· Private foundation
B & M Wright Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k3 grants · $9k
- $10k–50k7 grants · $156k
- $50k–250k1 grant · $83k
| Recipient | Amount |
|---|---|
| SEATTLE ART MUSEUM | $83,333 |
| CATSKILL ART SOCIETY | $36,000 |
| SMITHSONIAN INSTITUTION | $32,500 |
| ART21 | $25,000 |
| CATSKILL MOUNTAIN KEEPER | $24,000 |
| INTERNATIONAL COUNCIL OF THE METROPOLITAN MUSEUM OF ART | $18,500 |
| THE BROOKLYN RAIL | $10,000 |
| THE METROPOLITAN MUSEUM OF ART | $10,000 |
| WHATCOM MUSEUM | $5,000 |
| COMMUNITY FOUNDATION OF ORANGE AND SULLIVAN | $2,500 |
| SUNY SULLIVAN FOUNDATION | $1,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–25) land where the poverty rate runs at 16%, against an area that typically sits at 11%. 90% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
14 repeat relationships — 7 still active in FY2025, 7 since wound down; 2 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 85% of grant dollars renewed an existing relationship; $38k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- AIART21 INC9× · 2017–2025 · $1.0M · revenue +19%
- CACATSKILL ART SOCIETY INC9× · 2017–2025 · $960k · revenue +105% · 45% of their budget
- FOFRIENDS OF SEATTLE WATERFRONT4× · 2018–2021 · $250k · revenue +108%
Funded once
- MOMuseum of Modern Artgraduatedone grant, 2018 · $26k · revenue +28%
Cornell Universitygraduatedone grant, 2020 · $25k · revenue +46%- AAAllied Arts Foundationone grant, 2024 · $20k · revenue 0%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The Morgan Library & Museum celebrates and shares the history and process of human creativity from antiquity to the present day through the preservation, study, and interpretation of a dynamic and growing collection.
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
Organization's mission statement true to the ambitious vision of its founder and her spirit of creative risk-taking, the mission of the isabella stewart gardner museum is: - to bring to life and preserve the rich historic collection; - to…
Founded in 1881 the Staten Island Museum engages visitors with interdisciplinary exhibitions, public programs, and educational activities for all ages. It is the mission of the Staten Island Museum to spark curiosity and generate…
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
For reference, the grantee most central to the portfolio’s shape is Seattle Art Museum and the most unlike its peers is Historic Landmarks Preservation Center Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 38 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 3% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
32 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 32 of the 39 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds ART21 INC ↗
- Who funds CATSKILL ART SOCIETY INC ↗
- Who funds FRIENDS OF SEATTLE WATERFRONT ↗
- Who funds SEATTLE ART MUSEUM ↗
- Who funds CATSKILL MOUNTAINKEEPER INC ↗
- Who funds FOUNDATION FOR WESTERN WASHINGTON UNIVERSITY AND ALUMNI ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds COMMUNITY FOUNDATION OF ORANGE AND SULLI ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds Museum of Modern Art ↗
- Who funds Cornell University ↗
- Who funds THE BROOKLYN RAIL INC ↗
- Who funds Allied Arts Foundation ↗
- Who funds THE CORPORATION OF YADDO ↗
- Who funds THE BLOEDEL RESERVE ↗
- Who funds SCHOOL OF AMERICAN BALLET INC ↗
- Who funds THE INTERNATIONAL COUNCIL OF THE MUSEUM OF MODERN ART INC ↗
- Who funds FLORIDA INTERNATIONAL UNIVERSITY FOUNDATION INC ↗
- Who funds THE LITTLE OPERA THEATER OF NY INC ↗
- Who funds COAST GUARD MUTUAL ASSISTANCE ↗
- Who funds ACRONYM ↗
- Who funds COYOTE CENTRAL ↗
- Who funds INDEPENDENT CURATORS INTERNATIONAL ↗
- Who funds HISTORIC LANDMARKS PRESERVATION CENTER INC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds BANG ON A CAN ↗
- Who funds MountainTrue ↗
- Who funds VISITING NURSE SERVICE OF NEW YORK ↗
- Who funds THE PAT CONROY LITERARY CENTER INC ↗
- Who funds BEAVERKILL VALLEY LAND TRUST INC ↗
- Who funds ACKERMAN INSTITUTE FOR THE FAMILY ↗
- Who funds SHANDELEE MUSIC FESTIVAL INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Seven Turns Fund Inc · The New York Community Trust · Rockefeller Philanthropy Advisors Inc · Wyman Youth Trust · The Chicago Community Trust · Morgan Stanley Global Impact Funding Trust Inc · National Philanthropic Trust · Tides Foundation · Vanguard Charitable Endowment Program · American Endowment Foundation · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · Jpmorgan Chase Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization B & M Wright Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to B & M Wright Foundation?
Find your warmest path to B & M Wright Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.