· Private foundation
Emma a Sheafer Charitable Tr Xxxxx7006
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- $10k–50k12 grants · $250k
- $50k–250k1 grant · $150k
| Recipient | Amount |
|---|---|
| NEW YORK POOLED PRIVATE FUND LLC | $150,000 |
| PIONEERS GO EAST COLLECTIVE INC | $25,000 |
| YAA SAMAR DANCE THEATRE | $25,000 |
| MIAMI DANCE FUTURES INC | $25,000 |
| FOUNDATION FOR INDEPENDENT ARTISTS | $25,000 |
| CAVE ORGANIZATION INC | $25,000 |
| THEATER LABRADO INC | $20,000 |
| COLT COEUR THEATER COMPANY | $20,000 |
| THEATER MITU | $20,000 |
| CULTUREHUB INC | $20,000 |
| THALIA SPANISH THEATER | $15,000 |
| FAULT LINE THEATRE | $15,000 |
| EPIC PLAYERS INC | $15,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–22, $50k) land where the poverty rate runs at 17%, against an area that typically sits at 13%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
46 repeat relationships — 6 still active in FY2025, 40 since wound down; 7 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 26% of grant dollars renewed an existing relationship; $295k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- HTHIP-HOP THEATER FESTIVAL INC DBA Hi-ARTS3× · 2020–2024 · $90k · revenue +122%
- PTPIPELINE THEATRE COMPANY INC3× · 2021–2023 · $75k · revenue +50%
- RMRAGA MASSIVE INC4× · 2017–2020 · $70k · revenue +6%
Funded once
- EGEN GARDE ARTS INCgraduatedone grant, 2017 · $50k · revenue +85%
- THThe Harlem Chamber Players Incgraduatedone grant, 2021 · $50k · revenue +83%
- TATRISKELION ARTS-KICK-STANDANCE INCone grant, 2023 · $30k · revenue +1%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Tank is a small, Manhattan-based non-profit arts presenter and producer serving emerging artists. Our goal is to remove economic barriers from the creation of new work for artists launching their careers or experimenting within their…
The production of theater for and with disabled and marginalized artists. also the creation of NY theatrical standards.
Production of original theater at its Brooklyn, NY space.
The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…
To create contemporary dance works
New York Theatre Barn is an inclusive home for artists and a holistic incubator of original culture-shifting musicals.Since 2007 it has given underrepresented artists the freedom to experiment in front of live audiences--often for the…
Producing and developing plays and musicals.
Since 2006, Theaterlabs mission is to serve New Yorks diverse communities of artists and the general public by presenting and developing new theater works. Theaterlab is a women and artist-led laboratory dedicated to researching the nature…
Develop recognition of international theater
For reference, the grantee most central to the portfolio’s shape is En Garde Arts Inc and the most unlike its peers is Parity Productions Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 16 years old; the field is 16. You back the younger end — and your money leans older still.
The field is 20% startups (under 5 years old) — 2% of your grantees by number, and just 3% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
60 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 60 of the 73 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds HIP-HOP THEATER FESTIVAL INC DBA Hi-ARTS ↗
- Who funds NEW YORKERS FOR CULTURE AND ARTS INC ↗
- Who funds PIPELINE THEATRE COMPANY INC ↗
- Who funds FUTURE RIVER INC ↗
- Who funds RAGA MASSIVE INC ↗
- Who funds THEATER MITU INC ↗
- Who funds TARGET MARGIN THEATER INC ↗
- Who funds GALLIM DANCE COMPANY INC ↗
- Who funds Braata Productions Inc ↗
- Who funds DANCING IN THE STREETS INC ↗
- Who funds FRIGID NEW YORK INC ↗
- Who funds PROSPECT THEATER COMPANY INC ↗
- Who funds Dancewave Inc ↗
- Who funds KYOUNGS PACIFIC BEAT INC ↗
- Who funds BROADWAY ADVOCACY COALITION INC ↗
- Who funds THEATRE OF THE OPPRESSED NYC INC ↗
- Who funds MONICA BILL BARNES & COMPANY INC ↗
- Who funds THE BUSHWICK STARR INC ↗
- Who funds COLT COEUR THEATER COMPANY INC ↗
- Who funds Teatro Circulo LTD ↗
- Who funds MULTICULTURAL MUSIC GROUP INC ↗
- Who funds OYE GROUP INC ↗
- Who funds CHORAL CHAMELEON INC ↗
- Who funds Clubbed Thumb Inc ↗
- Who funds EN GARDE ARTS INC ↗
- Who funds CO LAB THEATER GROUP INC ↗
- Who funds The Harlem Chamber Players Inc ↗
- Who funds BCT BROOKLYN CHILDREN'S THEATRE INC ↗
- Who funds PARITY PRODUCTIONS INC ↗
- Who funds CULTUREHUB INC ↗
- Who funds THEATER BREAKING THROUGH BARRIERS CORP ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · Alliance of Resident Theatres New York Inc · The Shubert Foundation Inc · Mertz Gilmore Foundation · The Andrew W Mellon Foundation · Mid Atlantic Arts Inc · Dance Service New York City Inc · The Harkness Foundation for Dance Inc · Lily Auchincloss Foundation Inc · Cornelia T Bailey Charitable Trust · The Hyde and Watson Foundation · The Ford Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Emma a Sheafer Charitable Tr Xxxxx7006 funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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How do I get to Emma a Sheafer Charitable Tr Xxxxx7006?
Find your warmest path to Emma a Sheafer Charitable Tr Xxxxx7006 through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.