· Public charity
Screen Actors Guild-American Federation of Television and Radio Artists
Sag-aftra members work together to secure the strongest protections for media artists.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 21 grants below total $1,763,119 — the rows itemised in this filing. The $1,890,742 headline is the total grant expense reported on the return, so the remaining $127,623 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k9 grants · $65k
- $10k–50k11 grants · $191k
- $250k+1 grant · $1.5M
| Recipient | Amount |
|---|---|
| SAG-AFTRA FOUNDATION | $1,506,919 |
| THE HOLLYWOOD REPORTER | $48,500 |
| NAHJ ASSOCIATION | $33,000 |
| THE WRAP NEWS INC | $25,000 |
| WHAT'S TRENDING INC | $12,500 |
| ENTERTAINMENT COMMUNITY FUND | $12,000 |
| SERIESFEST | $10,000 |
| GRAMMY MUSEUM FOUNDATION INC | $10,000 |
| PRIDE LIVE INC | $10,000 |
| WOMEN IN FILM | $10,000 |
| ICG GUILD SCHOLARSHIP AND PRESERVATION FUND INC | $10,000 |
| ILLINOIS PRODUCTION ALLIANCE | $10,000 |
| NEWFILMMAKERS LOS ANGELES | $8,500 |
| CHICAGO FEDERATION OF LABOR AFL-CIO | $8,500 |
| RADIO TELEVISION DIGITAL NEWS ASSOCIATION | $8,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–20, $52k) land where the poverty rate runs at 14%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +77% since the first grant, against +9% for the ones you funded once.
41 repeat relationships — 17 still active in FY2025, 24 since wound down; 4 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 96% of grant dollars renewed an existing relationship; $63k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- SASCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS FOUND9× · 2017–2025 · $6.3M · revenue +78%
- COCOMMISSION ON ELIMINATING HARASSMENT AND ADVANCING EQUALITY4× · 2021–2024 · $400k · revenue +11%
- NANATIONAL ASSOCIATION OF BLACK JOURNALISTS5× · 2019–2024 · $134k · revenue +31%
Funded once
- FTFREE THE WORKone grant, 2024 · $70k · revenue 0% · 31% of their budget
- URUMG RECORDINGS INCone grant, 2023 · $25k
- CTCONSUMER TECHNOLOGY ASSOCIATIONgraduatedone grant, 2023 · $20k · revenue +33%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The specific purposes for which bafta na is organized is to promote, maintain, improve and advance original and creative work among individuals employed professionally in film and television production and allied industries, to create and…
Sag-aftra members work together to secure the strongest protections for media artists.
National association of broadcasters (nab) advances the interest of radio and television broadcasters in federal government, industry and public affairs; improves the quality of broadcasting, and encourages technological innovation and…
The amptp negotiates industry-wide collective bargaining agreements on behalf of motion picture and television producers.
The news media alliance (nma) is a nonprofit organization representing nearly 2,000 news media organizations and their multi-media platform businesses in the us, canada and europe.
To be the preeminent organization that recognizes, encourages and promotes excellence in the television, cable and related industries through education and the bestowing of the emmy award to industry professionals who exemplify that…
Providing research, education and practical information all aimed at optimizing newspapers' business operations, deepening their community engagement and enhancing the quality of their journalism.
To recognize and uphold excellence in the motion picture arts and sciences, inspire imagination, and connect the world through the medium of motion pictures.
A coalition of tax-exempt trade associations representing producers and publishers of creative content working to improve international protection and enforcement of copyrighted materials and open up foreign markets closed by piracy and…
The organization is an association that defends the first amendment right to produce and distribute mainstream content; and protects the american public's first amendment right to have access to the broadest possible range of information,…
For reference, the grantee most central to the portfolio’s shape is The Actors' Fund of America and the most unlike its peers is Mitchell Kapor Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 33 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 7% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 1% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
66 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 66 of the 75 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS FOUND ↗
- Who funds COMMISSION ON ELIMINATING HARASSMENT AND ADVANCING EQUALITY ↗
- Who funds MITCHELL KAPOR FOUNDATION ↗
- Who funds NATIONAL ASSOCIATION OF BLACK JOURNALISTS ↗
- Who funds THE ACTORS' FUND OF AMERICA ↗
- Who funds MUSICARES FOUNDATION INC ↗
- Who funds ASIAN AMERICAN JOURNALISTS ASSOCIATION ↗
- Who funds FREE THE WORK ↗
- Who funds NATIONAL ASSOCIATION OF HISPANIC JOURNALISTS INC ↗
- Who funds NEWFILMMAKERS LOS ANGELES ↗
- Who funds MOTION PICTURE AND TELEVISION FUND ↗
- Who funds Entertainment Industry College Outreach Program ↗
- Who funds WOMEN IN FILM ↗
- Who funds SOCIETY OF PROFESSIONAL JOURNALISTS SIGMA DELTA CHI ↗
- Who funds ASSOCIATION OF INDEPENDENT COMMERCIAL PRODUCERS INC ↗
- Who funds PRIDE LIVE INC ↗
- Who funds International Cinematographers Guild Scholarship and Preservation Fund Inc ↗
- Who funds EASTER SEALS SOUTHERN CALIFORNIA INC ↗
- Who funds LOS ANGELES COUNTY FEDERATION OF LABOR AFL-CIO ↗
- Who funds National Lesbian & Gay Journalists Association ↗
- Who funds NATIONAL ASSOCIATION OF HISPANIC JOURNALISTS ↗
- Who funds THE GHETTO FILM SCHOOL INC ↗
- Who funds ILLINOIS PRODUCTION ALLIANCE NFP ↗
- Who funds DIAMOND IN THE RAW ↗
- Who funds CASTING SOCIETY OF AMERICA ↗
- Who funds THE BLACKHOUSE FOUNDATION ↗
- Who funds AMERICAN MUSEUM OF THE MOVING IMAGE ↗
- Who funds SERIESFEST ↗
- Who funds CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL ↗
- Who funds NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES INC ↗
- Who funds CONSUMER TECHNOLOGY ASSOCIATION ↗
- Who funds NATIONAL HISPANIC MEDIA COALITION ↗
- Who funds MASSACHUSETTS PRODUCTION COALITION INC ↗
- Who funds THE INNER CIRCLE OF NEW YORK POLITICAL JOURNALISTS INC D/B/A INNER CIRCLE ↗
- Who funds LOS ANGELES ALLIANCE FOR A NEW ECONOMY ↗
- Who funds AUDIO PUBLISHERS ASSOCIATION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Hollywood Foreign Press Association · AARP · Academy Foundation · John S and James L Knight Foundation · The Ford Foundation · Dow Jones News Fund Inc · Motion Picture Association Inc · Pledgeling Foundation · Tegna Foundation Inc · California Community Foundation · Golden Globe Foundation · Hollywood Foreign Press Association Charitable Trust
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Screen Actors Guild-American Federation of Television and Radio Artists funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Autism Society of America Inc — 8% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.