· Public charity
Coolidge Corner Theatre Foundation Inc
To entertain, inform, and engage - building a vital community through film culture.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 27 grants below total $198,700 — the rows itemised in this filing. The $252,400 headline is the total grant expense reported on the return, so the remaining $53,700 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| DOWNTOWN WINSTON-SALEM COMMUNITY CINEMA | $9,000 |
| KENWORTHY PERFORMING ARTS CENTRE | $9,000 |
| INSIGHTS - EL PASO SCIENCE CENTER INC DBA INSIGHTS SCIENCE DISCOVERY | $9,000 |
| THE LITTLE THEATRE INC | $8,500 |
| COLONIAL THEATRE | $8,000 |
| SAN DIEGO COMIC CONVENTION DBA COMIC-CON MUSEUM | $8,000 |
| SLO FILM CENTER - SAN LUIS OBISPO INTERNATIONAL FILM FESTIVAL INC | $8,000 |
| FRIENDS OF THE PENN (PENN THEATRE) | $7,500 |
| OHIO UNIVERSITY | $7,500 |
| JACOB BURNS FILM CENTER INC | $7,500 |
| UTAH FILM CENTER | $7,500 |
| RAGTAG FILM SOCIETY | $7,500 |
| ROOFTOP FILMS | $7,500 |
| SIDEWALK FILM CENTER AND CINEMA INC | $7,400 |
| AMHERST CINEMA ARTS CENTER INC | $7,100 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–17, $6k) land where the poverty rate runs at 8%, against an area that typically sits at 11%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +17% since the first grant, against +8% for the ones you funded once.
69 repeat relationships — 18 still active in FY2025, 51 since wound down; 9 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 65% of grant dollars renewed an existing relationship; $69k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- BTBELCOURT THEATRE INC8× · 2017–2025 · $59k · revenue +54%
- ACAMHERST CINEMA ARTS CENTER INC8× · 2017–2025 · $54k · revenue +11%
ENZIAN THEATER INC8× · 2017–2025 · $50k · revenue +4%
Funded once
- PCPROVIDENCE CENTER FOR MEDIA CULTUREone grant, 2017 · $9k · revenue -92%
- FFFILM FORUM INCone grant, 2023 · $9k · revenue +8%
- CLCITY LIGHTS & COMPANYone grant, 2024 · $9k · revenue 0%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of Hartford's Cinestudio is to celebrate film as art and to provide diverse audiences an eclectic mix of the world's best cinema experiences, presented at the highest technical level in a classic movie palace-like setting.
The traverse city film festival is committed to showing just great movies and helping to save one of americas few indigenous art forms - the cinema. we are committed to showing great movies that both entertain and enlighten the audience.…
Nonprofit community movie theater dedicated to the exploration of film as an art form, a source of entertainment and an educational tool
Cinema/Chicago, the non-profit 501(c)(3) presenting organization of the Chicago International Film Festival, enriches the community through year-round programming devoted to international and independent cinema. We strengthen communication…
Film forever northwest entertains, inspires, educates and connects our community through the art of film, while preserving the historic hollywood theatre and the world-class movie madness video collection. we offer a diverse array of film…
To present film and discussion of film as a way to entertain, broaden horizons and deepen appreciation of life for new hampshire audiences of all ages.
To enrich, educate, and entertain the community through film and art.
Crandell theatre is a nonprofit, member-supported community theater that aims to promote and develop an appreciation of film and filmmaking that enriches the social, cultural, and educational experience of the community, family life, and…
The organization's mission is to present cinematic art to the residents of the community, support the creation of cinematic art, and assist in cinematic art educational endeavors of local youth.
For reference, the grantee most central to the portfolio’s shape is Friends of Greenbelt Theatre Inc and the most unlike its peers is Grenada Community Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 27 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 2% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.9% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
103 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 103 of the 108 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds BELCOURT THEATRE INC ↗
- Who funds AMHERST CINEMA ARTS CENTER INC ↗
- Who funds ENZIAN THEATER INC ↗
- Who funds Film Society of Austin Inc ↗
- Who funds FILMSCENE ↗
- Who funds RAGTAG FILM SOCIETY ↗
- Who funds Athens Film Arts Institute Inc DBA Cine ↗
- Who funds REAL ART WAYS INC ↗
- Who funds ROOFTOP FILMS INC ↗
- Who funds UTAH FILM CENTER ↗
- Who funds Friends of the Cameo ↗
- Who funds THE ROXY THEATER ↗
- Who funds THE FRIDA CINEMA ↗
- Who funds SALINA ART CENTER INC ↗
- Who funds NEW YORK INTERNATIONAL CHILDRENS FILM FESTIVAL INC ↗
- Who funds VILLAGE THEATER COMPANY ↗
- Who funds Kenworthy Performing Arts Centre Inc ↗
- Who funds AMERICAN MUSEUM OF THE MOVING IMAGE ↗
- Who funds STATE THEATRE OF MODESTO INC ↗
- Who funds FILM STREAMS INC ↗
- Who funds ASSOCIATION FOR THE COLONIAL THEATRE ↗
- Who funds LOFT CINEMA INC FKA TUCSON CINEMA FOUNDATION INC ↗
- Who funds Cornell University ↗
- Who funds PICKFORD FILM CENTER ↗
- Who funds SHOTGUN CINEMA ↗
- Who funds Northwestern University ↗
- Who funds MEDIA ARTS CENTER SAN DIEGO ↗
- Who funds MONTCLAIR FILM FESTIVAL INC ↗
- Who funds HONOLULU MUSEUM OF ART ↗
- Who funds PHILADELPHIA FILM SOCIETY ↗
- Who funds GRAND TACOMA CINE CLUB DBA THE GRAND CINEMA ↗
- Who funds CALIFORNIA FILM INSTITUTE ↗
- Who funds MICHIGAN THEATER FOUNDATION INC ↗
- Who funds OXFILM ↗
- Who funds DES MOINES FILM SOCIETY ↗
- Who funds ASPEN FILM ↗
- Who funds THE ART INSTITUTE OF CHICAGO ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Michigan Theater Foundation Inc · Academy Foundation · The Ford Foundation · Mid-America Arts Alliance · Hollywood Foreign Press Association · New York Council for the Humanities · Hobsonlucas Family Foundation · Ibm International Foundation · John S and James L Knight Foundation · Union Pacific Foundation · AARP · Marin Community Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Coolidge Corner Theatre Foundation Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Real Art Ways Inc — 38% of income from government
- Ross Ragland Theater and Cultural C — 11% of income from government
- City Lights & Company — 9% of income from government
- The Producers Club of Md Inc — 7% of income from government
- Living Arts Trust Inc Dba O Cinema — 6% of income from government
- Museum of Discovery and Science Inc — 2% of income from government
- Montclair Film Festival Inc — 2% of income from government
- Martha's Vineyard Film Society Inc — 2% of income from government
- Amherst Cinema Arts Center Inc — 1% of income from government
- Enzian Theater Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.