· Private foundation
Ann L Rhodes and Carol Greene Rhodes
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k1 grant · $5k
- $10k–50k27 grants · $525k
- $50k–250k10 grants · $1.1M
| Recipient | Amount |
|---|---|
| ALLIED THEATRE GROUP INC | $140,000 |
| CASA MANANA INC | $140,000 |
| AMPHIBIAN PRODUCTIONS INC | $140,000 |
| CIRCLE THEATRE INC | $140,000 |
| HIP POCKET THEATRE | $140,000 |
| JUBILEE PLAYERS INC dba JUBILEE | $140,000 |
| TEXAS WESLEYAN UNIVERSITY | $100,000 |
| CRISTO REY FORT WORTH HIGH SCHOOL | $50,000 |
| SAFEHAVEN OF TARRANT COUNTY | $50,000 |
| FORT WORTH SYMPHONY ORCHESTRA | $50,000 |
| FORT WORTH OPERA ASSOCIATION INC | $40,000 |
| MAKE A WISH FOUNDATION OF NORTH | $35,000 |
| ARTS COUNCIL OF FORT WORTH & TARRANT | $30,000 |
| STREAMS & VALLEYS INC | $30,000 |
| FOUNDATION FOR YOUNG WOMEN'S LEADERSHIP | $25,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY19–24, $540k) land where the poverty rate runs at 10%, against an area that typically sits at 10%. 97% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +25% since the first grant, against +15% for the ones you funded once.
48 repeat relationships — 25 still active in FY2024, 23 since wound down; 13 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 88% of grant dollars renewed an existing relationship; $195k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- CTCIRCLE THEATRE INC6× · 2019–2024 · $855k · revenue +5% · 37% of their budget
- CMCASA MANANA INC6× · 2019–2024 · $800k · revenue +40%
- PTPocket Theatre Inc6× · 2019–2024 · $790k · revenue +99% · 63% of their budget
Funded once
- EFEVENT FACILITIES FORT WORTH INCone grant, 2019 · $200k · revenue -94%
- SWSTAGE WEST AKA ALLIED THEATRE GROUPone grant, 2020 · $140k
- ATALLIED THEATRE GROUP AKA STAGE WESTone grant, 2019 · $120k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Using Shakespeare's works as a cornerstone, Shakespeare Dallas serves the Southwest region with fun and accessible indoor and outdoor theatre, integrated school programs, and cultural enrichment for people of all ages and backgrounds.
The mission of North Texas Performing Arts is to develop the character of youth through quality performing arts education and family entertainment. Our vision is to make our programs accessible and desirable to our North Texas families.
Public arts funding
Teatro Dallas is committed to the cultural empowerment of the Latino community by representing our varied experiences, voices, and artistic expressions. Through high quality theatrical programming Teatro Dallas employs the power of theater…
The Dallas Winds, a Grammy-nominated wind ensemble, stands as a cultural cornerstone of Dallas, Texas. Founded in 1985, the Dallas Winds has grown into one of the worlds premier wind bands, renowned for its extraordinary artistry and…
We are an intimate stage for everyone. Playwrights will invent, artists will risk, and audiences will be immersed in new and familiar plays they can see from all sides. Feel emboldened, entertained and intrigued rediscover and reach for T3.
The mission of dallas children's theater is to inspire young people to creative and productive lives through the art of theater.to give rise to inspiring theater, dallas children's theater:- creates and produces innovative professional…
TexARTS is an arts education and performance destination that builds character, professionalism, and careers. Its mission is to cultivate a thriving arts community by exposing all people to the visual and performing arts. TexARTS prepares…
Public performance of baroque classical music (17th, 18th, and 19th century) using period appropriate instruments.
Provide financial support to the dallas opera.
For reference, the grantee most central to the portfolio’s shape is Make-a-Wish Foundation of North Texas and the most unlike its peers is Mimir Chamber Music Festival. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 39 years old; the field is 12. You back the established end — and your money leans older still.
The field is 27% startups (under 5 years old) — 3% of your grantees by number, and just 10% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
91 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 91 of the 118 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds CIRCLE THEATRE INC ↗
- Who funds CASA MANANA INC ↗
- Who funds Pocket Theatre Inc ↗
- Who funds AMPHIBIAN PRODUCTIONS INC ↗
- Who funds JUBILEE PLAYERS INC ↗
- Who funds STAGE WEST THEATRE FORMERLY ALLIED THEATRE GROUP INC ↗
- Who funds FORT WORTH SYMPHONY ORCHESTRA ASSOCIATION ↗
- Who funds EVENT FACILITIES FORT WORTH INC ↗
- Who funds SAFEHAVEN OF TARRANT COUNTY ↗
- Who funds AMON CARTER MUSEUM OF WESTERN ART ↗
- Who funds TEXAS WESLEYAN UNIVERSITY ↗
- Who funds ARTS COUNCIL OF FORT WORTH AND TARRANT COUNTY INC ↗
- Who funds Fort Worth Opera Association Inc ↗
- Who funds CASA OF TARRANT COUNTY INC ↗
- Who funds Van Cliburn Foundation Inc ↗
- Who funds ALLIANCE FOR CHILDREN INC ↗
- Who funds Artisan Productions ↗
- Who funds STREAMS & VALLEYS INC ↗
- Who funds ARLINGTON CHARITIES INC ↗
- Who funds ACH CHILD AND FAMILY SERVICES ↗
- Who funds HOPE FARM INC ↗
- Who funds KIDS WHO CARE INC ↗
- Who funds BIG BROTHERS BIG SISTERS LONE STAR ↗
- Who funds THEATRE ARLINGTON INC ↗
- Who funds Dallas Holocaust and Human Rights Museum ↗
- Who funds YOUTH ORCHESTRA OF GREATER FORT WORTH ↗
- Who funds Humane Society of North Texas ↗
- Who funds SOUTHWESTERN EXPOSITION AND LIVESTOCK SHOW ↗
- Who funds THE FORT WORTH PUBLIC LIBRARY FOUNDATION ↗
- Who funds MEALS ON WHEELS INC OF TARRANT COUNTY ↗
- Who funds BALLET FRONTIER OF TEXAS ↗
- Who funds FORT WORTH AREA HABITAT FOR HUMANITY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Sid W Richardson Foundation · Thomas M Helen McKee & John P Ryan Fo John P Ryan Foundation Inc · Amon G Carter Foundation · Community Foundation of North Texas (Tax · Communities Foundation of Texas Inc · Helen Irwin Littauer Educational Trust · Garvey Texas Foundation Inc · Crystelle Waggoner Charitable Trust · Mary Potishman Lard Trust Walker C Friedman Co Trustee · Bnsf Railway Foundation · Leo Potishman Foundation Xxxxx3002 · Amon G Carter-Star Tele Emply Fund
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Ann L Rhodes and Carol Greene Rhodes funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.