA PLAYHOUSE STATE THEA | $15,000 |
| USC THORNTON SCHOOL OF MUSIC | $15,000 |
| ACADEMY OF MUSIC FOR THE BLIN | $12,000 |
| LOS ANGELES OPERA COMPANY | $12,000 |
| OAKWOOD BRASS | $12,000 |
| ELIOT ARTS MAGNET ACADEMY | $10,500 |
| DANIEL WEBSTER ELEMENTARY SCH | $10,200 |
| CALIFORNIA STATE UNIVERSITY D | $10,000 |
| MONROVIA WILDCATS BAND BOOSTE | $10,000 |
| HENRY HUNTINGTON MIDDLE SCHOO | $10,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–25, $46k) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +27% since the first grant, against +19% for the ones you funded once.
44 repeat relationships — 26 still active in FY2025, 18 since wound down; 9 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 91% of grant dollars renewed an existing relationship; $90k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- LALOS ANGELES PHILHARMONIC ASSOCIATION8× · 2017–2025 · $2.4M · revenue +14%
- TCTHE COLBURN SCHOOL5× · 2017–2024 · $86k · revenue +90%
Pasadena Conservatory of Music8× · 2017–2025 · $79k · revenue +47%
Funded once
- CFCRESCENDO FOR MUSIC AND THE ARTSgraduatedone grant, 2020 · $6.3M · revenue +113%
- O5OTHERS 5000 OR LESSone grant, 2019 · $105k
- CBCLIFTON BAND BOOSTERSone grant, 2023 · $10k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Kaleidoscope is a conductorless orchestra dedicated to enriching lives through exhilarating concert experience, artistic excellence, musician leadership, and connecting with the diverse communities of Los Angeles.
The main function of los angeles symphony is to operate educational organization which provides the quality music to local community comprised of various ethnic groups.
The Culver City Symphony Orchestra strives to enlighten and inspire the diverse citizenry of Culver City and the Los Angeles area through the presentation of orchestral music concerts, to present works of American composers, and to…
To initiate and develop musci education programs for Hermosa Beach youth.
Choral Music Performances: California Bach Society is a 30-voice chamber choir known for finely wrought interpretations of Renaissance and Baroque music, often accompanied by leading period instrumentalists. Each season, the choir performs…
The Performance Division is designed to provide residents of the greater Orange County area with world-class chamber music performances presented by rising stars and established veterans in the classical music world. The Education Division…
To provide music education and an orchestra experience for Los Angeles Youth.
To seek and nurture exceptional young string musicians, foster and further their performance and professional skills development, and provide them with performance opportunities and monetary support.
To support policies and ballot measures to increase funding and awareness of the importance of arts and music education in public schools.
Where Students come to receive a world class education with music at its core.
For reference, the grantee most central to the portfolio’s shape is Pacific Opera Project and the most unlike its peers is Crescendo for Music and the Arts. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 44 years old; the field is 12. You back the established end — and your money leans older still.
The field is 25% startups (under 5 years old) — 4% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 3% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
91 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 91 of the 115 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds CRESCENDO FOR MUSIC AND THE ARTS ↗
- Who funds LOS ANGELES PHILHARMONIC ASSOCIATION ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds THE COLBURN SCHOOL ↗
- Who funds Pasadena Conservatory of Music ↗
- Who funds THERAPEUTIC LIVING CENTERS FOR THE BLIND INC ↗
- Who funds Academy of Music for the Blind ↗
- Who funds LOS ANGELES COUNTY HIGH SCHOOL FOR THE ARTS FOUNDATION ↗
- Who funds LOS ANGELES OPERA COMPANY ↗
- Who funds PASADENA EDUCATIONAL FOUNDATION ↗
- Who funds CENTER THEATRE GROUP OF LOS ANGELES ↗
- Who funds VILLA ESPERANZA SERVICES ↗
- Who funds THE GLENDALE YOUTH ORCHESTRA ↗
- Who funds GRAND VISION FOUNDATION ↗
- Who funds LA CANADA FLINTRIDGE EDUCATIONAL FOUNDATION ↗
- Who funds ARCADIA MUSIC CLUB INC ↗
- Who funds THE INSTITUTE FOR THE REDESIGN OF LEARNING ↗
- Who funds OAKWOOD BRASS - OUTREACH PROJECT ↗
- Who funds CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS PHILANTHROPIC FOUNDATION ↗
- Who funds MUSYCA ↗
- Who funds HELIX COLLECTIVE ↗
- Who funds LOS ANGELES CHILDREN'S CHORUS ↗
- Who funds SOUTH PASADENA EDUCATIONAL FOUNDATION ↗
- Who funds THE PASADENA SYMPHONY ASSOCIATION ↗
- Who funds CALIFORNIA STATE SUMMER SCHOOL ARTS FOUNDATION ↗
- Who funds Alhambra Educational Foundation ↗
- Who funds SANTA CECILIA OPERA AND ORCHESTRA ASSOCIATION ↗
- Who funds OAK KNOLL MONTESSORI SCHOOL ↗
- Who funds PASADENA MASTER CHORALE ASSN dba Pasadena Chorale ↗
- Who funds HATHAWAY-SYCAMORES CHILD AND FAMILY SERVICES ↗
- Who funds A Noise Within ↗
- Who funds San Gabriel Valley Music Theatre Inc ↗
- Who funds THE PASADENA PLAYHOUSE STATE THEATRE OF CALIFORNIA INC ↗
- Who funds Angelica Center for Arts and Music ↗
- Who funds MUSIC CENTER FOUNDATION ↗
- Who funds Los Angeles Youth Symphony Orchestra ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Pasadena Community Foundation · The Ahmanson Foundation · The Ralph M Parsons Foundation · The Rose Hills Foundation · The Green Foundation · California Community Foundation · Ann Peppers Foundation · The Meredith and Rosemary Willson Charit (Aka the Music Man Foundation) · Perenchio Foundation · Colburn Foundation · Rotary Club of Pasadena Foundation · Michael J Connell Foundation Michael J Connell Charities Lte
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Pasadena Showcase House For The Arts funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.