· Private foundation
Edgerton Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
Read this first · the figures below need context
60% of Edgerton Foundation’s FY2025 grant dollars went to California Community Foundation, not to grantees.
Its money now reaches organizations through that sponsor, which does not report who recommended each grant. FY2025 names 33 organizations directly, so a portfolio cannot be read from it.
Organizations named directly on the return
Amber years are those where most dollars went to a sponsor.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2021–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k8 grants · $26k
- $10k–50k16 grants · $418k
- $50k–250k17 grants · $1.4M
- $250k+4 grants · $5.6M
| Recipient | Amount |
|---|---|
| CALIFORNIA COMMUNITY FOUNDATION | $4,477,900 |
| INTERNATIONAL MEDICAL CORPS | $516,000 |
| NATIONAL THEATER | $326,000 |
| ALLIANCE COLLEGE-READY PUBLIC SCHOOLS FOUNDATION | $250,000 |
| GEFFEN PLAYHOUSE | $168,000 |
| MANHATTAN THEATRE CLUB | $126,000 |
| ROUNDABOUT THEATER CO | $120,000 |
| LOS ANGELES PHILHARMONIC ASSOCIATION | $110,000 |
| THEATRE COMMUNICATIONS GROUP | $110,000 |
| NATURAL HISTORY MUSEUM OF LOS ANGELES COUNTY | $105,000 |
| BOYS AND GIRLS CLUB OF METRO LOS ANGELES | $96,000 |
| LA JOLLA PLAYHOUSE | $78,000 |
| ALLIANCE THEATRE | $78,000 |
| LINCOLN CENTER THEATER | $72,000 |
| Individual grant recipient | $68,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–25, $258k) land where the poverty rate runs at 17%, against an area that typically sits at 10%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 100% of Edgerton Foundation’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another. Read by recipient address, 83% of the giving stays in CA; read by stated purpose it is 0% — less of the work is directed home than the recipients' locations suggest.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +35% since the first grant, against +20% for the ones you funded once.
47 repeat relationships — 33 still active in FY2025, 14 since wound down; 11 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 84% of grant dollars renewed an existing relationship; $475k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- IMINTERNATIONAL MEDICAL CORPS5× · 2021–2025 · $1.4M · revenue +35%
- GPGEFFEN PLAYHOUSE INC5× · 2021–2025 · $1.0M · revenue +43%
- LALOS ANGELES PHILHARMONIC ASSOCIATION5× · 2021–2025 · $626k · revenue +46%
Funded once
- IGIndividual grant recipientone grant, 2024 · $160k
- CFCENTER FOR RESPONSIBLE TRAVELone grant, 2021 · $103k · revenue -11%
- CMCEDARS-SINAI MEDICAL CARE FOUNDATIONgraduatedone grant, 2021 · $100k · revenue +72%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Wp theater is the nation's oldest and largest theater company dedicated to developing, producing, and promoting the work of women+ at every stage of their careers. for over four decades we have served as leaders of a global movement…
The latino theater company operates the los angeles theatre center, whose mission is to provide a world class arts center for those pursuing artistic excellence; a laboratory where both tradition and innovation are honored and honed; a…
To serve the public by producing world-class opera that preserves, promotes and advances the art form while embodying the diversity, spirit and artistic sensibility unique to los angeles. we envision an engaged and enlightened community in…
Stages makes plays and tells stories that invite everyone to live more deeply and love more boldly.
The guthrie theater engages exceptional theater artists in the exploration of both classic and contemporary plays, connecting the community we serve to one another and to the world. through its extraordinary artists, staff and facility,…
To celebrate the human experience while encouraging the participation of artist and audience in theatre productions.
Chicago opera theater expands the tradition of opera as a living art form by engaging lovers of music and storytelling through innovative experiences, predominantly of new and rarely performed works.
Organization mission: act is a contemporary theatre where artistic ambition and civic engagement unite. organization vision: act envisions a world where the power of theatre expands our collective understanding of community and our own…
The apollo theater is a commissioner and presenter; catalyst for new artists, audiences, and creative workforce; and partner in the projection of the african american narrative and its role in the development of american and global…
The shakespeare theatre company creates, preserves and promotes classic theatre-ambitious, enduring plays with universal themes-for all audiences. through the creation of provocative, imaginative, and accessible theatre, stc ignites a…
The Television Academy is dedicated to celebrating excellence, innovation and the advancement of the telecommunications arts and sciences through recognition, education and leadership, while fostering a diverse, inclusive and accessible…
To create vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. shared humanity and unforgettable stories - now this is…
For reference, the grantee most central to the portfolio’s shape is Chicago Theatre Group Inc and the most unlike its peers is Exeter Kiwanis Club Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 47 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 2% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
65 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 65 of the 104 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds CALIFORNIA COMMUNITY FOUNDATION ↗
- Who funds INTERNATIONAL MEDICAL CORPS ↗
- Who funds GEFFEN PLAYHOUSE INC ↗
- Who funds LOS ANGELES PHILHARMONIC ASSOCIATION ↗
- Who funds THEATRE COMMUNICATIONS GROUP INC ↗
- Who funds THEATER & ARTS FOUNDATION OF SAN DIEGO COUNTY DBA LA JOLLA PLAYHOUSE ↗
- Who funds OCCIDENTAL COLLEGE ↗
- Who funds MANHATTAN THEATRE CLUB INC ↗
- Who funds PACIFIC COUNCIL ON INTERNATIONAL POLICY ↗
- Who funds ALLIANCE COLLEGE-READY PUBLIC SCHOOLS FOUNDATION ↗
- Who funds NEW YORK SHAKESPEARE FESTIVAL ↗
- Who funds BERKELEY REPERTORY THEATRE ↗
- Who funds ATLANTIC THEATER COMPANY ↗
- Who funds HARVARD-WESTLAKE SCHOOL ↗
- Who funds SPENCE-CHAPIN SERVICES TO FAMILIES AND CHILDREN ↗
- Who funds Foxcroft School ↗
- Who funds CHICAGO THEATRE GROUP INC ↗
- Who funds ALLEY THEATRE ↗
- Who funds THE CENTER FOR EARLY EDUCATION ↗
- Who funds CENTER THEATRE GROUP OF LOS ANGELES ↗
- Who funds WASHINGTON DRAMA SOCIETY INC ↗
- Who funds STEPPENWOLF THEATRE COMPANY ↗
- Who funds AMAZON AID FOUNDATION ↗
- Who funds LOS ANGELES COUNTY MUSEUM OF NATURAL HISTORY FOUNDATION ↗
- Who funds CENTER FOR RESPONSIBLE TRAVEL ↗
- Who funds MUSIC CENTER FOUNDATION ↗
- Who funds CEDARS-SINAI MEDICAL CARE FOUNDATION ↗
- Who funds BOYS & GIRLS CLUBS OF METRO LOS ANGELES ↗
- Who funds SEATTLE REPERTORY THEATRE ↗
- Who funds THE VIVIAN BEAUMONT THEATERINC D/B/A LINCOLN CENTER THEATER ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Shubert Foundation Inc · California Community Foundation · Ibm International Foundation · The Ralph M Parsons Foundation · The Ayco Charitable Foundation · The Annenberg Foundation · Wm Keck Foundation · Morgan Stanley Global Impact Funding Trust Inc · Weingart Foundation · Jewish Community Foundation of Los Angeles · The Fletcher Jones Foundation · Klm Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Edgerton Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Center Stage Associates Inc — 7% of income from government
- Round House Theatre Inc — 5% of income from government
- Two River Theatre Company Inc — 0% of income from government
- American Repertory Theatre Co Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.