· Private foundation
Peck Stacpoole Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k2 grants · $12k
- $10k–50k17 grants · $339k
| Recipient | Amount |
|---|---|
| New York Genealogical & Biographical Society | $30,000 |
| University of Delaware Art Conservation Department | $30,000 |
| The Whitney Institute | $30,000 |
| Brooklyn Public Library | $25,000 |
| Virginia Tech University Libraries Special Collections | $20,000 |
| Godfrey Memorial Library Fund | $20,000 |
| Elling O Eide Charitable Foundation | $20,000 |
| Orchestra Of St Luke's | $20,000 |
| American Trust for the British Library | $20,000 |
| Museum of Nebraska Art University of Nebraska-Kearney | $18,794 |
| Bibliographical Society Of America | $18,700 |
| American Historical Society of Germans from Russia | $17,462 |
| Sheldon Art Association Sheldon Museum of Art | $17,000 |
| Museum of the City of New York | $15,000 |
| RIT Image Permanence Institute | $15,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 17%, against an area that typically sits at 12%. 87% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 10% of Peck Stacpoole Foundation’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another. Read by recipient address, 59% of the giving stays in NY; read by stated purpose it is 56% — less of the work is directed home than the recipients' locations suggest.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +47% since the first grant, against +15% for the ones you funded once.
33 repeat relationships — 14 still active in FY2025, 19 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 78% of grant dollars renewed an existing relationship; $76k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NYNEW YORK GENEALOGICAL AND BIOGRAPHICAL SOCIETY7× · 2018–2025 · $303k · revenue +47%
BROOKLYN PUBLIC LIBRARY8× · 2017–2025 · $211k · revenue +15%- TWTHE WHITNEY INSTITUTE7× · 2017–2025 · $194k · revenue ×41 · 62% of their budget
Funded once
- JSJODY SPERLINGTIME LAPSE DANCEINCgraduatedone grant, 2023 · $30k · revenue +54%
- TLTHE LITERARY CLASSICS OF THE US INC D/B/A LIBRARY OF AMERICAone grant, 2019 · $20k · revenue +3%
- LOLibrary of America aka Literary Classics of The United States Incone grant, 2024 · $20k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
The huntington library, art museum, and botanical gardens shares its world-renowned collections to support scholarship, foster learning, inspire creativity, and offer transformative experiences for diverse audiences.
Organization's mission statement true to the ambitious vision of its founder and her spirit of creative risk-taking, the mission of the isabella stewart gardner museum is: - to bring to life and preserve the rich historic collection; - to…
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
The institute for advanced study (the institute) is one of the world's leading centers for theoretical research and intellectual inquiry. see schedule o.
The long island museum is dedicated to inspiring people of all ages with an understanding and enjoyment of american art, history and carriages as expressed through the heritage of long island and its diverse communities.
Chartered by a unanimous act of congress, the museum is america's national institution for the documentation, study, interpretation, and education of holocaust history and serves as our country's memorial to the victims of the holocaust.…
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The museum of fine arts, houston serves as a welcoming and inclusive place for all people, connecting the communities of houston with diverse histories of art spanning 6,000 years and six continents. through our permanent collections,…
For reference, the grantee most central to the portfolio’s shape is The New York Public Library Astor Lenox and Tilden Foundations and the most unlike its peers is Elling O Eide Charitable Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 57 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
36 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 36 of the 62 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NEW YORK GENEALOGICAL AND BIOGRAPHICAL SOCIETY ↗
- Who funds BROOKLYN PUBLIC LIBRARY ↗
- Who funds THE WHITNEY INSTITUTE ↗
- Who funds ST LUKES CHAMBER ENSEMBLE INC ↗
- Who funds BLACK ROCK FOREST CONSORTIUM INC ↗
- Who funds THE AMERICAN TRUST FOR THE BRITISH LIBRARY ↗
- Who funds AMERICAN HISTORICAL SOCIETY OF GERMANS FROM RUSSIA ↗
- Who funds BIBLIOGRAPHICAL SOCIETY OF AMERICA ↗
- Who funds ELLING O EIDE CHARITABLE FOUNDATION ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds New York Historical Society ↗
- Who funds JODY SPERLINGTIME LAPSE DANCEINC ↗
- Who funds ASCHIANA FOUNDATION ↗
- Who funds THE BROOKLYN HISTORICAL SOCIETY ↗
- Who funds NEW ENGLAND HISTORIC GENEALOGICAL SOCIETY ↗
- Who funds GODFREY MEMORIAL LIBRARY ↗
- Who funds THE LITERARY CLASSICS OF THE US INC D/B/A LIBRARY OF AMERICA ↗
- Who funds THE JOHN & MABLE RINGLING MUSEUM OF ART FOUNDATION INCORPORATED ↗
- Who funds AMERICAN FOLK ART MUSEUM ↗
- Who funds MUSEUM OF THE CITY OF NEW YORK ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Ibm International Foundation · Jpmorgan Chase Foundation · Vanguard Charitable Endowment Program · Jewish Communal Fund · National Philanthropic Trust · The Pfizer Foundation Inc · American Endowment Foundation · Morgan Stanley Global Impact Funding Trust Inc · The Bank of America Charitable Foundation Inc · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · American Online Giving Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Peck Stacpoole Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Massachusetts Historical Society — 22% of income from government
- Yale University — 12% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Peck Stacpoole Foundation?
Find your warmest path to Peck Stacpoole Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.