· Public charity
Center for Cultural Innovation
Education/Support/Services for Artists The Center for Cultural Innovation (CCI) was launched in 2001 to promote knowledge sharing, networking and financial independence for individual artists and creative entrepreneurs by providing business training, grants
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
How this is measured
By grant size · FY2025
- Under $10k7 grants · $53k
- $10k–50k6 grants · $125k
- $50k–250k14 grants · $1.1M
- $250k+3 grants · $1.1M
| Recipient | Amount |
|---|---|
| BELOVED ECONOMIES LLC | $500,000 |
| EKVNV YEFOLECVLKE | $300,000 |
| EAST BAY PERMANENT REAL ESTATE COOPERATIVE INC | $250,000 |
| HISTORIC CLAYBORN TEMPLE | $150,000 |
| BOSTON UJIMA PROJECT INC | $125,000 |
| THE URBAN INSTITUTE | $100,000 |
| METAGOV INC | $90,000 |
| SUSTAINABLE ECONOMIES LAW CENTER | $75,000 |
| SUSTAINABLE MARKETS FOUNDATION | $75,000 |
| NATIVE ROOTS NETWORK INC | $75,000 |
| WISCONSIN PRESERVATION FUND | $75,000 |
| VOICE OF CALVARY MINISTRIES | $75,000 |
| NEXUS COMMUNITY PARTNERS | $75,000 |
| BOSTON IMPACT INITIATIVE FUND | $50,000 |
| ROANHORSE CONSULTING LLC | $50,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY20–25, $895k) land where the poverty rate runs at 19%, against an area that typically sits at 10%. 94% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
Which US states its grants reach
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +28% since the first grant, against +22% for those funded once.
37 repeat relationships: 13 still active in FY2025, 24 since wound down; 17 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 56% of grant dollars renewed an existing relationship; $1.0M went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- TBThe Big We5× · 2021–2025 · $455k · revenue +377%
- USUnited States Federation for Worker Cooperation3× · 2020–2023 · $452k · revenue +226% · 25% of their budget
- EYEKVNV YEFOLECVLKE5× · 2020–2025 · $430k · revenue +28%
Funded once
- AFAlliance for California Traditional Artsone grant, 2021 · $450k · revenue -26%
- CFCanticle Farmone grant, 2024 · $150k · revenue 0%
- TITHE INDUSTRIAL COMMONSone grant, 2024 · $106k · revenue 0%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Founded in 2018 by a group of high-tech investors, and arts executives and advocates, ArtsSV is on the meaningful track of changing the cultural landscape of Silicon Valley.
ARTRONIKA is a collective of Los Angeles based artists that produce immersive arts programming showcasing an array of South Asian talent and culture. Through innovative and inclusive events, we reimagine traditional music, art, and…
Occidental Center for the Arts exists to provide a welcoming and accessible venue for the performing and visual arts in Sonoma County California for local regional national and international artists. our mission is to enrich our community…
Pocket Opera shares the beauty, artistry, and scope of the operatic repertoire sung in English, through performance, outreach, and education.
Promote the expressive arts of the historic silk road region of Eurasia
Dandelion is situated at the crossroads of dance, theater, music, community activism, healing, and new performance forms. The company is committed to the individual and intersecting artistic visions of Kimiko Guthrie and Eric Kupers. Our…
Rhythmix Cultural Works RCW is a community cultural arts center that brings people of all ages together for high quality arts experiences in music, dance, theater, exhibits and arts education. RCW seeks to promote cultural awareness,…
To provide cultural programming for the benefit of artists and performers.
MACLA/Movimiento de Arte y Cultura Latino Americana is an inclusive contemporary arts space grounded in the Chicano/Latino experience that incubates new visual, literary and performance art in order to engage people in civic dialogue and…
How this is measured
186 grantees tracked through their own filings, 2017–2026.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2026, not grant rows in a single year, so this will not match the grant count on the cover. 186 of the 253 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Showing the 200 largest grantees by grant value.
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds CENTER FOR ECONOMIC DEMOCRACY INC ↗
- Who funds The Big We ↗
- Who funds United States Federation for Worker Cooperation ↗
- Who funds Alliance for California Traditional Arts ↗
- Who funds EKVNV YEFOLECVLKE ↗
- Who funds VOICE OF CALVARY MINISTRIES ↗
- Who funds SUSTAINABLE MARKETS FOUNDATION ↗
- Who funds EVERYDAY PEOPLE FOR CHANGE INC ↗
- Who funds NEXUS COMMUNITY PARTNERS ↗
- Who funds Intersection for the Arts ↗
- Who funds Sustainable Economies Law Center ↗
- Who funds BOSTON IMPACT INITIATIVE FUND ↗
- Who funds THE URBAN INSTITUTE ↗
- Who funds THE WORKING WORLD INC ↗
- Who funds Canticle Farm ↗
- Who funds MEDIA ARTS CENTER SAN DIEGO ↗
- Who funds SILICON VALLEY CREATES ↗
- Who funds THE COLLECTIVE THE CLTV INC ↗
- Who funds BOSTON UJIMA PROJECT INC ↗
- Who funds COMMUNITY PARTNERS ↗
- Who funds COMMON FUTURE ↗
- Who funds THE INDUSTRIAL COMMONS ↗
- Who funds Solidaire Network Inc ↗
- Who funds METAGOV INC ↗
- Who funds WISCONSIN PRESERVATION FUND INC ↗
- Who funds Native Roots Network Inc ↗
- Who funds Arts for LA ↗
- Who funds HIP HOP FOR CHANGE INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Zellerbach Family Foundation · Kenneth Rainin Foundation · Fleishhacker Foundation · Phyllis C Wattis Foundation · Walter and Elise Haas Fund · East Bay Community Foundation · The William & Flora Hewlett Foundation · California Humanities · The San Francisco Foundation · The Sam Mazza Foundation · The Map Fund Inc · New England Foundation for the Arts Incorporated
How this is measured
How much its grantees rely on government
Each dot is one organization Center for Cultural Innovation funds: left to right is the share of its income from government, bottom to top the share from Center for Cultural Innovation. Bigger dots raise more.
- Bennington College Corporation: 0% of income from government
How this is measured
Play a game based on Center for Cultural Innovation’s filings →