· Private foundation
Aroha Philanthropies
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2018.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2018
- Under $10k18 grants · $113k
- $10k–50k46 grants · $1.0M
- $50k–250k14 grants · $1.2M
- $250k+4 grants · $1.5M
| Recipient | Amount |
|---|---|
| LIFETIME ARTS | $541,009 |
| PROJECT SUCCESS | $427,320 |
| MACPHAIL CENTER FOR MUSIC | $276,671 |
| AMERICAN ALLIANCE OF MUSEUMS | $261,580 |
| TWIN CITIES PUBLIC TV | $246,709 |
| NATIONAL GUILD FOR COMMUNITY ARTS EDUCATION | $140,633 |
| TASKS UNLIMITED | $104,170 |
| MATEO LODGE | $101,576 |
| COWLES CENTER FOR DANCE & THE PERFORMING ARTS | $85,662 |
| VOCALESSENCE | $80,533 |
| PEOPLE INCORPORATED | $70,892 |
| GREATER TWIN CITIES YOUTH SYMPHONIES | $60,146 |
| FILM NORTH | $58,750 |
| MINNEAPOLIS INSTITUTE OF ARTS | $57,009 |
| TOUCHSTONE MENTAL HEALTH | $52,400 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–18, $351k) land where the poverty rate runs at 12%, against an area that typically sits at 11%. 79% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +29% since the first grant, against -3% for the ones you funded once.
52 repeat relationships — 52 still active in FY2018, 0 since wound down; 30 grantees were first funded in FY2018 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2018, 80% of grant dollars renewed an existing relationship; $787k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- LALIFETIME ARTS INC2× · 2017–2018 · $1.0M · revenue +24% · 48% of their budget
- PSPROJECT SUCCESS2× · 2017–2018 · $687k · revenue +130%
- CMCOMMUNITY MUSIC CENTER2× · 2017–2018 · $612k · revenue +27%
Funded once
- CCAMINARgraduatedone grant, 2017 · $153k · revenue +89%
- EIENGAGE INCone grant, 2017 · $150k · revenue -20%
- TCTHE COWLES CENTER FOR DANCE & PERFORMING ARTSone grant, 2017 · $82k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To collect, display and interpret objects in craft art and design.
Rochester art center offers the opportunity for all people to understand and value the arts through innovative experiences with contemporary art. through world-class exhibitions and programs, we present a welcoming, integrated, and diverse…
In the belief that the visual arts are indispensable to a healthy community, it is the mission of the minnetonka center for the arts to provide teaching excellence, quality exhibitions, and cultural enrichment for people of all ages,…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
The monterey museum of art cultivates curiosity in the visual arts and engages community with the diversity of california art - past, present, and future.
The museum of contemporary art san diego invites all audiences to experience our world, our region, and ourselves through the prism of contemporary art.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The guthrie theater engages exceptional theater artists in the exploration of both classic and contemporary plays, connecting the community we serve to one another and to the world. through its extraordinary artists, staff and facility,…
Minnesota fringe connects adventurous artists with adventurous audiences by creating open, supportive forums for free and diverse artistic expression.
Theater mu produces great performances born of arts, equity, and justice from the heart of the asian american experience.
Gage educates, enriches, & transforms our community through the visual arts.
Mcad provides a transformative education within a community of support for creative students of all backgrounds to work, collaborate, and lead with confidence in a dynamic, interconnected world.
For reference, the grantee most central to the portfolio’s shape is National Guild for Community Arts Education Inc and the most unlike its peers is Theatre 55. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 46 years old; the field is 14. You back the established end — and your money leans older still.
The field is 24% startups (under 5 years old) — 2% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
69 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 69 of the 89 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds LIFETIME ARTS INC ↗
- Who funds PROJECT SUCCESS ↗
- Who funds COMMUNITY MUSIC CENTER ↗
- Who funds MACPHAIL CENTER FOR MUSIC ↗
- Who funds NATIONAL GUILD FOR COMMUNITY ARTS EDUCATION INC ↗
- Who funds AMERICAN ASSOCIATION OF MUSEUMS ↗
- Who funds MATEO LODGE INC ↗
- Who funds CAMINAR ↗
- Who funds ENGAGE INC ↗
- Who funds PEOPLE INCORPORATED ↗
- Who funds FILMNORTH ↗
- Who funds MINNEAPOLIS SOCIETY OF FINE ARTS DBA MINNEAPOLIS INSTITUTE OF ARTS ↗
- Who funds GREATER TWIN CITIES YOUTH SYMPHONIES ↗
- Who funds TOUCHSTONE MENTAL HEALTH ↗
- Who funds PILLSBURY UNITED COMMUNITIES ↗
- Who funds Children's Theatre Company and School ↗
- Who funds The Cowles Center ↗
- Who funds TU DANCE ↗
- Who funds VOCALESSENCE ↗
- Who funds Grafton County Senior Citizens Council Inc ↗
- Who funds UMRC-PORTER HILLS FOUNDATION ↗
- Who funds JOHNSON CITY PUBLIC LIBRARY ↗
- Who funds Keshet Dance Company ↗
- Who funds The Minnesota Opera ↗
- Who funds THE NEWARK MUSEUM ASSOCIATION ↗
- Who funds TALLER PUERTORRIQUENO INC ↗
- Who funds TEACHERS & WRITERS COLLABORATIVE INC ↗
- Who funds THE ERIC CARLE MUSEUM OF PICTURE BOOK ART INC ↗
- Who funds WALKER ART CENTER ↗
- Who funds SPACE ONE ELEVEN INC ↗
- Who funds SILICON VALLEY CREATES ↗
- Who funds LUNDSTRUM CENTER FOR THE PERFORMING ARTS DBA LUNDSTRUM PERFORMING ARTS ↗
- Who funds SCHOOL ONE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Target Foundation · The McKnight Foundation · The Minneapolis Foundation · William Boss Foundation · Mightycause Charitable Foundation · Saint Paul & Minnesota Foundation · The Andrew W Mellon Foundation · Jerome Foundation Inc · Hardenbergh Foundation · Fr Bigelow Foundation · Xcel Energy Foundation · Wenger Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Aroha Philanthropies funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- The Eric Carle Museum of Picture Book Art Inc — 4% of income from government
- Naples Botanical Garden Inc — 3% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to Aroha Philanthropies?
Find your warmest path to Aroha Philanthropies through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.