· Private foundation
The Musser Fund
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k44 grants · $135k
- $10k–50k46 grants · $770k
| Recipient | Amount |
|---|---|
| NORTH SHORE COMMUNITY LAND TRUST | $35,000 |
| TEXAS CONSERVATION ALLIANCE | $34,800 |
| FRIENDS OF THE MISSISSIPPI RIVER | $30,000 |
| MOVE FOR AMERICA | $25,000 |
| YAMPA VALLEY STREAM IMPROVEMENT CHARITAB | $25,000 |
| NEW HOPE FOR IMMIGRANTS | $25,000 |
| Individual grant recipient | $25,000 |
| MA KA HANA KA IKE | $25,000 |
| IRAQI AND AMERICAN RECONCILIATION PROJEC | $25,000 |
| PROJECT FINE | $25,000 |
| RED WING ART ASSOCIATION | $25,000 |
| ROSHNI | $25,000 |
| FEEDING OUR COMMUNITIES PARTNERS | $24,300 |
| VOLUNTEERS FOR OUTDOOR COLORADO | $22,000 |
| TEXAS FOLKLIFE RESOURCES INC | $20,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–24, $239k) land where the poverty rate runs at 11%, against an area that typically sits at 10%. 84% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +50% since the first grant, against +23% for the ones you funded once.
95 repeat relationships — 54 still active in FY2024, 41 since wound down; 35 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 60% of grant dollars renewed an existing relationship; $361k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PFPROJECT FINE5× · 2020–2024 · $125k · revenue +74%
- MKMA KA HANA KA IKE BUILDING PROGRAM4× · 2020–2024 · $100k · revenue +180%
- FOFRIENDS OF THE MISSISSIPPI RIVER4× · 2021–2024 · $91k · revenue +40%
Funded once
- SCSHERIDAN COMMUNITY LAND TRUSTone grant, 2022 · $45k · revenue +9%
- AVASPEN VALLEY LAND TRUSTone grant, 2023 · $35k · revenue -3%
- LPLOWER PHALEN CREEK PROJECTgraduatedone grant, 2023 · $35k · revenue +212%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum of western colorado is an educational institution that collects, preserves, and interprets artifacts, specimens, and information concerning the cultural and natural history of western colorado and the contiguous area. we enhance…
From its rocky mountain roots, creede repertory theatre serves as an artistic home to our rural community and beyond, through the creation of repertory seasons, dynamic educational programs, and compelling new works.
Colorado open lands' mission is to preserve the significant open lands and natural heritage of colorado through private and public partnerships, innovative land conservation, and strategic leadership.
Our mission is to collaborate with local artists and businesses to promote contemporary art in public spaces in Fort Collins, Colorado. FCMP is focused on providing opportunities for underrepresented and emerging artists in Colorado.
To strengthen the creative capacity of western montana and foster dialogue and experiences that are culturally vibrant, healthy, and intellectually vigorous. we focus on fostering collaboration, creative placemaking, artist-community…
The center for arts, a home for arts and culture, offers engaging opportunities and educational experiences to enrich and expand the life of our community.
Mountain area land trust's mission is to save natural areas, wildlife habitat, streams and rivers, working ranches and historic lands, for the benefit of the community and as a legacy for future generations.
The Boulder Watershed Collective is a 501c3 non-profit stakeholder-driven organization established to address forested watershed health,resiliency and stewardship. We have three program areas: ClimateAdaptation and Resilience Watershed…
Greater yellowstone coalition works with all people to protect the lands, waters, and wildlife of the greater yellowstone ecosystem, now and for future generations.
As the official philanthropic and collaborative partner of the grand canyon national park, grand canyon conservancy's mission is to inspire generations of park champions to cherish and support the natural and cultural wonder of the grand…
Montana center for the arts purpose is to nurture, promote and expand cultural engagement and opportunity in our region. through collaboration with the community at large, and in partnership with the area's diverse cultural and educational…
For reference, the grantee most central to the portfolio’s shape is Elys Historic State Theater and the most unlike its peers is Nene Research and Conservation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 23 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 4% of your grantees by number, and just 3% of your money.
The orgs you fund almost never close — 0.5% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
181 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 181 of the 262 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PROJECT FINE ↗
- Who funds MA KA HANA KA IKE BUILDING PROGRAM ↗
- Who funds FRIENDS OF THE MISSISSIPPI RIVER ↗
- Who funds Roshni ↗
- Who funds PILOT HILL INC ↗
- Who funds THE NORTH SHORE COMMUNITY LAND TRUST ↗
- Who funds VOLUNTEERS FOR OUTDOOR COLORADO ↗
- Who funds PRATTSVILLE ART PROJECT INC ↗
- Who funds Piney Woods Fine Arts Association ↗
- Who funds SPRING INSTITUTE FOR INTERCULTURAL LEARNING ↗
- Who funds SHERIDAN COMMUNITY LAND TRUST ↗
- Who funds HEARTLAND SYMPHONY ORCHESTRA ↗
- Who funds A LITTLE HELP ↗
- Who funds MALAMA PUPUKEA-WAIMEA ↗
- Who funds Texas Conservation Alliance ↗
- Who funds FRIENDS OF LINDEN HILL INC ↗
- Who funds Feeding Our Communities Partners ↗
- Who funds OASIS CENTRAL MINNESOTA INC ↗
- Who funds BRENHAM CHILDRENS CHORUS INC ↗
- Who funds ASPEN VALLEY LAND TRUST ↗
- Who funds LOWER PHALEN CREEK PROJECT ↗
- Who funds KAULUAKALANA ↗
- Who funds KINSHIP OF MORRISON COUNTY INC ↗
- Who funds URBAN ROOTS MN ↗
- Who funds GREAT RIVER GREENING ↗
- Who funds CONTINENTAL DIVIDE TRAIL COALITION ↗
- Who funds LANAI ACADEMY OF PERFORMING ARTS IN ↗
- Who funds HAWAII CHILDRENS THEATRE ↗
- Who funds LANDER ART CENTER ↗
- Who funds PLAZA DIANE - COMMUNITY CENTER FOR THE ARTS ↗
- Who funds ZTP ↗
- Who funds MORRISON COUNTY HISTORICAL SOCIETY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a loosely connected circle, clustered around a few shared anchors.
Open a dossier: Wyoming Community Foundation · Atherton Family Foundation · El Pomar Foundation · Colorado Gives Foundation · Gates Family Foundation · Wyoming Assn of Non Profit Organizations dba Wyoming Nonprofit Network · Hughes Charitable Foundation · Wyoming Humanities Council · Minnesota Humanities Center · Mardag Foundation · Anschutz Family Foundation · The Colorado Health Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Musser Fund funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- St Anne's Episcopal School — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Musser Fund?
Find your warmest path to The Musser Fund through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.