· Private foundation
Baisley Powell Elebash Fund Xxxxx5009
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2022.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2022
- $10k–50k1 grant · $25k
- $50k–250k11 grants · $1.6M
- $250k+4 grants · $2.0M
| Recipient | Amount |
|---|---|
| GRADUATE CENTER FOUNDATION INC | $1,000,000 |
| MAMA FOUNDATION FOR THE ARTS | $450,000 |
| THE HARLEM CHAMBER PLAYERS | $300,000 |
| BROOKLYN CONSERVATORY OF MUSIC | $300,000 |
| THE JAZZ GALLERY | $225,000 |
| GREENWICH HOUSE INC | $200,000 |
| ROULETTE INTERMEDIUM INC | $200,000 |
| RATTLESTICK PRODUCTIONS INC | $175,000 |
| BLOOMINGDALE SCHOOL OF MUSIC | $150,000 |
| BROOKLYN BALLET | $150,000 |
| AFRO-LATIN JAZZ ALLIANCE OF NEW YORK | $150,000 |
| KINGS MAJESTIC CORP DBA 651 ARTS | $100,000 |
| SOCIETY OF THE THIRD STREET MUSIC SCHOOL | $100,000 |
| GRANTMAKERS IN THE ARTS | $100,000 |
| CLASSICAL THEATRE OF HARLEM | $100,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Dollar for dollar, your grants (FY20–22) land where the poverty rate runs at 18%, against an area that typically sits at 13%. 100% of your dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
18 repeat relationships — 10 still active in FY2022, 8 since wound down; 6 grantees were first funded in FY2022 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 83% of grant dollars renewed an existing relationship; $650k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TGTHE GRADUATE CENTER FOUNDATION INC2× · 2020–2022 · $1.1M · revenue +214%
- RIROULETTE INTERMEDIUM INC3× · 2020–2022 · $700k · revenue +63%
- TBTHE BROOKLYN QUEENS CONSERVATORY OF MUSIC3× · 2020–2022 · $600k · revenue +143%
Funded once
- ACAMERICAN COMPOSERS ORCHESTRA INCgraduatedone grant, 2020 · $75k · revenue +60%
- OCORPHEUS CHAMBER ORCHESTRA INCone grant, 2020 · $75k · revenue +18%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The American Chamber Ensemble is a consortium of distinguished musicians whose concerts explore the music for piano with strings, woodwinds and/or voice, presenting both great standard repertoire and living American composers.
To present and promote contemporary classical music through innovative, interdisciplinary performances; to support living composers; and to engage diverse audiences through education, collaboration, and community-based programming.…
Our primary mission is to present concerts that represent the music of AACM Composers. The concert activities are designed to bring new American music to the general public and to create an atmosphere that is conducive for the artistically…
Jeunes Virtuoses de New York" (JVNY) is an ensemble of exceptionally accomplished young musicians who perform on both sides of the Atlantic both as a string camerata, and in various chamber music configurations. Our mission is to transform…
To offer accessible, high-quality performing arts education that sparks personal growth and builds inclusive communities. its vision is to transform performing arts education in an inclusive community accessible to all.
The mission of lyrica baroque is to support a diverse community of students, teachers, artists, institutions and audiences of all ages through education, collaboration and performance. lyrica baroque seeks to promote the extraordinary…
For more than a century, diller-quaile has offered an environment where music can flourish in all its aspects, enriching the lives of students of all ages and cultural backgrounds. the belief that music is a fundamental part of human life…
To make the mind more curious, the heart more open, and the spirit more joyful through excellent audio programming that is deeply rooted in new york.
To provide the bronx & surrounding areas with access to affordable local, national, & international performances that educate & celebrate the traditions of a multi-cultural community.
Cantata Profana, Inc. (www.cantataprofana.com) is a vocal and instrumental chamber ensemble that presents concerts of classical and chamber music ranging from the Baroque to modern eras with a unique narrative style. Our purpose is to…
To educate the general public of new york on all aspects of opera through opera productions, lectures, classes, camps, social media, newsletters, etc. while emphasizing the need to make opera accessible and affordable to all people, no…
For reference, the grantee most central to the portfolio’s shape is The Young People's Chorus of New York City Inc and the most unlike its peers is The Jazz Gallery. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
20 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 20 of the 26 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds THE GRADUATE CENTER FOUNDATION INC ↗
- Who funds ROULETTE INTERMEDIUM INC ↗
- Who funds THE BROOKLYN QUEENS CONSERVATORY OF MUSIC ↗
- Who funds MAMA FOUNDATION FOR THE ARTS INC ↗
- Who funds MANHATTAN SCHOOL OF MUSIC ↗
- Who funds BLOOMINGDALE SCHOOL OF MUSIC ↗
- Who funds The Harlem Chamber Players Inc ↗
- Who funds AFRO-LATIN JAZZ ALLIANCE OF NEW YORK INC ↗
- Who funds NEW MUSIC USA INC ↗
- Who funds THE JAZZ GALLERY ↗
- Who funds GREENWICH HOUSE INC ↗
- Who funds THE YOUNG PEOPLE'S CHORUS OF NEW YORK CITY INC ↗
- Who funds RATTLESTICK PRODUCTIONS INC ↗
- Who funds BRONX ARTS ENSEMBLE INC ↗
- Who funds BROOKLYN BALLETINC ↗
- Who funds GRANTMAKERS IN THE ARTS ↗
- Who funds THE CLASSICAL THEATRE OF HARLEM INC ↗
- Who funds AMERICAN COMPOSERS ORCHESTRA INC ↗
- Who funds ORPHEUS CHAMBER ORCHESTRA INC ↗
- Who funds Arts Business Collaborative ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Howard Gilman Foundation Inc · The Hyde and Watson Foundation · The New York Community Trust · Booth Ferris Foundation Xxxxx4008 · The Fan Fox and Leslie R Samuels Foundation Inc · The Ford Foundation · The Andrew W Mellon Foundation · The Aaron Copland Fund for Music Inc Co Alter Kendrick & Baron LLP · New Music USA Inc · Cornelia T Bailey Charitable Trust · The Gladys Krieble Delmas Foundation · Jerome Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Baisley Powell Elebash Fund Xxxxx5009 funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.