· Private foundation
The Bwf Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k21 grants · $81k
- $10k–50k7 grants · $131k
| Recipient | Amount |
|---|---|
| CALHOUN SCHOOLS INC | $43,172 |
| NEW VENTURE FUND | $25,000 |
| THE BROADWAY LEAGUE | $18,000 |
| THE PEOPLES THEATRE | $14,280 |
| PODERISTAS COMMUNITY FUND | $10,942 |
| CONGRESSIONAL HISPANIC CAUCUS INSTITUTE INC | $10,032 |
| STELLA ADLER SCHOOL | $10,000 |
| IATI THEATRE | $8,557 |
| THALIA SPANISH THEATRE | $8,360 |
| UNITED WE DREAM NETWORK | $7,532 |
| BALLET HISPANICO | $7,106 |
| BROADWAY CARES | $5,852 |
| MAKE THE ROAD NEW YORK | $5,225 |
| THE PUBLIC THEATRE | $5,000 |
| ENVSN FOUNDATION | $4,975 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY23–25, $16k) land where the poverty rate runs at 13%, against an area that typically sits at 11%. 31% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +28% since the first grant, against +6% for the ones you funded once.
23 repeat relationships — 10 still active in FY2025, 13 since wound down; 17 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 45% of grant dollars renewed an existing relationship; $104k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TSTHE STUDIO SCHOOL2× · 2020–2021 · $54k · revenue +28%
- TBTHE BROADWAY LEAGUE INC3× · 2020–2025 · $45k · revenue +84%
- TATHE ACTORS' FUND OF AMERICA2× · 2022–2025 · $16k · revenue +19%
Funded once
- WEWOMENS ENTREPRENEURSHIP DAY ORGANIZATION INCone grant, 2023 · $10k · revenue -4%
- MCMANHATTAN CLASS COMPANY INCone grant, 2023 · $10k · revenue +6%
- YAYOUTH AMERICA INCone grant, 2021 · $10k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Producing and developing plays and musicals.
To provoke, produce and cultivate the work of artists whose visions inspire and challenge all of us.
The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…
As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…
At Atlantic, our aim is singular: to empower simple and honest storytelling that fosters greater understanding of our shared world. Across our work, we are a family of artists dedicated to exploring essential truths onstage, be it a show…
Creative residency programs, artist development workshops, advanced training opportunities, and mentorship for professional actors and people who wish to participate in the performing arts.
To present, in a rotating repertory, the finest latin american, spanish, and latino usa theatre and to serve as a catalyst for cultural exchange between spanish and english speaking americans.
The mission of new york city center is to be new york city's leading center for dance and musical theater. dedicated to making the arts accessible to the broadest possible audience, city center seeks to create a welcoming environment and…
Soho repertory provides radical theater makers with productions of the highest caliber and tailor-made development at key junctures in their artistic practice. we elevate artists as thought leaders and citizens who change the field and…
To produce bold theatre experiences that reach across artistic, physical and social boundries. We aim to increase empathy and open-mindedness by illuminating nuanced perspectives and unspoken truths behind the salient issues of our time.…
Titan theatre company is committed to breathing new life and clarity into classical works of theatre, exploring new and contemporary language plays, and delivering adventurous and visceral theatrical experiences for our audiences and…
For reference, the grantee most central to the portfolio’s shape is Theatre Development Fund Inc and the most unlike its peers is Envsn Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 39 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 6% of your grantees by number, and just 4% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 11% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
55 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 55 of the 71 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE CALHOUN SCHOOL INC ↗
- Who funds THE STUDIO SCHOOL ↗
- Who funds THE BROADWAY LEAGUE INC ↗
- Who funds NEW VENTURE FUND ↗
- Who funds THE ACTORS' FUND OF AMERICA ↗
- Who funds THEATRE FOR A NEW AUDIENCE INC ↗
- Who funds ROUNDABOUT THEATRE COMPANY INC ↗
- Who funds PODERISTAS COMMUNITY FUND ↗
- Who funds CONGRESSIONAL HISPANIC CAUCUS INSTITUTE INC ↗
- Who funds WOMENS ENTREPRENEURSHIP DAY ORGANIZATION INC ↗
- Who funds MANHATTAN CLASS COMPANY INC ↗
- Who funds THALIA SPANISH THEATRE INC ↗
- Who funds BALLET HISPANICO OF NEW YORK INC ↗
- Who funds UNITED WE DREAM NETWORK INC ↗
- Who funds WILLIAM J BRENNAN CENTER FOR JUSTICE INC ↗
- Who funds THE SECOND STAGE THEATRE INC ↗
- Who funds FAMILY EQUALITY ↗
- Who funds BROADWAY CARESEQUITY FIGHTS AIDS INC ↗
- Who funds Make the Road New York ↗
- Who funds GOD'S LOVE WE DELIVER INC ↗
- Who funds THE NEW GROUP INC ↗
- Who funds BROADWAY ADVOCACY COALITION INC ↗
- Who funds STELLA ADLER STUDIO OF ACTING ↗
- Who funds OFF THE LANE INC ↗
- Who funds Envsn Foundation ↗
- Who funds CITYMEALS-ON-WHEELS ↗
- Who funds HARLEM STAGE INC ↗
- Who funds PS 11 PROGRAMS INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · The Shubert Foundation Inc · The Hyde and Watson Foundation · Jewish Communal Fund · The Lucille Lortel Foundation Inc · Hispanic Federation Inc · The Macmillan Family Foundation Inc · The New York Community Trust · Richenthal Foundation · Daryl & Steven Roth Foundation · Axe-Houghton Foundation · Booth Ferris Foundation Xxxxx4008
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Bwf Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.