· Private foundation
Burgess R & F Tuw
Its FY2025 filing reports that it accepted unsolicited grant applications.
What you funded, over time
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k3 grants · $18k
- $10k–50k5 grants · $100k
| Recipient | Amount |
|---|---|
| UNIVERSITY OF DENVER | $30,000 |
| DENVER ART MUSEUM INC | $30,000 |
| COLORADO SYMPHONY ASSOCIATION | $20,000 |
| SWALLOW HILL MUSIC ASSOCIATION | $10,000 |
| BOULDER PHILHARMONIC ORCHESTRA | $10,000 |
| METROPOLITAN STATE UNIVERSITY OF DENVER | $8,000 |
| COLORADO BACH ENSEMBLE | $5,000 |
| DENVER BRASS INC | $5,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY19–25) land where the poverty rate runs at 12%, against an area that typically sits at 7%. 99% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
15 repeat relationships — 5 still active in FY2025, 10 since wound down; 3 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 81% of grant dollars renewed an existing relationship; $23k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- DADENVER ART MUSEUM7× · 2019–2025 · $185k · revenue +38%
- CSCOLORADO SYMPHONY ASSOCIATION7× · 2019–2025 · $108k · revenue +42%
- UOUNIVERSITY OF DENVER2× · 2019–2025 · $60k · revenue +26%
Funded once
- CPCLEO PARKER ROBINSON DANCEone grant, 2022 · $15k
- CBCOLORADO BALLETgraduatedone grant, 2019 · $10k · revenue +64%
- CSCREATIVE STRATEGIES FOR CHANGEgraduatedone grant, 2020 · $10k · revenue +36%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Providing entertainment and education through the production of high-quality orchestral music.
Colorado nbsp;music nbsp;bridge nbsp;provides nbsp;access nbsp;to nbsp;inclusive nbsp;modern nbsp;music nbsp;education nbsp;programs nbsp;curricular nbsp;resources nbsp;and nbsp;professional nbsp;development
The mission of dyao is to expose young musicians and audiences to the joy and beauty of symphonic music, pursuing excellence through exceptional orchestral training, unique & diverse performance opportunities, and new pathways to symphonic…
Cincinnati Chamber Orchestra (CCO) creates intimate, transformative experiences that connect the musically curious.
To inspire and connect community members of all ages by providing access to the best of the world's music through education and performance.
To provide a challenging environment where children can reach their full potential by enhancing their musical talents, forging diverse meaningful friendships, and sharing their joy of music with others.
Opera colorado uses the powerful art form of opera to connect our community through musical storytelling. the company actively collaborates with other non-profit institutions to amplify their missions with the arts.
The San Juan Symphony is an innovative regional orchestra that contributes to the cultural enrichment of the diverse communities of the Four Corners area with inspiring live performances and creative, collaborative efforts.
Advancement of music through the celebration of the legacy of the composer Gustav Mahler through an annual festival
To continually redefine the way our community experiences and engages with classical music
Boulder ensemble theatre company creates powerful, engaging, top-quality performances and programs, with meaningful impacts beyond the stage. we serve and welcome colorado's many diverse communities, cultivating an inclusive environment…
For reference, the grantee most central to the portfolio’s shape is Swallow Hill Music Association and the most unlike its peers is Denver Art Museum. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 35 years old; the field is 18. You back the established end — and your money leans older still.
The field is 20% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
26 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 26 of the 36 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds DENVER ART MUSEUM ↗
- Who funds COLORADO SYMPHONY ASSOCIATION ↗
- Who funds UNIVERSITY OF DENVER ↗
- Who funds WONDERBOUND ↗
- Who funds AUGUSTANA ARTS INC ↗
- Who funds FRIENDS OF LEVITT PAVILION DENVER ↗
- Who funds THE DENVER BRASS INC ↗
- Who funds CURIOUS THEATRE COMPANY ↗
- Who funds COLORADO YOUTH MARIACHI PROGRAM ↗
- Who funds SWALLOW HILL MUSIC ASSOCIATION ↗
- Who funds CMDANCE ↗
- Who funds COLORADO BALLET ↗
- Who funds BOULDER PHILHARMONIC ORCHESTRA ↗
- Who funds CREATIVE STRATEGIES FOR CHANGE ↗
- Who funds ROCKY MOUNTAIN PUBLIC MEDIA INC ↗
- Who funds BUNTPORT THEATER COMPANY ↗
- Who funds PHAMALY THEATRE COMPANY ↗
- Who funds COLORADO BACH ENSEMBLE ↗
- Who funds A CHILDS SONG INC ↗
- Who funds Colorado Springs Philharmonic Orchestra ↗
- Who funds COLORADO WIND ENSEMBLE INC ↗
- Who funds COLORADO CHILDREN'S CHORALE ↗
- Who funds CITY PARK JAZZ INC ↗
- Who funds ROCKY MOUNTAIN ARTS ASSOCIATION ↗
- Who funds CENTRAL CITY OPERA HOUSE ASSOCIATION ↗
- Who funds SU TEATRO INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Colorado Gives Foundation · Bonfils-Stanton Foundation · The Denver Foundation · Rose Community Foundation · The Colorado Health Foundation · Fine Arts Foundation · Sheila Fortune Foundation Inc · Xcel Energy Foundation · Mile High United Way Inc · Kenneth Kendal King Foundation · Amg Charitable Gift Foundation · Merle Chambers Fund
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Burgess R & F Tuw funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.