· Public charity
Hollywood Foreign Press Association
To establish favorable relations and cultural ties between foreign countries and the usa by the dissemination of information concerning the american culture and traditions as depicted in motion pictures and television through news media in various foreign countries.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
The 58 grants below total $53,191,107 — the rows itemised in this filing. The $77,663,475 headline is the total grant expense reported on the return, so the remaining $24,472,368 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- Under $10k1 grant · $7k
- $10k–50k36 grants · $709k
- $50k–250k17 grants · $1.4M
- $250k+4 grants · $51M
| Recipient | Amount |
|---|---|
| GOLDEN GLOBE FOUNDATION | $48,437,632 |
| HOLLYWOOD FOREIGN PRESS ASSOCIATION CHARITABLE TRUST | $1,920,000 |
| NAACP EMPOWERMENT PROGRAMS | $400,000 |
| FILM INDEPENDENT INC | $290,000 |
| COMMITTEE TO PROTECT JOURNALISTS | $175,000 |
| THE UCLA FOUNDATION | $170,475 |
| SMITHSONIAN INSTITUTION | $150,000 |
| LABORATORY FOR ICON & IDIOM INC - INDIECOLLECT | $150,000 |
| STORYVILLE CENTER FOR THE SPOKEN WORD INC | $105,000 |
| INTERNATIONAL CONSORTIUM OF INVESTIGATIVE JOURNALISTS INC | $100,000 |
| NEWFILMMAKERS LOS ANGES | $70,000 |
| OUTFEST | $55,000 |
| LOYOLA MARYMOUNT UNIVERSITY | $52,000 |
| CONNIE RICE INSTITUTE FOR URBAN PEACE | $50,000 |
| BIG BROTHERS BIG SISTERS OF AMERICA | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–24, $275k) land where the poverty rate runs at 13%, against an area that typically sits at 11%. 93% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +29% since the first grant, against +24% for the ones you funded once.
102 repeat relationships — 43 still active in FY2024, 59 since wound down; 12 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 8% of grant dollars renewed an existing relationship; $49M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- HFHOLLYWOOD FOREIGN PRESS ASSOCIATION CHARITABLE TRUST8× · 2017–2024 · $15M · revenue +1% · 100% of their budget
FILM INDEPENDENT8× · 2017–2024 · $2.5M · revenue +85%- CTCOMMITTEE TO PROTECT JOURNALISTS INC5× · 2018–2024 · $1.4M · revenue +32%
Funded once
Feeding Americaone grant, 2021 · $1.0M · revenue +23%- ICINSIDE CLIMATE NEWS INCgraduatedone grant, 2019 · $500k · revenue +185%
- JCJOURNALISTS CARE FOUNDATIONone grant, 2021 · $326k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The california film institute celebrates film and videos as art and education. its goal is to present and support emerging and established independent filmakers whose works address issues relevant to contemporary society. this is…
The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…
Siff is a seattle-based 501(c)(3) arts nonprofit dedicated to the creation of vibrant experiences and spaces that champion film discovery and arts education.
The specific purposes for which bafta na is organized is to promote, maintain, improve and advance original and creative work among individuals employed professionally in film and television production and allied industries, to create and…
SFFILM is a nonprofit organization whose mission ensures independent voices in film are welcomed, heard, and given the resources to thrive. SFFILM connects and inspires audiences, students and teachers, and filmmakers through our film…
Arts for la leads communities, artists and organizations to advocate for an equitable, healthy, and creative los angeles region through the arts.
Advocate for gender equality in the film industry.
Utah film center inspires and engages diverse audiences to initiate conversation and community building through curated film exhibition, educational programs, and artist support.
For reference, the grantee most central to the portfolio’s shape is The Actors' Fund of America and the most unlike its peers is Hollywood Foreign Press Association Charitable Trust. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 31 years old; the field is 15. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 2% of your grantees by number, and just 56% of your money.
The orgs you fund almost never close — 0.6% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
175 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 175 of the 180 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds GOLDEN GLOBE FOUNDATION ↗
- Who funds HOLLYWOOD FOREIGN PRESS ASSOCIATION CHARITABLE TRUST ↗
- Who funds FILM INDEPENDENT ↗
- Who funds COMMITTEE TO PROTECT JOURNALISTS INC ↗
- Who funds NAACP EMPOWERMENT PROGRAMS INC ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds Feeding America ↗
- Who funds INTERNATIONAL CONSORTIUM OF INVESTIGATIVE JOURNALISTS INC ↗
- Who funds AMERICAN CINEMATHEQUE ↗
- Who funds THE FILM FOUNDATION INC ↗
- Who funds THE REPORTERS COMMITTEE FOR FREEDOM OF THE PRESS ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds LABORATORY FOR ICON AND IDIOM INC ↗
- Who funds FILMAID INTERNATIONAL INC ↗
- Who funds CALIFORNIA STATE UNIVERSITY NORTHRIDGE FOUNDATION ↗
- Who funds CORE COMMUNITY ORGANIZED RELIEF EFFORT ↗
- Who funds INSIDE CLIMATE NEWS INC ↗
- Who funds STORYVILLE CENTER FOR THE SPOKEN WORD INC ↗
- Who funds COMMUNITY PARTNERS ↗
- Who funds LOS ANGELES CONSERVANCY ↗
- Who funds THE FILM NOIR FOUNDATION ↗
- Who funds MEDECINS SANS FRONTIERES USA INC ↗
- Who funds NEWFILMMAKERS LOS ANGELES ↗
- Who funds UCLA FOUNDATION ↗
- Who funds Children's Hospital Los Angeles ↗
- Who funds THE LIBRARY FOUNDATION OF LOS ANGELES ↗
- Who funds THE KAILASH SATYARTHI CHILDREN'S FOUNDATION OF AMERICA ↗
- Who funds International Rescue Committee INC ↗
- Who funds REFUGEE & IMMIGRANT CENTER FOR EDUCATION & LEGAL SERVICES ↗
- Who funds Sundance Institute ↗
- Who funds LOS ANGELES PRESS CLUB ↗
- Who funds FRIENDS OF GOETHE OF SOUTHERN CALIFORNIA ↗
- Who funds INTERNATIONAL WOMEN'S MEDIA FOUNDATION ↗
- Who funds GINGOLD THEATRICAL GROUP ↗
- Who funds OUTFEST ↗
- Who funds Big Brothers Big Sisters Of America ↗
- Who funds PROJECT ANGEL FOOD ↗
- Who funds Save The Children Federation Inc ↗
- Who funds PEN AMERICA LOS ANGELES FKA PEN CENTER USA WEST ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Hollywood Foreign Press Association Charitable Trust · Golden Globe Foundation · California Community Foundation · The Annenberg Foundation · The Ahmanson Foundation · The Ralph M Parsons Foundation · Weingart Foundation · Johnny Carson Foundation · Academy Foundation · Pledgeling Foundation · The David Geffen Foundation · The J Paul Getty Trust
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Hollywood Foreign Press Association funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Save the Children Federation Inc — 30% of income from government
- Big Brothers Big Sisters of America — 21% of income from government
- City Year Inc — 11% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
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Find your warmest path to Hollywood Foreign Press Association through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.