· Private foundation
Nib Foundation
Its FY2018 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2018.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2018
- Under $10k6 grants · $28k
- $10k–50k15 grants · $327k
- $50k–250k3 grants · $410k
- $250k+4 grants · $1.9M
| Recipient | Amount |
|---|---|
| JOFFREY BALLET | $560,000 |
| LYRIC OPERA OF CHICAGO | $550,000 |
| AMERICAN BALLET THEATRE | $495,000 |
| METROPOLITAN OPERA | $300,000 |
| AUDITORIUM THEATRE OF ROOSEVELT UNIVERSITY | $200,000 |
| PAWS | $150,000 |
| ENVIRONMENTAL LAW AND POLICY CENTER | $60,000 |
| Individual grant recipient | $45,000 |
| RUTH PAGE CIVIC BALLET OF CHICAGO | $40,000 |
| Individual grant recipient | $40,000 |
| MUSIC THEATER WORKS | $37,000 |
| REAL CRUZAN CATS | $35,000 |
| Individual grant recipient | $25,000 |
| LAKESIDE PRIDE MUSIC ENTERPRISE | $15,000 |
| CHICAGO FOOD DEPOSITORY | $15,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–18) land where the poverty rate runs at 15%, against an area that typically sits at 10%. 98% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +66% since the first grant, against +54% for the ones you funded once.
13 repeat relationships — 13 still active in FY2018, 0 since wound down; 15 grantees were first funded in FY2018 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2018, 63% of grant dollars renewed an existing relationship; $975k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TJTHE JOFFREY BALLET2× · 2017–2018 · $810k · revenue +90%
- LOLyric Opera of Chicago2× · 2017–2018 · $750k · revenue +33%
- ATAuditorium Theatre of Roosevelt University Inc2× · 2017–2018 · $300k · revenue +46%
Funded once
- MOMUSEUM OF CONTEMPORARY ARTone grant, 2017 · $15k · revenue +0%
- TPTHE PAGE RUTH FOUNDATIONone grant, 2017 · $10k
RAVINIA FESTIVAL ASSOCIATIONgraduatedone grant, 2017 · $10k · revenue +54%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Presenting free high-quality classical music performances and music education experiences in the Chicago metropolitan area for people of all ages and degrees of musical awareness so they can experience how music enriches life.
Creating innovative puppetry performances utilizing musical, literary, and puppetry traditions.
Illinois Philharmonic Orchestra's mission as a professional orchestra is to utilize the universal expression of music to create profound, inspiring, and personal connections between the people and communities of Chicagos Southland.
A Red Orchid Theatre is an ensemble of artists dedicated to the proliferation of live theatre in the modern world.
To use multiple artistic forms (primarily dance and music) and the combined talents of our diverse company to convey intense personal narratives. We are proudly and visibly multicultural, exploring the intersection of heritage, culture,…
Chicago Sinfonietta is a professional orchestra dedicated to modeling and promoting diversity, inclusion, and both racial and cultural equity in the arts through the universal language of symphonic music. Our core values are built around…
Opera theatre's mission is to shape a vibrant future for opera by connecting, inspiring, and entertaining our communities through the power and beauty of the art form; to foster the next generation by empowering a diverse group of artists,…
Preserves and perpetuates bharata natyam, one of the great classical dance forms of india, in all its classical rigor, and moves the art form in innovative directions to foster cultural exchange through dance.
The chicago theatre group is committed to producing both classic and contemporary works giving full voice to a wide range of artists and visions. by dedicating itself to three guiding principles - quality, equity, and community - the…
Cincinnati Chamber Orchestra (CCO) creates intimate, transformative experiences that connect the musically curious.
Cedille Chicago, NFP is devoted to the activity of producing and marketing recordings of classical music by Chicago-area musicians and composers.
For reference, the grantee most central to the portfolio’s shape is Chicago Shakespeare Theater and the most unlike its peers is Real Cruzan Cats. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 45 years old; the field is 18. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
25 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 25 of the 36 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE JOFFREY BALLET ↗
- Who funds Lyric Opera of Chicago ↗
- Who funds BALLET THEATRE FOUNDATION INC ↗
- Who funds Auditorium Theatre of Roosevelt University Inc ↗
- Who funds PAWS INC ↗
- Who funds ENVIRONMENTAL LAW AND POLICY CENTER OF THE MIDWEST ↗
- Who funds REAL CRUZAN CATS ↗
- Who funds Music Theatre Works Inc ↗
- Who funds Chicago Symphony Orchestra ↗
- Who funds Ensemble Espanol ↗
- Who funds MUSIC AND DANCE THEATER CHICAGO INC ↗
- Who funds MUSEUM OF CONTEMPORARY ART ↗
- Who funds Peaceful Valley Donkey Rescue Inc ↗
- Who funds RAVINIA FESTIVAL ASSOCIATION ↗
- Who funds CHICAGO OPERA THEATER ↗
- Who funds Felines Inc ↗
- Who funds MERIT SCHOOL OF MUSIC ↗
- Who funds ASSISI ANIMAL FOUNDATION ↗
- Who funds Frieds Cat Shelter Inc ↗
- Who funds JOYCE THEATER FOUNDATION INC ↗
- Who funds TOUCHED BY AN ANIMAL ↗
- Who funds OPENLANDS ↗
- Who funds CHICAGO SHAKESPEARE THEATER ↗
- Who funds Red Door Animal Shelter ↗
- Who funds Chicago Dance Health Fund ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: John D and Catherine T Macarthur Foundation · The Chicago Community Trust · Ncrc Community Development Fund Inc · Elizabeth F Cheney Foundation · Arthur J Gallagher Foundation · Jpmorgan Chase Foundation · American Endowment Foundation · The Bank of America Charitable Foundation Inc · Paypal Charitable Giving Fund · Network for Good · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Nib Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.