· Private foundation
Frances & Frank Wilkinson Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k54 grants · $49k
- $10k–50k4 grants · $42k
- $50k–250k1 grant · $73k
| Recipient | Amount |
|---|---|
| PUBLIC THEATER | $72,500 |
| WALKER ART CENTER | $12,000 |
| MINNEAPOLIS PARKS FOUNDATION | $10,000 |
| Individual grant recipient | $10,000 |
| GUTHRIE THEATER | $10,000 |
| TRUST FOR PUBLIC LAND | $7,500 |
| MSP FILM SOCIETY | $7,000 |
| ST MARKS CATHEDRAL CHURCH | $5,000 |
| GREATER TWIN CITIES UNITED WAY | $5,000 |
| DAVIDSON COLLEGE | $3,000 |
| MINNEAPOLIS INSTITUTE OF ART | $2,500 |
| THEATER LATTE DA | $2,000 |
| PROJECT SUCCESS | $2,000 |
| GENDER JUSTICE | $1,500 |
| MUSEUM OF MODERN ART | $1,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY22–25, $1k) land where the poverty rate runs at 15%, against an area that typically sits at 9%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +6% since the first grant, against 0% for the ones you funded once.
81 repeat relationships — 43 still active in FY2025, 38 since wound down; 15 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 74% of grant dollars renewed an existing relationship; $43k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- WAWALKER ART CENTER5× · 2021–2025 · $17k · revenue +6%
- GTGUTHRIE THEATER FOUNDATION2× · 2019–2025 · $13k · revenue +46%
- PSPROJECT SUCCESS4× · 2021–2025 · $6k · revenue +33%
Funded once
- MFMN FILM SOCIETYone grant, 2019 · $10k
- TFTHE FILM SOCIETY OF MINNEAPOLIS ST PAULgraduatedone grant, 2022 · $5k · revenue +94%
- PHPILLSBURY HOUSE THEATERone grant, 2020 · $5k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The mission of the greater msp partnership is to accelerate regional competitiveness and inclusive economic growth through job creation, capital investment and execution of strategic initiatives. the partnership works to strengthen our…
To inspire, educate and cultivate curiosity through great works of art.
Wwf's mission is to conserve nature and reduce the most pressing threats to the diversity of life on earth. (continued on schedule o)
The minnesota business partnership's mission is to maintain a high quality of life for all minnesotans by ensuring that the state's economy remains strong, globally competitive and its prospects for growth bright by working with elected…
Minnesota fringe connects adventurous artists with adventurous audiences by creating open, supportive forums for free and diverse artistic expression.
The great northern celebrates our cold, creative winters through ten days of diverse programming that invigorate mind and body. in an era of changing climate that threatens our signature season, we seek to create community, inspire action,…
National public radio, inc. ("npr") works collaboratively with member public radio station licensees ("member stations") to create a more informed public, one that is challenged and invigorated by a deeper understanding and appreciation of…
The minnesota environmental partnership is a coalition that strengthens member effectiveness and builds collective power to secure a healthy environment for all minnesotans.
The foundation cultivates generosity by taking action on the greatest civic, social, and economic needs partnering with nonprofits, facilitating grantmaking, driving research and advocacy, and providing services to donors seeking to make a…
The npr foundation ("foundation") is organized and operated exclusively for the benefit of its sole supported organization, national public radio, inc. ("npr inc."). the foundation supports npr inc. through various activities such as…
To advance the success of women attorneys and strive for a just society.
The mission of mit is to advance knowledge and educate students in science, technology, and other areas of scholarship that will best serve the nation and the world in the 21st century.
For reference, the grantee most central to the portfolio’s shape is Minneapolis Society of Fine Arts Dba Minneapolis Institute of Arts and the most unlike its peers is International Rescue Committee Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 45 years old; the field is 18. You back the established end — and your money leans older still.
The field is 19% startups (under 5 years old) — 1% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
93 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 93 of the 134 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds NEW YORK SHAKESPEARE FESTIVAL ↗
- Who funds WALKER ART CENTER ↗
- Who funds GUTHRIE THEATER FOUNDATION ↗
- Who funds Minneapolis Parks Foundation ↗
- Who funds PROJECT SUCCESS ↗
- Who funds Museum of Modern Art ↗
- Who funds PENUMBRA THEATRE COMPANY INC ↗
- Who funds THE FILM SOCIETY OF MINNEAPOLIS ST PAUL ↗
- Who funds GREATER TWIN CITIES UNITED WAY ↗
- Who funds THEATER LATTE DA ↗
- Who funds GENDER JUSTICE ↗
- Who funds Davidson College ↗
- Who funds MINNEAPOLIS SOCIETY OF FINE ARTS DBA MINNEAPOLIS INSTITUTE OF ARTS ↗
- Who funds The Saint Paul Chamber Orchestra Society ↗
- Who funds THE PLAYWRIGHTS' CENTER INC ↗
- Who funds Breck School ↗
- Who funds MINNESOTA PUBLIC RADIO AMERICAN PUBLIC MEDIA ↗
- Who funds TWIN CITIES PUBLIC TELEVISION INC ↗
- Who funds GRAYWOLF PRESS ↗
- Who funds SECOND HARVEST HEARTLAND ↗
- Who funds The Pierpont Morgan Library ↗
- Who funds UNIVERSITY OF MINNESOTA FOUNDATION ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds BEFORE RACISM ↗
- Who funds SIERRA CLUB FOUNDATION ↗
- Who funds THE JUNGLE THEATER ↗
- Who funds MINNESOTA ORCHESTRAL ASSOCIATION ↗
- Who funds FRIENDS OF THE HIGH LINE INC ↗
- Who funds The New York Public Library Astor Lenox and Tilden Foundations ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Minneapolis Foundation · Saint Paul & Minnesota Foundation · The McKnight Foundation · Mightycause Charitable Foundation · Xcel Energy Foundation · Margaret a Cargill Foundation · George Family Foundation · Ch Robinson Worldwide Foundation · The Phileona Foundation · Fr Bigelow Foundation · Minnesota Community Foundation · Lenfestey Family Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Frances & Frank Wilkinson Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Save the Children Federation Inc — 30% of income from government
- Oxfam-America Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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Find your warmest path to Frances & Frank Wilkinson Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.