· Public charity
American Dance Movement
American Dance Movement (ADM) builds healthy communities through dance by expanding access to dance and movement, educating about its benefits, and inspiring generations of dance enthusiasts.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2022.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2022
- Under $10k2 grants · $10k
- $10k–50k7 grants · $70k
| Recipient | Amount |
|---|---|
| DANCING DREAMS | $10,000 |
| FREE 2 BE ME | $10,000 |
| CONGA KIDS | $10,000 |
| DANCING CLASSROOMS | $10,000 |
| DEA YOUTH DANCE PROGRAM | $10,000 |
| ASCENSION 33 | $10,000 |
| THE MIRACLE PROJECT | $10,000 |
| DEBBIE ALLEN DANCE ACADEMY | $5,000 |
| EVERYBODY DANCE LA | $5,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY17–22) land where the poverty rate runs at 14%, against an area that typically sits at 11%. 82% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +22% since the first grant, against +16% for the ones you funded once.
7 repeat relationships — 5 still active in FY2022, 2 since wound down; 4 grantees were first funded in FY2022 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 56% of grant dollars renewed an existing relationship; $35k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TDThe DEA Educational Foundation4× · 2017–2022 · $45k · revenue +22%
- F2FREE 2 BE ME DANCE4× · 2019–2022 · $38k · revenue +139% · 36% of their budget
- DDDANCING DREAMS3× · 2019–2022 · $35k · revenue +5%
Funded once
- ARANDREA RIZZO FOUNDATIONone grant, 2019 · $20k · revenue -10%
- DPDANCE PROJECT OF WASHINGTON HEIGHTS INCone grant, 2019 · $15k · revenue +25%
- TCTarrant County Youth Collaboration Inc dba Dancing Classrooms North Texasone grant, 2019 · $15k · revenue -92%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Dance Education and Performance
Ballet Chicago is a professional track school of ballet that creates exceptional dancers. It makes classical ballet training accessible to all. Its founders Daniel Duell and Patricia Blair carry on George Balanchines legacy by providing…
Pony Box Dance Theatre is a 21st century digital dream of Homeric athleticism with Olympian execution. An artful, moving exploration of men in dance, Pony Box Dance Theater aspires to bring the joy and beauty of dance to all people.Our…
Our mission is to enrich lives by offering excellence and diversity in dance experiences through education, performance, and outreach for students and audiences of all ages.
To enrich the lives of our community through dance education and performance while developing Chicago's native talent pool in a welcoming environment that celebrates multiculturalism & ethnic diversity.
Berkeley Ballet Theater offers the highest quality dance training from beginning to professional levels, supports a preprofessional youth company, introduces ballet to young audiences through an outreach program, is committed to access,…
Indian Dance Training Center (IDTC) is a community development organizationaimed at empowering the youth through cultural dance training of traditional SouthAsian dance styles as well as classical theater. IDTC provides trainings,…
Advance art education in Chicago schools
Guided by the belief in dance as a powerful means for cultural and social transformation, Moveius Contemporary Ballet's mission is to catalyze art and community vibrancy in Washington, DC and expand access to the performing arts to a full…
For reference, the grantee most central to the portfolio’s shape is Dancing Classrooms Inc and the most unlike its peers is Los Angeles International Dance Festival. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 27 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
43 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 43 of the 46 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds The DEA Educational Foundation ↗
- Who funds FREE 2 BE ME DANCE ↗
- Who funds DANCING DREAMS ↗
- Who funds EVERYBODY DANCE LA ↗
- Who funds Dancing Classrooms Inc ↗
- Who funds ANDREA RIZZO FOUNDATION ↗
- Who funds SIMPLY DESTINEE ↗
- Who funds CREATIVE NETWERK ↗
- Who funds DANCE PROJECT OF WASHINGTON HEIGHTS INC ↗
- Who funds Tarrant County Youth Collaboration Inc dba Dancing Classrooms North Texas ↗
- Who funds ASCENSION 33 INC ↗
- Who funds WILMINGTON BALLET ACADEMY OF THE DANCE INC ↗
- Who funds CONGA KIDS ↗
- Who funds Hancock Center for Creative Arts Therapies Inc ↗
- Who funds LOS ANGELES INTERNATIONAL DANCE FESTIVAL ↗
- Who funds JOHN F KENNEDY CENTER FOR THE PERFORMING ARTS ↗
- Who funds NORTH CAROLINA ARTS IN ACTION INC ↗
- Who funds UNIVERSITY OF SOUTHERN CALIFORNIA ↗
- Who funds EPILEPSY FOUNDATION OF AMERICA ↗
- Who funds HILL DANCE ACADEMY THEATRE ↗
- Who funds Project Miracle ↗
- Who funds PERFORMING ARTS CENTER OF LOS ANGELES COUNTY ↗
- Who funds THE WOODEN FLOOR FOR YOUTH MOVEMENT ↗
- Who funds BALLET SPARTANBURG INC ↗
- Who funds THE FAMILY PLACE ↗
- Who funds COMMUNITY DAY CARE CENTER OF LAWRENCE INC ↗
- Who funds RED HOT BALLROOM INC ↗
- Who funds SAN PEDRO CITY BALLET ↗
- Who funds THE PARENTS & TEACHERS OF BUENA VISTA HORACE MANN ↗
- Who funds FORWARD MOMENTUM CHICAGO ↗
- Who funds CHOREGUS PRODUCTIONS INC ↗
- Who funds THE ROCK SCHOOL FOR DANCE EDUCATION ↗
- Who funds DIAVOLO DANCE THEATRE ↗
- Who funds BALLET MEMPHIS CORPORATION ↗
- Who funds The PGK Project Inc ↗
- Who funds KID SMART ↗
- Who funds FRIENDS OF OLYMPIA STATION INC DBA TANDY BEAL & COMPANY ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Ahmanson Foundation · New England Foundation for the Arts Incorporated · The Ralph M Parsons Foundation · California Community Foundation · The Chicago Community Trust · Gs Donor Advised Philanthropy Fund for Wealth Management Inc · The Bank of America Charitable Foundation Inc · Charities Aid Foundation America · Morgan Stanley Global Impact Funding Trust Inc · Jpmorgan Chase Foundation · American Endowment Foundation · Network for Good
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization American Dance Movement funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Epilepsy Foundation of America — 22% of income from government
- Wilmington Ballet Academy of the Dance Inc — 17% of income from government
- Community Day Care Center of Lawrence Inc — 11% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to American Dance Movement?
Find your warmest path to American Dance Movement through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.