· Private foundation
The Bwf Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2020 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k21 grants · $81k
- $10k–50k7 grants · $131k
| Recipient | Amount |
|---|---|
| CALHOUN SCHOOLS INC | $43,172 |
| NEW VENTURE FUND | $25,000 |
| THE BROADWAY LEAGUE | $18,000 |
| THE PEOPLES THEATRE | $14,280 |
| PODERISTAS COMMUNITY FUND | $10,942 |
| CONGRESSIONAL HISPANIC CAUCUS INSTITUTE INC | $10,032 |
| STELLA ADLER SCHOOL | $10,000 |
| IATI THEATRE | $8,557 |
| THALIA SPANISH THEATRE | $8,360 |
| UNITED WE DREAM NETWORK | $7,532 |
| BALLET HISPANICO | $7,106 |
| BROADWAY CARES | $5,852 |
| MAKE THE ROAD NEW YORK | $5,225 |
| THE PUBLIC THEATRE | $5,000 |
| ENVSN FOUNDATION | $4,975 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY23–25, $16k) land where the poverty rate runs at 13%, against an area that typically sits at 11%. 31% of those dollars go to grantees based in above-average-need neighborhoods. Its grants skew toward lower-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +28% since the first grant, against +6% for those funded once.
23 repeat relationships: 10 still active in FY2025, 13 since wound down; 17 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 45% of grant dollars renewed an existing relationship; $104k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- TSTHE STUDIO SCHOOL2× · 2020–2021 · $54k · revenue +28%
- TBTHE BROADWAY LEAGUE INC3× · 2020–2025 · $45k · revenue +84%
- TATHE ACTORS' FUND OF AMERICA2× · 2022–2025 · $16k · revenue +19%
Funded once
- MCMANHATTAN CLASS COMPANY INCone grant, 2023 · $10k · revenue +6%
- YAYOUTH AMERICA INCone grant, 2021 · $10k
- WEWOMENS ENTREPRENEURSHIP DAY ORGANIZATION INCone grant, 2023 · $10k · revenue -25%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
Producing and developing plays and musicals.
To provoke, produce and cultivate the work of artists whose visions inspire and challenge all of us.
The Directors Company is an award-winning not-for-profit theatre company with an extraordinary record in its mission to develop and produce groundbreaking new plays and musicals initiated and generated by outstanding directorial talent,…
As the nation's foremost producer of shakespeare and new work, the public theater is dedicated to achieving artistic excellence while developing an american theater that is accessible and relevant to all people through productions of…
At Atlantic, our aim is singular: to empower simple and honest storytelling that fosters greater understanding of our shared world. Across our work, we are a family of artists dedicated to exploring essential truths onstage, be it a show…
Creative residency programs, artist development workshops, advanced training opportunities, and mentorship for professional actors and people who wish to participate in the performing arts.
To present, in a rotating repertory, the finest latin american, spanish, and latino usa theatre and to serve as a catalyst for cultural exchange between spanish and english speaking americans.
The mission of new york city center is to be new york city's leading center for dance and musical theater. dedicated to making the arts accessible to the broadest possible audience, city center seeks to create a welcoming environment and…
Soho repertory provides radical theater makers with productions of the highest caliber and tailor-made development at key junctures in their artistic practice. we elevate artists as thought leaders and citizens who change the field and…
To produce bold theatre experiences that reach across artistic, physical and social boundries. We aim to increase empathy and open-mindedness by illuminating nuanced perspectives and unspoken truths behind the salient issues of our time.…
Titan theatre company is committed to breathing new life and clarity into classical works of theatre, exploring new and contemporary language plays, and delivering adventurous and visceral theatrical experiences for our audiences and…
How this is measured
55 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 55 of the 71 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds THE CALHOUN SCHOOL INC ↗
- Who funds THE STUDIO SCHOOL ↗
- Who funds THE BROADWAY LEAGUE INC ↗
- Who funds NEW VENTURE FUND ↗
- Who funds THE ACTORS' FUND OF AMERICA ↗
- Who funds THEATRE FOR A NEW AUDIENCE INC ↗
- Who funds ROUNDABOUT THEATRE COMPANY INC ↗
- Who funds PODERISTAS COMMUNITY FUND ↗
- Who funds CONGRESSIONAL HISPANIC CAUCUS INSTITUTE INC ↗
- Who funds MANHATTAN CLASS COMPANY INC ↗
- Who funds WOMENS ENTREPRENEURSHIP DAY ORGANIZATION INC ↗
- Who funds THALIA SPANISH THEATRE INC ↗
- Who funds BALLET HISPANICO OF NEW YORK INC ↗
- Who funds UNITED WE DREAM NETWORK INC ↗
- Who funds WILLIAM J BRENNAN CENTER FOR JUSTICE INC ↗
- Who funds FAMILY EQUALITY ↗
- Who funds THE SECOND STAGE THEATRE INC ↗
- Who funds BROADWAY CARESEQUITY FIGHTS AIDS INC ↗
- Who funds Make the Road New York ↗
- Who funds GOD'S LOVE WE DELIVER INC ↗
- Who funds OFF THE LANE INC ↗
- Who funds STELLA ADLER STUDIO OF ACTING ↗
- Who funds THE NEW GROUP INC ↗
- Who funds BROADWAY ADVOCACY COALITION INC ↗
- Who funds Envsn Foundation ↗
- Who funds CITYMEALS-ON-WHEELS ↗
- Who funds HARLEM STAGE INC ↗
- Who funds PS 11 PROGRAMS INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · The Shubert Foundation Inc · The Hyde and Watson Foundation · Jewish Communal Fund · The Lucille Lortel Foundation Inc · Hispanic Federation Inc · The Macmillan Family Foundation Inc · The New York Community Trust · Richenthal Foundation · Daryl & Steven Roth Foundation · Axe-Houghton Foundation · Booth Ferris Foundation Xxxxx4008
How this is measured
How much its grantees rely on government
Each dot is one organization The Bwf Foundation funds: left to right is the share of its income from government, bottom to top the share from The Bwf Foundation. Bigger dots raise more.
How this is measured
Play a game based on Bwf’s filings →