· Public charity
Art Culture and Entertainment Inc
Receives state, county, city, and personal funds to disperse through an equitable granting process to arts, culture, and entertainment organizations throughout escambia county, fl.
What you funded, over time
By grantee IRS cause code (NTEE).
A cause breakdown isn’t shown here: 43% of ART CULTURE AND ENTERTAINMENT INC’s grantee dollars fall outside its nine largest cause areas, whether because the recipient carries no IRS cause code or because its cause sits in the long tail. A chart would be mostly one residual band and misrepresent the portfolio.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k1 grant · $10k
- $10k–50k11 grants · $265k
- $50k–250k11 grants · $601k
| Recipient | Amount |
|---|---|
| WEST FLORIDA HISTORIC PRESERVATION | $85,000 |
| WSRE-TV FOUNDATION INC | $56,365 |
| FIESTA OF THE FIVE FLAGS ASSOCIATIO | $51,250 |
| PENSACOLA OPERA | $51,250 |
| PENSACOLA CHILDRENS CHORUS | $51,250 |
| PENSACOLA SYMPHONY ORCHESTRA | $51,250 |
| PENSACOLA LITTLE THEATER | $51,250 |
| FIRST CITY ARTS CENTER | $51,250 |
| PENSACOLA LIGHTHOUSE ASSOCIATION | $51,250 |
| BALLET OF PENSACOLA | $51,250 |
| NIGHT MOVES INC | $50,000 |
| PENSACOLA OPERA | $43,775 |
| PENSACOLA MESS HALL | $37,413 |
| CHORAL SOCIETY OF PENSACOLA | $36,927 |
| PENSACOLA MUSEUM OF ART | $26,100 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY20–24) land where the poverty rate runs at 16%, against an area that typically sits at 13%. 99% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +49% since the first grant, against +14% for the ones you funded once.
21 repeat relationships — 18 still active in FY2024, 3 since wound down; 3 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 91% of grant dollars renewed an existing relationship; $78k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- POPENSACOLA OPERA INC5× · 2020–2024 · $473k · revenue +49%
- PLPENSACOLA LITTLE THEATRE INC5× · 2020–2024 · $440k · revenue +155%
- PCPENSACOLA CHILDREN'S CHORUS INC5× · 2020–2024 · $289k · revenue +79%
Funded once
- TPTHE PENSACOLA CIVIC BAND INCone grant, 2023 · $65k
- UOUNIVERSITY OF WEST FLORIDA FOUNDATION INCgraduatedone grant, 2022 · $56k · revenue +32%
- GGGreat Gulfcoast Arts Festival Incone grant, 2022 · $48k · revenue +6%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the pensacola symphony orchestra is to promote the well being of the greater pensacola community through excellence in live symphonic music and lifelong learning through engaging musical activities.
Preservation promotion of historic district. seasonal tours of downtown historic district neighborhoods.
To provide excellent classical and popular music which delights, educates, and inspires the cultural life of our communities within a sustainable financial structure
The mission is to bring the excitement of classical and modern music, dance, opera, and musical theatre to the widest possible audience of bay county and to increase the participation of youth in musical arts.
To provide a focal point for artistic, educational and cultural activities within the city of port st joe, florida and the surrounding areas.
Our mission as a non-profit is to enhance the north florida community's quality of life by providing diverse and memorable arts and entertainment experiences and by preserving a unique historic jacksonville landmark.
The advancement of educational, historical, and patriotic celebrations and community festivals celebrating and commemorating the first settlement in florida.
Renovation & performances of the seminole theatre
To provide art education and exhibit art by local artists for the enrichment and benefit of the public in Flagler and surrounding counties, Florida.
The mission of the florida ballet is to enrich and inspire the cultural landscape of our community through the education and art of classical ballet.
For reference, the grantee most central to the portfolio’s shape is Pensacola Children's Chorus Inc and the most unlike its peers is 309 Punk Museum Project. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 36 years old; the field is 15. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 5% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
24 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 24 of the 31 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds PENSACOLA OPERA INC ↗
- Who funds PENSACOLA LITTLE THEATRE INC ↗
- Who funds PENSACOLA SYMPHONY ORCHESTRA GUILD INC ↗
- Who funds PENSACOLA CHILDREN'S CHORUS INC ↗
- Who funds FIESTA OF FIVE FLAGS ASSOCIATION INC ↗
- Who funds BALLET PENSACOLA INC ↗
- Who funds PENSACOLA LIGHTHOUSE ASSOCIATION ↗
- Who funds THE PENSACOLA MESS HALL INC ↗
- Who funds Friends of Downtown Pensacola Inc ↗
- Who funds JAZZ SOCIETY OF PENSACOLA INC ↗
- Who funds THE CHORAL SOCIETY OF PENSACOLA ↗
- Who funds NIGHT MOVES ↗
- Who funds LEGAL SERVICES OF NORTH FLORIDA INC ↗
- Who funds VETERANS MEMORIAL PARK FOUNDATION OF PENSACOLA INC ↗
- Who funds WSRE TV FOUNDATION INC ↗
- Who funds UNIVERSITY OF WEST FLORIDA FOUNDATION INC ↗
- Who funds PENSACOLA LGBT FILM FESTIVAL INC ↗
- Who funds Great Gulfcoast Arts Festival Inc ↗
- Who funds FIRST CITY ARTS ALLIANCE INC ↗
- Who funds PENARTS INC ↗
- Who funds DIXON SCHOOL OF ARTS AND SCIENCES INC ↗
- Who funds 309 PUNK MUSEUM PROJECT ↗
- Who funds The Japan American Society of NW Florida Inc ↗
- Who funds GALLERY NIGHT OF PENSACOLA INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Bear Family Foundation Inc · Impact 100 Pensacola Bay Area Inc · Mb Meyer Charitable Tr · The Kugelman Family Foundation Inc · The Perry Family Foundation · Robert H Kahn Jr Family Foundation Dtd 6/16/98 · International Paper Company Foundation · Gulf Power Foundationinc · The Bank of America Charitable Foundation Inc · Donor Advised Charitable Giving Inc · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Art Culture and Entertainment Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Legal Services of North Florida Inc — 27% of income from government
- The Pensacola Mess Hall Inc — 5% of income from government
- Pensacola Little Theatre Inc — 0% of income from government
- First City Arts Alliance Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.