· Private foundation
Rapaport Shallat Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k9 grants · $24k
- $10k–50k8 grants · $184k
Anchored by a single position — about 99% of reported assets are held in Henley & Co.
| Recipient | Amount |
|---|---|
| GREATER MIAMI JEWISH FEDERATION | $41,600 |
| GUILD HALL OF EAST HAMPTON | $30,000 |
| AMERCIAN FOLK ART MUSEUM | $25,000 |
| UNION FOR REFORM JUDAISM | $25,000 |
| AMERICAN FRIENDS OF MUSEUMS IN ISRAEL | $21,500 |
| UJA FEDERATION OF NY | $20,000 |
| TEMPLE BETH EL OF HUNTINGTON | $10,700 |
| THE HECKSCHER MUSEUM | $10,000 |
| MCC THEATER | $6,000 |
| PRIMARY STAGES | $5,000 |
| STEPHEN WISE FREE SYNAGOGUE | $3,000 |
| Individual grant recipient | $2,500 |
| SECOND STAGE THEATER | $2,500 |
| CAMP RAMAH OF THE BERKSHIRES | $1,800 |
| CINEMA ARTS CENTER | $1,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY20–20, $3k) land where the poverty rate runs at 6%, against an area that typically sits at 9%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
23 repeat relationships — 13 still active in FY2024, 10 since wound down; 3 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 98% of grant dollars renewed an existing relationship; $3k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- AFAMERICAN FOLK ART MUSEUM5× · 2020–2024 · $157k · revenue +77%
- UJUNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC5× · 2020–2024 · $108k · revenue +46%
- TJTHE JEWISH MUSEUM3× · 2020–2022 · $54k · revenue +102%
Funded once
- AALTOURone grant, 2022 · $14k
- RTROUNDABOUT THEATRE COMPANY INCgraduatedone grant, 2022 · $10k · revenue +64%
- IGIndividual grant recipientone grant, 2021 · $10k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
For over 150 years, the 92nd street y, new york has been serving its communities and the larger world by bringing people together (continued on schedule o)and providing exceptional, groundbreaking programs in the performing and visual…
The metropolitan museum of art collects, studies, conserves, and presents significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas.
The contemporary jewish museum (the cjm) makes the diversity of the jewish experience relevant for a twenty-first-century audience through innovative exhibitions and programs that educate, challenge, and inspire.
The weitzman national museum of american jewish history, on independence mall in philadelphia, presents educational programs and experiences that preserve, explore, and celebrate the history of jews in america. its purpose is to connect…
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
Committed to innovation, the solomon r. guggenheim foundation (the "foundation") collects, (continued on schedule o)
Please see schedule o for the complete mission statement.berkeley repertory theatre creates ambitious theatre that entertains and challenges its audiences, provokes civic engagement, and inspires people to experience the world in new and…
El museo's mission is to preserve, interpret, and promote the artistic heritage of puerto ricans and all latin americans in the united states by means of exhibitions, public programs, publications, and educational activities.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…
For reference, the grantee most central to the portfolio’s shape is The Jewish Museum and the most unlike its peers is Jewish Federation of Cincinnati. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 60 years old; the field is 18. You back the established end — and your money leans older still.
The field is 18% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
23 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 23 of the 41 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds AMERICAN FOLK ART MUSEUM ↗
- Who funds UNITED JEWISH APPEAL-FEDERATION OF JEWISH PHILANTHROPIES OF NEW YORK INC ↗
- Who funds GUILD HALL OF EAST HAMPTON INC ↗
- Who funds THE AMERICAN FRIENDS OF MUSEUMS IN ISRAEL ↗
- Who funds THE JEWISH MUSEUM ↗
- Who funds GREATER MIAMI JEWISH FEDERATION INC ↗
- Who funds HECKSCHER MUSEUM ↗
- Who funds Jewish Federation of Cincinnati ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds MANHATTAN CLASS COMPANY INC ↗
- Who funds Primary Stages Company Inc ↗
- Who funds MANHATTAN THEATRE CLUB INC ↗
- Who funds ROUNDABOUT THEATRE COMPANY INC ↗
- Who funds THE PARRISH ART MUSEUM INC ↗
- Who funds THE SECOND STAGE THEATRE INC ↗
- Who funds BAY STREET THEATRE FESTIVAL INC ↗
- Who funds MIAMI CITY BALLET INC ↗
- Who funds ATHLETES FOR ISRAEL INC ↗
- Who funds MID-ISLAND Y JEWISH COMMUNITY CENTER IN ↗
- Who funds THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER ↗
- Who funds THE PERLMAN MUSIC PROGRAM INC ↗
- Who funds SMITHSONIAN INSTITUTION ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Jewish Communal Fund · The Goldman Sachs Charitable Gift Fund · National Philanthropic Trust · Vanguard Charitable Endowment Program · Morgan Stanley Global Impact Funding Trust Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Rapaport Shallat Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.