· Public charity
Dance Service New York City Inc
Dance service new york city, inc.'s mission is to champion the new york city metropolitan area dance sector by fostering a more just, equitable, and inclusive landscape where dance workers and organizations can thrive.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2024.
Where the money goes
Your grants by size, and where they go.
The 23 grants below total $683,020 — the rows itemised in this filing. The $720,142 headline is the total grant expense reported on the return, so the remaining $37,122 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- Under $10k3 grants · $21k
- $10k–50k19 grants · $525k
- $50k–250k1 grant · $137k
| Recipient | Amount |
|---|---|
| UNIQUE PROJECTS INC | $136,738 |
| BROOKLYN ARTS EXCHANGE | $43,716 |
| REDHAWK NATIVE AMERICAN ARTS COUNCIL | $40,640 |
| LAYERHYTHM PRODUCTIONS INC | $40,640 |
| PONY BOX DANCE THEATRE INC | $40,440 |
| SURATI FOR PERFORMING ARTS | $40,440 |
| KINDING SINDAW HERITAGE FOUNDATION INC | $39,714 |
| EXIT12 DANCE COMPANY | $39,640 |
| DANCERS UNLIMITED INC | $34,292 |
| THE JAPANESE FOLK DANCE INSTITUTE OF NEW YORK INC | $29,436 |
| CULTURE PUSH | $24,594 |
| NEW YORK LIVE ARTS INC | $23,000 |
| JIVA PERFORMING ARTS INC | $22,646 |
| TABULA RASA DANCE THEATER | $19,866 |
| GENERAL MISCHIEF DANCE THEATRE | $17,690 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY19–22, $231k) land where the poverty rate runs at 17%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +36% since the first grant, against +11% for the ones you funded once.
41 repeat relationships — 18 still active in FY2024, 23 since wound down; 5 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 79% of grant dollars renewed an existing relationship; $145k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NYNEW YORK LIVE ARTS INC6× · 2017–2024 · $467k · revenue +52%
- DEDance Entropy Inc3× · 2019–2022 · $371k · revenue +15% · 47% of their budget
- MRMOVEMENT RESEARCH INC3× · 2019–2022 · $298k · revenue +41%
Funded once
- QCQUEENS COLLEGE FOUNDATION INCgraduatedone grant, 2019 · $166k · revenue +71%
- OJOPEN JAR STUDIOS LLCone grant, 2022 · $161k
- PRPascal Rioult Dance Theatre Incone grant, 2019 · $80k · revenue -3%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
A Contemporary Dance Company Based in New York City
To create contemporary dance works
New Dance Alliance is a performing arts nonprofit. Our mission, from the earliest days, has been to support experimental movement-based artists. In recent years, we have shifted our focus, making an explicit commitment to equity and…
Concerts and workshops in 18th century dance.
The Latina Dance Project, a collaborative ensemble of multidisciplinary artists, explores through performances--physical, musical, and visual--controversial issues impacting the global community. The companys projects create experiences…
Dance and music performances held in specific sites, often of historic significance, often free and open to the public
To nurture a personal commitment to dance as a life-long process of discovery through live performance of original choreography, interactive educational residencies, outreach programs, and digital media, and to create through the…
Creating, Performing & Sharing Powerful classical dance Kathak
Dance instruction for the advancement of classical ballet for the public through lectures, training, and performances.
For reference, the grantee most central to the portfolio’s shape is Movement Research Inc and the most unlike its peers is Tonalmotion Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 22 years old; the field is 15. You back the established end — and your money leans older still.
The field is 21% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.9% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
94 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 94 of the 107 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NEW YORK LIVE ARTS INC ↗
- Who funds DISCALCED INC ↗
- Who funds Dance Entropy Inc ↗
- Who funds GINA GIBNEY DANCE INC ↗
- Who funds MOVEMENT RESEARCH INC ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds FOUNDATION FOR INDEPENDENT ARTISTS INC ↗
- Who funds HENRY STREET SETTLEMENT ↗
- Who funds CENTER FOR PERFORMANCE RESEARCH INC ↗
- Who funds Dancewave Inc ↗
- Who funds UNIQUE PROJECTS INC ↗
- Who funds TOPAZ ARTS INC ↗
- Who funds QUEENS COLLEGE FOUNDATION INC ↗
- Who funds FOURTH ARTS BLOCK INC ↗
- Who funds BALLET HISPANICO OF NEW YORK INC ↗
- Who funds BARYSHNIKOV ARTS CENTER INC ↗
- Who funds ARTHUR AVILES TYPICAL THEATRE INC ↗
- Who funds DANCE THEATRE OF HARLEM INC ↗
- Who funds SURATI FOR PERFORMING ARTS INC ↗
- Who funds SNUG HARBOR CULTURAL CENTER AND BOTANICAL GARDEN INC ↗
- Who funds Pascal Rioult Dance Theatre Inc ↗
- Who funds BROOKLYN ARTS EXCHANGE INC ↗
- Who funds PONY BOX DANCE THEATER ↗
- Who funds CULTURE PUSH INC ↗
- Who funds JIVA PERFORMING ARTS INC ↗
- Who funds KINDING SINDAW HERITAGE FOUNDATION INC ↗
- Who funds Bombazo Dance Co ↗
- Who funds SBDNY Inc ↗
- Who funds ECUADORIAN AMERICAN CULTURAL CENTER INC ↗
- Who funds Dancers Unlimited ↗
- Who funds TR1314 MULTIDISCIPLINARY VISUAL PERFORMANCES INC ↗
- Who funds CORA INCORPORATED ↗
- Who funds Redhawk Indian Arts Council Inc ↗
- Who funds LAYERHYTHM PRODUCTIONS INC ↗
- Who funds The Lit Fund ↗
- Who funds EXIT 12 DANCE COMPANY INC ↗
- Who funds JAPAN FOLK DANCE INST OF NY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · The Harkness Foundation for Dance Inc · Mertz Gilmore Foundation · The Andrew W Mellon Foundation · Mid Atlantic Arts Inc · New England Foundation for the Arts Incorporated · The Ford Foundation · Arnhold Foundation Inc · New Music USA Inc · Emma a Sheafer Charitable Tr Xxxxx7006 · The Hyde and Watson Foundation · The Map Fund Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Dance Service New York City Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Nai-Ni Chen Dance Company — 25% of income from government
- Nimbus Dance Works Inc — 22% of income from government
- Surati for Performing Arts Inc — 13% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.