· Private foundation
Mr and Mrs Raymond J Horowitz Foundation for the Arts Inc
Its FY2023 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2017–2023.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2023
- $10k–50k2 grants · $82k
- $250k+1 grant · $700k
| Recipient | Amount |
|---|---|
| THE MUSEUM OF FINE ARTS HOUSTON | $700,000 |
| THE METROPOLITAN MUSEUM OF ART | $41,060 |
| NATIAONAL GALLERY OF ART | $41,060 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–23) land where the poverty rate runs at 13%, against an area that typically sits at 10%. 72% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +56% since the first grant, against +28% for the ones you funded once.
17 repeat relationships — 2 still active in FY2023, 15 since wound down; 1 grantees were first funded in FY2023 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2023, 10% of grant dollars renewed an existing relationship; $700k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PMPHILADELPHIA MUSEUM OF ART3× · 2018–2021 · $600k · revenue +28%
PRESIDENT AND TRUSTEES OF BATES COLLEGE3× · 2018–2020 · $292k · revenue +49%- SHScenic Hudson Inc4× · 2017–2021 · $250k · revenue +86%
Funded once
- HUHARVARD UNIVERSITY ARTS MUSEUMone grant, 2021 · $750k
- CCCOLBY COLLEGE MUSEUM OF ARTone grant, 2018 · $250k
- FAFENIMORE ART MUSEUMgraduatedone grant, 2018 · $186k · revenue +193%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The huntington library, art museum, and botanical gardens shares its world-renowned collections to support scholarship, foster learning, inspire creativity, and offer transformative experiences for diverse audiences.
See schedule osfmoma believes the art of our time is vital and shares it with passion and purpose, and that art and the creative process can open minds and help build a better world. for that reason, we assemble unparalleled collections,…
Home to the art and legacy of the american painter clyfford still, we invite all to explore the potential of individual creative endeavor.
The baltimore museum of art connects art to baltimore and baltimore to the world, embodying a commitment to artistic excellence and social equity in every decision from art presentation, interpretation, and collecting, to the composition…
The museum's mission statement is: "to discover, interpret, and disseminate - through scientific research and education - knowledge about human cultures, the natural world, and the universe."
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The newport art museum's mission is to share a diversity of art and experiences that spark reflection, inspiration, and connection within our newport community and beyond. the museum was founded in 1912 on the belief that arts and culture…
Munson-williams-proctor arts institute (mwpai) is a fine arts center dedicated to serving diverse audiences by advancing the appreciation, understanding, and enjoyment of the arts. the art institute aims to promote interest and…
Pem offers thought-provoking experiences of the arts, humanities, and sciences to activate understanding of our shared humanity and to empower imagination and learning through experimentation. we steward, build, and make our collections…
Nmoa mission statement is: we welcome everyone with inclusive experiences that spark curiosity and foster community.
For reference, the grantee most central to the portfolio’s shape is Speed Art Museum and the most unlike its peers is The Artist Book Foundation. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 71 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
31 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 31 of the 49 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Yale University ↗
- Who funds THE MUSEUM OF FINE ARTS HOUSTON ↗
- Who funds PHILADELPHIA MUSEUM OF ART ↗
- Who funds PRESIDENT AND TRUSTEES OF BATES COLLEGE ↗
- Who funds Scenic Hudson Inc ↗
- Who funds HUDSON RIVER MUSEUM OF WESTCHESTER ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds STERLING AND FRANCINE CLARK ART INSTITUTE ↗
- Who funds INTERNATIONAL FOUNDATION FOR ART RESEARCH INC ↗
- Who funds FENIMORE ART MUSEUM ↗
- Who funds PENNSYLVANIA ACADEMY OF THE FINE ARTS ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds SHELBURNE MUSEUM INC ↗
- Who funds SPEED ART MUSEUM ↗
- Who funds CAPE ANN MUSEUM INC ↗
- Who funds STORM KING ART CENTER ↗
- Who funds THE PHILLIPS COLLECTION ↗
- Who funds AMON CARTER MUSEUM OF WESTERN ART ↗
- Who funds CHILDREN'S MUSEUM OF THE ARTS INC ↗
- Who funds National Gallery of Art ↗
- Who funds GREENWICH HISTORICAL SOCIETY INC ↗
- Who funds BOCA RATON MUSEUM OF ART ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds MINT MUSEUM OF ART INC ↗
- Who funds BLACK MOUNTAIN COLLEGE MUSEUM AND ARTS CENTER INC ↗
- Who funds JAMES A MICHENER ART MUSEUM ↗
- Who funds The George Washington University ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Helen Frankenthaler Foundation Inc · Ibm International Foundation · Terra Foundation for American Art · Ann and Arthur Grey Foundation · Robert Lehman Foundation Inc · The Henry Luce Foundation Inc · The Andrew W Mellon Foundation · National Philanthropic Trust · Raymond James Charitable Endowment Fund · Jpmorgan Chase Foundation · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · Vanguard Charitable Endowment Program
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Mr and Mrs Raymond J Horowitz Foundation for the Arts Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Cape Ann Museum Inc — 38% of income from government
- Yale University — 12% of income from government
- Shelburne Museum Inc — 9% of income from government
- New Britain Museum of American Art Inc — 7% of income from government
- The Artist Book Foundation — 3% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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How do I get to Mr and Mrs Raymond J Horowitz Foundation for the Arts Inc?
Find your warmest path to Mr and Mrs Raymond J Horowitz Foundation for the Arts Inc through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.