· Private foundation
The Gladys Krieble Delmas Foundation
Its FY2024 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
The 146 grants below total $1,974,400 — the rows itemised in this filing. The $2,302,795 headline is the total grant expense reported on the return, so the remaining $328,395 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2024
- Under $10k48 grants · $224k
- $10k–50k97 grants · $1.7M
- $50k–250k1 grant · $65k
| Recipient | Amount |
|---|---|
| New York City Ballet, Inc. | $65,000 |
| Brooklyn Academy of Music, Inc. | $35,000 |
| Chamber Music Society of Lincoln Center, Inc. | $30,000 |
| Joyce Theater Foundation, Inc. | $30,000 |
| Paul Taylor Dance Foundation, Inc. | $30,000 |
| Institute for Advanced Study | $30,000 |
| Jewish Theological Seminary of America | $26,300 |
| Brooklyn Institute of Arts and Sciences | $26,000 |
| Fenimore Art Museum | $25,000 |
| Ballet Theatre Foundation, Inc. | $25,000 |
| American Council of Learned Societies | $25,000 |
| Brown University of Providence | $25,000 |
| Institute for Advanced Study | $25,000 |
| Albany Institute of History & Art | $25,000 |
| School of American Ballet, Inc. | $25,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +28% since the first grant, against +28% for the ones you funded once.
121 repeat relationships — 85 still active in FY2024, 36 since wound down; 50 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 62% of grant dollars renewed an existing relationship; $715k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- NYNEW YORK CITY BALLET INC4× · 2020–2024 · $225k · revenue +52%
- PTPAUL TAYLOR DANCE FOUNDATION INC4× · 2020–2024 · $195k · revenue +83%
- BABROOKLYN ACADEMY OF MUSIC INC4× · 2020–2024 · $172k · revenue +1%
Funded once
NEW YORK FOUNDATION FOR THE ARTS INCgraduatedone grant, 2021 · $63k · revenue +120%- TBTHE BARNES FOUNDATIONgraduatedone grant, 2023 · $28k · revenue +215%
- AFAMERICANS FOR OXFORD INCone grant, 2021 · $26k · revenue +21%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
Organization's mission statement true to the ambitious vision of its founder and her spirit of creative risk-taking, the mission of the isabella stewart gardner museum is: - to bring to life and preserve the rich historic collection; - to…
The phillips collection is the oldest museum of modern and contemporary art in the u.s. in addition to presentation of works from the permanent collection and special exhibitions, the museum maintains active educational, academic,…
The museum of the city of new york fosters understanding of the distinctive nature of urban life in the world's most influential metropolis. it engages visitors by celebrating, documenting, and interpreting the city's past, present, and…
Manhattan school of music is deeply committed to excellence in education, performance, and creative activity; to the humanity of the school's environment; and to the cultural enrichment of the larger community. a premiere international…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The Frick Collection (the "Collection") operates an internationally recognized art museum and library program for the inspiration and enjoyment of the public and for the advancement of the study of fine arts and kindred subjects.
The hammer museum at ucla believes in the promise of art and ideas to illuminate our lives and build a more just world.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
*increase and diffusion of knowledge* is the mission set forth by james smithson. the smithsonian endeavors to shape the future by preserving our heritage, discovering new knowledge, and sharing our resources with the world.
For reference, the grantee most central to the portfolio’s shape is The Barnes Foundation and the most unlike its peers is The Institute for Aegean Prehistory Study Center for East Cretec/O Millburn. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 55 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.4% lost their exemption, against 10% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
236 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 236 of the 293 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NEW YORK CITY BALLET INC ↗
- Who funds PAUL TAYLOR DANCE FOUNDATION INC ↗
- Who funds BROOKLYN ACADEMY OF MUSIC INC ↗
- Who funds INSTITUTE FOR ADVANCED STUDY - LOUIS BAMBERGER & MRS FELIX FULD FOUNDATION ↗
- Who funds SCHOOL OF AMERICAN BALLET INC ↗
- Who funds NEW YORK SHAKESPEARE FESTIVAL ↗
- Who funds The Chamber Music Society of Lincoln Center Inc ↗
- Who funds JOYCE THEATER FOUNDATION INC ↗
- Who funds AMERICAN ACADEMY IN ROME ↗
- Who funds RENAISSANCE SOCIETY OF AMERICA INC ↗
- Who funds THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK ↗
- Who funds SAVE VENICE INC ↗
- Who funds BALLET THEATRE FOUNDATION INC ↗
- Who funds AMERICAN COUNCIL OF LEARNED SOCIETIES ↗
- Who funds AMERICAN ANTIQUARIAN SOCIETY ↗
- Who funds RIVERSIDE SYMPHONY INC ↗
- Who funds DISCALCED INC ↗
- Who funds NEW YORK FOUNDATION FOR THE ARTS INC ↗
- Who funds THEATRE FOR A NEW AUDIENCE INC ↗
- Who funds The New York Public Library Astor Lenox and Tilden Foundations ↗
- Who funds ST LUKES CHAMBER ENSEMBLE INC ↗
- Who funds THE CARNEGIE HALL CORPORATION ↗
- Who funds FENIMORE ART MUSEUM ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds Rochester Institute of Technology ↗
- Who funds THE PHILHARMONIC SYMPHONY SOCIETY OF NY INC ↗
- Who funds POETRY SOCIETY OF AMERICA ↗
- Who funds THE ACADEMY OF AMERICAN POETS INC ↗
- Who funds ORPHEUS CHAMBER ORCHESTRA INC ↗
- Who funds TRUSTEES OF THE UNIVERSITY OF PENNSYLVANIA ↗
- Who funds THE CHRYSLER MUSEUM INCORPORATED ↗
- Who funds GINA GIBNEY DANCE INC ↗
- Who funds SPANISH THEATRE REPERTORY COMPANY LTD ↗
- Who funds ROULETTE INTERMEDIUM INC ↗
- Who funds BALTIMORE MUSEUM OF ART ↗
- Who funds TENET NYC INC ↗
- Who funds BARD COLLEGE ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Fan Fox and Leslie R Samuels Foundation Inc · The Howard Gilman Foundation Inc · The Andrew W Mellon Foundation · Mid Atlantic Arts Inc · New Music USA Inc · The Shubert Foundation Inc · The Amphion Foundation Inc Co Alter Kendrick & Baron LLP · Arnhold Foundation Inc · Booth Ferris Foundation Xxxxx4008 · The Harkness Foundation for Dance Inc · The Aaron Copland Fund for Music Inc Co Alter Kendrick & Baron LLP · The Hyde and Watson Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Warm introductions · Powered by PlinthPlus
How do I get to The Gladys Krieble Delmas Foundation?
Find your warmest path to The Gladys Krieble Delmas Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.