· Public charity
Via Art Fund Inc
Via art fund is a nonprofit organization where art patrons join forces as partners in a new model of philanthropy to support visionary initiatives in art.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 8 grants below total $570,000 — the rows itemised in this filing. The $770,000 headline is the total grant expense reported on the return, so the remaining $200,000 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
| Recipient | Amount |
|---|---|
| CONTEMPORARY ARTS MUSEUM HOUSTON | $100,000 |
| BLACK CUBE | $85,000 |
| MOMA PS1 | $75,000 |
| PERFORMA INC | $75,000 |
| TINWORKS ART | $75,000 |
| SMITHSONIAN AMERICAN ART MUSEUM | $60,000 |
| BUFFALO BAYOU PARTNERSHIP INC | $50,000 |
| LOCUST PROJECTS INC | $50,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY22–22, $75k) land where the poverty rate runs at 22%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
Grants abroad, by region — $80k on the FY2025 return
Schedule F, as filed: 1 region. The IRS asks for region and purpose, not the recipient, so no country or grantee can be named here.
Stated purpose: GRANT TO BERLIN BIENNALE FOR CONTEMPORARY ART TO SUPPORT THE PRODUCTION OF CHAW EI THEIN: ARTISTS' STREET · GRANT TO PALAIS DE TOKYO TO SUPPORT THE PRODUCTION OF KAMEELAH JANAN RASHEED: OUT OF BOUNDS
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving. Grants abroad on Schedule F are filed by region, purpose and amount with no recipient name, so they are shown by region and cannot be placed on the country map or matched to a grantee.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 14% of Via Art Fund Inc’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +27% since the first grant, against +17% for the ones you funded once.
29 repeat relationships — 3 still active in FY2025, 26 since wound down; 5 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 32% of grant dollars renewed an existing relationship; $385k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- UBUS Biennial Inc3× · 2017–2024 · $275k · revenue +106%
- PIPERFORMA INC2× · 2019–2025 · $175k · revenue +104%
- DCDIA CENTER FOR THE ARTS INC2× · 2017–2023 · $150k · revenue +150%
Funded once
- CCOUNTERPUBLICgraduatedone grant, 2022 · $175k · revenue +88%
- TMTELFAIR MUSEUM OF ART INCone grant, 2024 · $100k · revenue 0%
- WMWHITNEY MUSEUM OF AMERICAN ARTgraduatedone grant, 2018 · $100k · revenue +125%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
The institute of contemporary art, miami (ica miami), is dedicated to promoting the work of contemporary artists, and to the exchange of art and ideas throughout the miami region and internationally. through an energetic calendar of…
For reference, the grantee most central to the portfolio’s shape is Artists Space Inc and the most unlike its peers is Future West Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 30 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 2% of your grantees by number, and just 5% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
97 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 97 of the 99 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds US Biennial Inc ↗
- Who funds FRONT EXHIBITION COMPANY ↗
- Who funds PERFORMA INC ↗
- Who funds COUNTERPUBLIC ↗
- Who funds DIA CENTER FOR THE ARTS INC ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds Antenna ↗
- Who funds ARMAND HAMMER MUSEUM OF ART AND CULTURAL CENTER INC ↗
- Who funds STORM KING ART CENTER ↗
- Who funds MADISON SQUARE PARK CONSERVANCY INC ↗
- Who funds THE BRICK ↗
- Who funds TELFAIR MUSEUM OF ART INC ↗
- Who funds Contemporary Arts Museum Houston ↗
- Who funds EL PASO COMMUNITY FOUNDATION ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds CANDID ↗
- Who funds LOCUST PROJECTS INC ↗
- Who funds BLACK CUBE ↗
- Who funds MONUMENT LAB INC ↗
- Who funds HEART OF LOS ANGELES YOUTH INC ↗
- Who funds THE INSTITUTE OF CONTEMPORARY ART INC ↗
- Who funds AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIO ↗
- Who funds SHED NYC INC ↗
- Who funds SOCRATES SCULPTURE PARK INC ↗
- Who funds TINWORKS ART ↗
- Who funds PHILADELPHIA CONTEMPORARY ↗
- Who funds BOSTON PUBLIC ART TRIENNIAL INC ↗
- Who funds PIONEER WORKS ART FOUNDATION ↗
- Who funds PS 1 CONTEMPORARY ART CENTER INC ↗
- Who funds PROJECT EATS INC ↗
- Who funds WALKER ART CENTER ↗
- Who funds MUSEUM OF CONTEMPORARY ART CLEVELAND ↗
- Who funds CALIFORNIA COLLEGE OF THE ARTS ↗
- Who funds Anchorage Museum Association ↗
- Who funds MASSACHUSETTS MUSEUM OF CONTEMPORARY ART FOUNDATION INC ↗
- Who funds STERLING AND FRANCINE CLARK ART INSTITUTE ↗
- Who funds COLEMAN CENTER BOARD OF THE CITY OF YORK TERM ↗
- Who funds SPACE Gallery ↗
- Who funds BURNAWAY INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Andy Warhol Foundation for the Visual Arts Inc · The Andrew W Mellon Foundation · Terra Foundation for American Art · The Ford Foundation · Teiger Foundation · Helen Frankenthaler Foundation Inc · Arison Arts Foundation · Robert Rauschenberg Foundation · Ag Foundation · Shelley & Donald Rubin Foundation · The Cowles Charitable Trust · The Wilhelm Family Foundation Co Cascade Wilhelm
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Via Art Fund Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Massachusetts Institute of Technology — 35% of income from government
- Oregon Center for Contemporary Art Inc — 4% of income from government
- Baltimore Museum of Art — 4% of income from government
- Boston Center for the Arts Inc — 1% of income from government
- The Institute of Contemporary Art Inc — 1% of income from government
- Portland Art Museum — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.