· Public charity
Mid-America Arts Alliance
Guided by the vision of "More Art for All People," Mid-America Arts Alliance partners with and supports artists, cultural organizations, and communities to expand access to the arts, culture, and creativity across the region and beyond.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 71 grants below total $2,056,541 — the rows itemised in this filing. The $3,522,317 headline is the total grant expense reported on the return, so the remaining $1,465,776 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k4 grants · $32k
- $10k–50k38 grants · $575k
- $50k–250k29 grants · $1.4M
| Recipient | Amount |
|---|---|
| Museum of Deaf History Arts and Culture Inc | $50,000 |
| Outside The Lens | $50,000 |
| Armed Services Arts Partnership | $50,000 |
| The Black Actor's League LLC | $50,000 |
| ECHO Collective | $50,000 |
| Great Promise for American Indians | $50,000 |
| Decolonizing the Music Room | $50,000 |
| ENTRE LLC | $50,000 |
| Ra-Ve Cultural Foundation Inc | $50,000 |
| Diaz Music Institute | $50,000 |
| Community Building Art Works | $50,000 |
| Mulberry Arts Inc | $50,000 |
| Islamic Arts Society | $50,000 |
| The Big Red Barn Retreat | $50,000 |
| St Louis Art Place Initiative Inc | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–25, $267k) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 76% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +25% since the first grant, against +10% for the ones you funded once.
74 repeat relationships — 16 still active in FY2025, 58 since wound down; 55 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 22% of grant dollars renewed an existing relationship; $1.6M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- IAINTERURBAN ARTHOUSE3× · 2021–2025 · $120k · revenue +15%
- OVOklahoma Visual Arts Coalition2× · 2021–2022 · $98k · revenue +7%
- BCBRUSHWOOD CENTER AT RYERSON WOODS2× · 2022–2025 · $90k · revenue +53%
Funded once
- COCURATORS OF THE UNIVERSITY OF MISSOURIone grant, 2017 · $114k
- PRProject Row Housesone grant, 2022 · $85k · revenue -74%
- BABLACK ARCHIVES OF MID-AMERICA INCone grant, 2022 · $70k · revenue +6%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission is to provide enriching and educational experiences for the communities of the region through the promotion and support of artists.
The kansas city atrtists coalition is a nonprofit organization that promotes visual arts awareness
On the Boards' mission is to invest in leading contemporary performing artists near and far and connect them to a diverse range of communities interested in forward-thinking art and ideas.
Occidental Center for the Arts exists to provide a welcoming and accessible venue for the performing and visual arts in Sonoma County California for local regional national and international artists. our mission is to enrich our community…
To provide public access to contemporary art. The Contemporary Arts Center is a multi-disciplinary arts center that is dedicated to the presentation, production, and promotion of the arts of our time.
Guided by the vision of "More Art for All People," Mid-America Arts Alliance partners with and supports artists, cultural organizations, and communities to expand access to the arts, culture, and creativity across the region and beyond.
We entertain, educate, and inspire by curating and commissioning extraordinary dance and perfomance art from around the world.
Dedicated to the creation, presentation and advancement of contemporary art through its exhibitions, educational programming and studio art program.
The District of Columbia Arts Center serves the Washington DC area by presenting high caliber and challenging works. It encourages professionalism among artists by providing a forum for educational and cultural exchange. DCAC was founded…
For reference, the grantee most central to the portfolio’s shape is Justice Dance Performance Project Inc and the most unlike its peers is Claude and Donalda Stauth Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 30 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 3% of your grantees by number, and just 3% of your money.
The orgs you fund almost never close — 0.6% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
268 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 268 of the 275 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds INTERURBAN ARTHOUSE ↗
- Who funds GREENWOOD CULTURAL CENTER INC ↗
- Who funds DALLAS BLACK DANCE THEATRE INC ↗
- Who funds Oklahoma Visual Arts Coalition ↗
- Who funds BRUSHWOOD CENTER AT RYERSON WOODS ↗
- Who funds THE UNION FOR CONTEMPORARY ART INC ↗
- Who funds NORMAN ARTS COUNCIL ↗
- Who funds CARA MIA THEATRE CO ↗
- Who funds Armed Services Arts Partnership ↗
- Who funds EL MUSEO LATINO ↗
- Who funds OUTSIDE THE LENS ↗
- Who funds NATIONAL ASSOCIATION OF LATINO ARTS AND CULTURE ↗
- Who funds Black Liberated Arts Center Inc ↗
- Who funds St Louis ArtWorks ↗
- Who funds Project Row Houses ↗
- Who funds NEBRASKA WRITERS COLLECTIVE ↗
- Who funds THE ENSEMBLE THEATRE ↗
- Who funds MEXIC-ARTE MUSEUM ↗
- Who funds NATIONAL BLUES MUSEUM ↗
- Who funds No Divide KC ↗
- Who funds BLACK ARCHIVES OF MID-AMERICA INC ↗
- Who funds RA-VE CULTURAL FOUNDATION INC ↗
- Who funds DEEP CENTER INCORPORATED ↗
- Who funds JUSTICE DANCE PERFORMANCE PROJECT INC ↗
- Who funds FUSE BOX AUSTIN ↗
- Who funds THE CENTER FOR URBAN PEDAGOGY INC ↗
- Who funds HARVESTER ARTS ↗
- Who funds ARTSCONNECT INC ↗
- Who funds ARTS COUNCIL OF JOHNSON COUNTY ↗
- Who funds Spacetaker ↗
- Who funds OKLAHOMANS FOR THE ARTS INC ↗
- Who funds SAY SI ↗
- Who funds EXIT 12 DANCE COMPANY INC ↗
- Who funds FORT WAYNE DANCE COLLECTIVE INC ↗
- Who funds PATH WITH ART ↗
- Who funds ECHO COLLECTIVE ↗
- Who funds DECOLONIZING THE MUSIC ROOM ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a loosely connected circle, clustered around a few shared anchors.
Open a dossier: Houston Arts Alliance · Peter Kiewit Foundation · Houston Endowment Inc · Regional Cultural and Performing Arts Development Commission · Nac Development Corporation · Greater Austin Performing Arts Center Inc · The Francis Family Foundation · Rea Charitable Trust · Windgate Charitable Foundation Inc · The Brown Foundation Inc · Better Business Bureau · Weitz Family Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Mid-America Arts Alliance funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Community Building Art Works — 18% of income from government
- Tulsa Community Foundation — 11% of income from government
- Baltimore Symphony Orchestra Inc — 11% of income from government
- Delaware Art Museum Inc — 8% of income from government
- Justice Dance Performance Project Inc — 2% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.