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California · Nonprofit

SAN LUIS OBISPO REPERTORY THEATRE

SAN LUIS OBISPO REPERTORY THEATRE (California) receives grants from 24 organizations whose IRS filings report $2,402,472 to it, the largest being HIND FOUNDATION ($750,000). 10 of them have funded it in more than one year.

Revenue FY2025
$4.2M
Funders on record
24
Grants received
$2.4M
Net assets
$10M
10/24 repeat funderspeak grant-dependency 22%
01What it does

What San Luis Obispo Repertory Theatre does

Mission

Slo rep strengthens theatre's cultural influence and enriches the central coast by producing professional theatre, nurturing artists and providing theatre education for children and adults.

As stated on its FY2025 Form 990.

Programs

  1. Theatrical productions of professional quality for the entertainment, enrichment and education of the public.

    $457,345 spent$543,030 earned by the program
    84% of program spending
  2. Academy of creative theatre helps young performers develop life-long theatrical skills and build self-esteem while having fun.

    $84,478 spent$189,070 earned by the program
    16% of program spending

The 2 programs described on its FY2024 Form 990, listed largest first by expense. Program spending in total: $541,823.

02The organization over time

The organization over time

Each line starts at 100 in 2018, so what you read is the shape rather than the size: 150 means half as much again as 2018, 50 means half. The number beside each label in the key is where it ended. The shaded band is where the middle 50% of its peers' revenue would sit, given their growth.

100 = 20182018 Revenue 100 ($1.1M) Expenses 100 ($856k) Net assets 100 ($884k)2019 Revenue 146 ($1.6M) Expenses 107 ($915k) Net assets 178 ($1.6M)2020 Revenue 150 ($1.7M) Expenses 95 ($814k) Net assets 276 ($2.4M)2021 Revenue 148 ($1.7M) Expenses 58 ($492k) Net assets 412 ($3.6M)2022 Revenue 154 ($1.7M) Expenses 90 ($772k) Net assets 511 ($4.5M)2023 Revenue 240 ($2.7M) Expenses 167 ($1.4M) Net assets 656 ($5.8M)2024 Revenue 320 ($3.6M) Expenses 182 ($1.6M) Net assets 894 ($7.9M)2025 Revenue 372 ($4.2M) Expenses 205 ($1.8M) Net assets 1166 ($10M)
'18'19'20'21'22'23'24'25
Revenue (372)Expenses (205)Net assets (1166)Peer revenue range

Balance sheet

Total assets and total liabilities at each year end, in dollars. The largest one-year move in total assets was 2024 to 2025, from $8.2M to $11M (+29%).

$1.1M
$1.8M
$2.6M
$3.7M
$4.7M
$6.1M
$8.2M
$11M
'18'19'20'21'22'23'24'25
Total assetsTotal liabilities

How it's funded, over time

Each bar is one year's revenue split into where it came from, and every bar is the same height — these are shares, not amounts, so a year that raised twice as much looks the same size. Hover a bar for the split.

2018
2019
2020
2021
2022
2023
2024
2025
ContributionsProgram revenueInvestmentOther

Government-grant reliance: 2018 1% · 2019 0% · 2020 0% · 2021 2% · 2022 19% · 2023 4% · 2024 0%. Grants only. Government contracts and fees sit inside program revenue.

75% of SAN LUIS OBISPO REPERTORY THEATRE’s revenue is contributions — more donation-reliant than the typical peer (63% for the typical peer).

This organization
Typical peer · 5,377 orgs

Surplus & reserves

Operating surplus or deficit each year, and months of liquidity in hand. 0 of the last 8 reported years ran a deficit.

$260k
’18
$718k
’19
$857k
’20
$1.2M
’21
$946k
’22
$1.3M
’23
$2.0M
’24
$2.4M
’25
47
months of
reserve

Leadership and staff

The officers, directors, trustees and key employees listed on each return. Joined and no longer listed compare each filing with the year before, matching people by surname and first initial; a year after a gap, or a roster under three people, has no comparison.

'18'19'20'21'22'23'24'25
Listed1615161616161615
Joined·+0+3+2+0+0+2+2
No longer listed·1220023
03Who funds it

Who funds it, year by year

2017 → 2023: the base broadened from 2 funders to 9 funders, grant income rose $23k → $189k.

11 of 24 of your funders are donor-advised or pass-through sponsors (tagged DAF) — 44% of grant dollars received. That money is really individual donors directing a sponsor; the institutions to cultivate are the non-DAF funders.

From the IRS filings of SAN LUIS OBISPO REPERTORY THEATRE’s funders (the co-funder graph). Association, not causation. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

How concentrated its funding is

SAN LUIS OBISPO REPERTORY THEATRE leans on a few funders — its largest provides 31% of grant income and the top three 78%; half comes from just 2 funders.

the vertical line marks half of all grant income — 2 funders to its left

45% of the income these shares are computed over arrives through pass-through sponsors or from payers whose filings do not say what kind of payment it is. Concentration is still measured over all of it, because the money is real; what it does not support is a claim about how many institutions have chosen to fund SAN LUIS OBISPO REPERTORY THEATRE.

31%
largest funder
78%
top three
~5
effective funders

Largest funder’s share by year: 2017 89% · 2018 94% · 2019 75% · 2020 90% · 2021 73% · 2022 90% · 2023 57% — diversifying over time.

“Effective funders” = inverse Herfindahl index (1 / Σ shareᵢ²) — the number of equal-sized funders that would give the same concentration. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

How long its funders stay

50% of SAN LUIS OBISPO REPERTORY THEATRE's funders are still giving 3 years after their first grant; 42% give in more than one year at all.

first grant+1y+2y+3y+4y

Share of funders still giving k years after their first recorded grant, pooled across every acquisition cohort. A funder counts as retained in a year only if it made a grant that year. Measured to FY2023, the last fiscal year that has finished arriving — a funder cannot be counted as lapsed in a year most filers have not reached.

Where its funders are

56% of SAN LUIS OBISPO REPERTORY THEATRE's grant income comes from California funders.

WA
ID
MN
WI
WY
CA
UT
FL

In-state vs out-of-state, by year

’17
’18
’19
’20
’21
’22
’23
California out of state home

Funder states come from each funder’s own filing. $1.1M arriving through sponsors registered in 10 states is excluded from the map and the split above: a sponsor holds money on a donor’s behalf, so its registered address would place those dollars somewhere no donor need ever have been. Trends are read to FY2023, the last fiscal year that has finished arriving. FY2024–FY2026 are still being filed and are shown unshaded; they do not move any figure on this page.

04Its place in the field

Against its field

SAN LUIS OBISPO REPERTORY THEATRE runs a healthier operating margin than three-quarters of the 3,230 arts & culture nonprofits its size.

Operating margin58% · top quartile
Months of reserve47.2mo · top quartile
Revenue growth (annualized)21% · top quartile

this organization peer median middle 50% of peers· 3,230 arts & culture nonprofits $1M–$10M, FY2025

Organizations like SAN LUIS OBISPO REPERTORY THEATRE

Organizations whose mission and program text most resemble this one, by semantic similarity over every organization in the US filings — the closest peers, and often the clearest route to shared or prospective funders.

In California

Nationally

05Profile & governance

Read directly from this organization’s own Form 990, as neutral context.

Where the money goes

31% of spending goes to programs.

Program 31%Management 34%Fundraising 35%

Governance

17
board members
100%
independent
✓Conflict-of-interest policy✓Whistleblower policy✓Document retention✓Board reviewed the 990–Audited financials

Public support

94%

Share of support from the public (Schedule A) — the basis for its public-charity status.

Footprint & structure

Files a return copy in 1 state

CA

Screen this organization

A dated, signed PDF of the compliance screen for SAN LUIS OBISPO REPERTORY THEATRE: IRS status (Business Master File, Publication 78, auto-revocation), the OFAC sanctions lists, the Internal Revenue Bulletin, and California registration, with the Rev. Proc. 2018-32 §8.01 reliance elements stated element by element. Generated from the current files at the moment you download it.

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Screens are triage, not determinations; a source that cannot be read reports not screened, never clear. Screen this nonprofit · How the screen works · on the API as GET /api/screening/{ein}?format=pdf

Questions and answers

Who funds SAN LUIS OBISPO REPERTORY THEATRE?
SAN LUIS OBISPO REPERTORY THEATRE (California) receives grants from 24 organizations whose IRS filings report $2,402,472 to it, the largest being HIND FOUNDATION ($750,000). 10 of them have funded it in more than one year.
How many funders does SAN LUIS OBISPO REPERTORY THEATRE have?
IRS filings report 24 organizations giving $2,402,472 in grants to SAN LUIS OBISPO REPERTORY THEATRE, 10 of which have funded it in more than one year.
Who is the largest funder of SAN LUIS OBISPO REPERTORY THEATRE?
HIND FOUNDATION is the largest funder on record, with $750,000 in grants. The full list of funders is on this page.
How can an organization like SAN LUIS OBISPO REPERTORY THEATRE find more funders?
Start with the funders already giving here, then look at the foundations that back similar organizations in California. The funding by cause and by state pages list the largest funders for a given area and how to approach them.

Play a game about who funds San Luis Obispo Repertory Theatre →

These figures are read directly from IRS Form 990 / 990-PF e-file XML: this organization’s own return for FY2025 (financials across 2018–2025), and the filings of 24 funders that report grants to it. “On record” means captured in the filings we have parsed — a funder that does not e-file, or whose grant detail is not itemized, will not appear. Filings run roughly 12–24 months behind. Trends on this page end at FY2023, the last fiscal year that has finished arriving; later years are shown and marked, and move no figure. Data on this page was exported October 14, 2026. What this page cannot tell you · view filing