· Private foundation
Elizabeth Firestone Graham Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| THE UNIVERSITY AT ALBANY FOUNDATION | $25,000 |
| PROJECT ROW HOUSES | $25,000 |
| NORTH DAKOTA MUSEUM OF ARTS | $25,000 |
| GOODYEAR ARTS INC | $25,000 |
| TEXAS TECH FOUNDATION INC | $25,000 |
| THE TRUSTEES OF DAVIDSON COLLEGE | $25,000 |
| SMITHSONIAN INSTITUTION | $25,000 |
| REALIZE IMPACT | $25,000 |
| UNIVERSITY OF MINNESOTA | $25,000 |
| NEW CITY ARTS INITIATIVE | $25,000 |
| FROM THE HEART PRODUCTIONS INC | $25,000 |
| BARNES FOUNDATION | $25,000 |
| BLACK MOUNTAIN COLLEGE MUSEUM AND ARTS CENTER | $10,800 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY25–25, $25k) land where the poverty rate runs at 10%, against an area that typically sits at 12%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Your grants skew toward lower-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 8% of Elizabeth Firestone Graham Foundation’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another. Read by recipient address, 12% of the giving stays in NY; read by stated purpose it is 10% — less of the work is directed home than the recipients' locations suggest.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +31% since the first grant, against 0% for the ones you funded once.
12 repeat relationships — 3 still active in FY2025, 9 since wound down; 10 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 24% of grant dollars renewed an existing relationship; $236k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- THTHE HERMITAGE MUSEUM AND GARDENS4× · 2019–2023 · $100k · revenue +55%
SMITHSONIAN INSTITUTION4× · 2020–2025 · $100k · revenue +25%- VCVIRGINIA CENTER FOR THE CREATIVE ARTS4× · 2019–2022 · $100k · revenue +31%
Funded once
- SCSIOUX CITY ART CENTERone grant, 2024 · $25k
- ADAMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIOone grant, 2022 · $25k · revenue +15%
- PCPITTSBURGH CULTURAL TRUSTone grant, 2022 · $25k · revenue -12%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
To collect, display and interpret objects in craft art and design.
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
The arnot art museum is an exhibiting and collecting fine arts museum, accredited by the american association of museums. the museum exhibits its permanent collection of 17th-19th century european paintings and sculpture; 19th century…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
Artpace san antonio is a nonprofit residency program which supports texas, national, and international artists in the creation of new art. see schedule o for continuation.
The virginia museum of contemporary art (virginia moca) is a non-profit institution which exists to foster awareness, exploration, and understanding of the significant art of our time. accredited by the american alliance of museums,…
For reference, the grantee most central to the portfolio’s shape is 1708 Gallery Inc and the most unlike its peers is Kassan Foundation Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 37 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 5% of your grantees by number, and just 2% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
43 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 43 of the 58 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE HERMITAGE MUSEUM AND GARDENS ↗
- Who funds CENTER FOR LAND USE INTERPRETATION ↗
- Who funds SMITHSONIAN INSTITUTION ↗
- Who funds VIRGINIA CENTER FOR THE CREATIVE ARTS ↗
- Who funds CONTEMPORARY ART MUSEUM ST LOUIS ↗
- Who funds SOUTH DAKOTA STATE UNIVERSITY FOUNDATION ↗
- Who funds NEW CITY ARTS INITIATIVE ↗
- Who funds Davidson College ↗
- Who funds INDEPENDENT CURATORS INTERNATIONAL ↗
- Who funds GOODYEAR ARTS INC ↗
- Who funds AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIO ↗
- Who funds PITTSBURGH CULTURAL TRUST ↗
- Who funds Lawndale Art & Performance Center ↗
- Who funds VIRGINIA UNION UNIVERSITY ↗
- Who funds 1708 Gallery Inc ↗
- Who funds GUTTENBERG ARTS A NJ NONPROFIT CORP ↗
- Who funds From The Heart Productions ↗
- Who funds LAUMEIER SCULPTURE PARK ↗
- Who funds Edmundson Art Foundation Inc ↗
- Who funds TOM TOM FOUNDATION ↗
- Who funds UNIVERSITY AT ALBANY FOUNDATION ↗
- Who funds THE DETROIT INSTITUTE OF ARTS ↗
- Who funds INDIANAPOLIS ART CENTER INC ↗
- Who funds Realize Impact ↗
- Who funds Project Row Houses ↗
- Who funds FILM INDEPENDENT ↗
- Who funds THE HEARD MUSEUM ↗
- Who funds THE PARAMOUNT THEATER FOUNDATION IN F/K/A THE PARAMOUNT THEATER INC ↗
- Who funds WIREGRASS MUSEUM OF ART INC ↗
- Who funds BRANDEIS UNIVERSITY ↗
- Who funds Glasstire ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Andy Warhol Foundation for the Visual Arts Inc · Via Art Fund Inc · Terra Foundation for American Art · The Henry Luce Foundation Inc · Teiger Foundation · Helen Frankenthaler Foundation Inc · Windgate Charitable Foundation Inc · Mid-America Arts Alliance · Charlottesville Area Community Foundation · The Andrew W Mellon Foundation · National Philanthropic Trust · Charities Aid Foundation America
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Elizabeth Firestone Graham Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Massachusetts Institute of Technology — 35% of income from government
- Brandeis University — 9% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.