· Community foundation
Humanities Council of Washington DC
To enrich the quality of life, foster intellectual stimulation, and promote cross-cultural understanding and appreciation of local history and culture in all neighborhoods of the district through humanities programs and grants.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 46 grants below total $1,062,384 — the rows itemised in this filing. The $1,333,851 headline is the total grant expense reported on the return, so the remaining $271,467 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k6 grants · $47k
- $10k–50k38 grants · $841k
- $50k–250k2 grants · $174k
| Recipient | Amount |
|---|---|
| WOMEN IN FILM AND VIDEO | $124,000 |
| HISTORICAL SOCIETY OF WASHINGTON DC | $50,000 |
| CAPITALBOP INC | $25,000 |
| MORE THAN OUR CRIMES | $25,000 |
| AFRICAN AMERICAN CIVIL WAR MEMORIAL FREEDOM FOUNDATION | $25,000 |
| EMPOWER DC | $25,000 |
| LEARNSERVE INTERNATIONAL | $25,000 |
| MOSAIC THEATER COMPANY OF DC | $25,000 |
| TURNING THE PAGE | $25,000 |
| LIFE PIECES TO MASTERPIECES | $25,000 |
| HOME RULE MUSIC AND FILM PRESERVATION FOUNDATION INC | $25,000 |
| REACH EDUCATION INCORPORATED | $25,000 |
| THE HIGH TEA SOCIETY | $25,000 |
| AMERICAN UNIVERSITY | $25,000 |
| ASIAN AMERICAN LEAD | $25,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–25, $559k) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 97% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +38% since the first grant, against +3% for the ones you funded once.
89 repeat relationships — 32 still active in FY2025, 57 since wound down; 14 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 74% of grant dollars renewed an existing relationship; $272k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- WIWOMEN IN FILM & VIDEO INC7× · 2017–2025 · $343k · revenue +449%
- HSHistorical Society of Washington DC dba DC History Center5× · 2020–2025 · $254k · revenue +127%
- OCONE COMMON UNITY3× · 2019–2022 · $145k · revenue +18%
Funded once
- RPREADING PARTNERSone grant, 2022 · $65k · revenue -38%
- TFTHE FILM COLLABORATIVE INCone grant, 2023 · $40k · revenue +21%
- CWCOMMUNITY WELLNESS COLLECTIVEone grant, 2021 · $35k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Capital Fringe was founded in 2005 with a mission to celebrate cultural democracy and access to art and artistic expression for all. By embracing diversity and a spirit of independence, we create earning opportunities for individual…
Dc dox is a major international film festival in the nation's capital dedicated to promoting documentary film as a leading art form, championing new voices and innovations in non-fiction storytelling, and using film as a catalyst to engage…
Ngoma Center for Dance N-Go-mah is a 501c3 whose mission is to cultivate equitable opportunities and creative career pathways through professional training essential performance and entrepreneurship development.
It is the mission of the Theater Alliance of Washington DC to develop, produce, and present socially conscious, thought-provoking work that fully engages the community in active dialogue.
The 51st is an information source that makes living in the District of Columbia easier, more fun, and more equitable for all residents. We provide news as a public service, educate readers, and build community through engagement events.
Washington performing arts champions the arts as a unifying force. through collaborations with artists, educators, community leaders, and institutional partners, we bring wide-ranging artistic programs to stages, schools, and neighborhoods…
The DMV Music Academy exists to expose, engage, and enrich young people through the transformative power of music.
The theatre lab provides classes and workshops to adults and youth in the areas of acting for the stage and screen, directing, playwriting, musical theatre, and drama criticism. the organization also conducts extensive outreach…
Extreme lengths productions is a dc- based arts collaborative
Imagination stage of washington, dc, inc. empowers all young people to discover their voice and identity through performing arts education and professional theatre.
For reference, the grantee most central to the portfolio’s shape is Dance Place and the most unlike its peers is The William V Campbell Family Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 23 years old; the field is 18. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 9% of your grantees by number, and just 4% of your money.
The orgs you fund almost never close — 3% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
172 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 172 of the 199 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds WOMEN IN FILM & VIDEO INC ↗
- Who funds Historical Society of Washington DC dba DC History Center ↗
- Who funds CAPITALBOP INC ↗
- Who funds ONE COMMON UNITY ↗
- Who funds ONE WORLD EDUCATION ↗
- Who funds 826DC INC ↗
- Who funds Street Sense Inc ↗
- Who funds Young Playwrights Theater ↗
- Who funds DC SCORES ↗
- Who funds Words Beats and Life Inc ↗
- Who funds NATIONAL WOMEN'S FOUNDATION ↗
- Who funds DC JAZZ FESTIVAL ↗
- Who funds Hola Cultura ↗
- Who funds AFRICAN AMERICAN MUSIC ASSOCIATION INC ↗
- Who funds Live It Learn It ↗
- Who funds The MusicianShip DC ↗
- Who funds THE HOWARD UNIVERSITY ↗
- Who funds MIKVA CHALLENGE GRANT FOUNDATION ↗
- Who funds GLOBAL KIDS INC ↗
- Who funds Day Eight ↗
- Who funds MOSAIC THEATER COMPANY OF DC ↗
- Who funds Critical Exposure Inc ↗
- Who funds Learnserve International ↗
- Who funds AMERICAN UNIVERSITY ↗
- Who funds Lillian and Albert Small Capital Jewish Museum ↗
- Who funds DC PRESERVATION LEAGUE ↗
- Who funds EMPOWER DC ↗
- Who funds African-American Civil War Memorial Freedom Foundation ↗
- Who funds DANCE INSTITUTE OF WASHINGTON ↗
- Who funds HEURICH HOUSE FOUNDATION ↗
- Who funds HOME RULE MUSIC FILM PRESERVATION FUND ↗
- Who funds Zora Neale Hurston Richard Wright Foundation ↗
- Who funds LIFE PIECES TO MASTERPIECES ↗
- Who funds ENVIRONMENTAL FILM FESTIVAL IN THE NATION'S CAPITAL ↗
- Who funds D C ARTS AND HUMANITIES EDUCATION COLLABORATIVE INC ↗
- Who funds READING PARTNERS ↗
- Who funds District of Columbia Arts Center ↗
- Who funds LATIN AMERICAN YOUTH CENTER ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Morris and Gwendolyn Cafritz Foundation · Greater Washington Community Foundation · United Way of the National Capital Area · Clark-Winchcole Foundation · Nora Roberts Foundation · Dimick Foundation John M Lynham Jr Trustee · Philip L Graham Fund co Graham Holdings Company · Max & Victoria Dreyfus Foundation Inc · Hattie M Strong Foundation · John Edward Fowler Memorial Foundation · Weissberg Foundation · Harman Family Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Humanities Council of Washington DC funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Documentary Educational Resources Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.