· Public charity
610 Stompers Inc
To promote the artistic traditions and culture of new orleans, louisiana, including the art of dance, by building cultural awareness through education and dance performances.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
| Recipient | Amount |
|---|---|
| SECOND LINE ARTS COLLECTIVE | $5,610 |
| GRACE AT THE GREEN LIGHT INC | $5,610 |
| LAYAYA LA YOUNG ARTISTS AND YOUNG AUTHORS | $5,610 |
| SPECIAL CONNECTIONS | $5,610 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY25–25, $6k) land where the poverty rate runs at 23%, against an area that typically sits at 17%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Where the work is directed
The same grants, placed two ways — where each recipient sits, and where its stated purpose earmarks the money.
About 5% of 610 Stompers Inc’s grant dollars are earmarked, by their stated purpose, for a different county than the recipient’s own address — money that lands at a nonprofit in one place but is meant to do its work in another. Read by recipient address, 96% of the giving stays in LA; read by stated purpose it is 85% — less of the work is directed home than the recipients' locations suggest.
Recipient view: each grant at its grantee’s ZIP, mapped to a county. Directed view: each grant at the county its stated purpose names, falling back to the recipient’s county when the purpose names no place; US grants only. A county shows only if it carries the top 95% of that view’s dollars. Purposes are read from the foundation’s own 990 grant descriptions.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Backbeat Foundation's mission is to foster support of the rich New Orleans cultural heritage through the presentation of innovative arts and music programming and community based events and projects. The Foundation provides resources…
The New Orleans Dance Collective provides an environment for inner-city at-risk youth and adolescents where they can recognize and develop talents, share skills and information, and ultimately realize their own potential, then pass on new…
The mission of lyrica baroque is to support a diverse community of students, teachers, artists, institutions and audiences of all ages through education, collaboration and performance. lyrica baroque seeks to promote the extraordinary…
Keep New Orleans Music Alive preserves the city's unique legacy by providing community services and financial aid to native musicians and culture bearers.
Anthony Bean Theater is a prominent theater production company and a year-round acting school that offers open enrollment for inner city hildren. Its mission is to inspire those it serves through the magic of the arts while maintaining a…
Our mission is to empower young women in New Orleans thought education and inspiration.
Be loud studios amplifies kid confidence through radio and digital media production.
At Home in New Orleans, we devoted to making work that is outsize in scope, physically evocative, socially provocative, and couched in humor as a vehicle for storytelling. We function in service of artists by putting the full weight of our…
The Crescent City Countdown Club is a 501(c)(4) nonprofit organization officially formed in 2006 after Hurricane Katrina exclusively to preserve and produce New Orleans traditional New Years Eve festivities in the French Quarter.
Music oppurtunities for at risk youth.
Providing educational opportunities and support to underserved youth in New Orleans.
For reference, the grantee most central to the portfolio’s shape is Make Music Nola and the most unlike its peers is Special Connections. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
15 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 15 of the 28 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds ANGELS' PLACE INC ↗
- Who funds UPBEAT ACADEMY FOUNDATION ↗
- Who funds MAKE MUSIC NOLA ↗
- Who funds YOUTH RUN NOLA INC ↗
- Who funds KREWE OF RED BEANS ↗
- Who funds Camp Challenge Inc ↗
- Who funds SPECIAL CONNECTIONS ↗
- Who funds MAKE YOUR MOVE ↗
- Who funds BRAIN INJURY ASSOCIATION LOUISIANA CHAPTER ↗
- Who funds DANCING GROUNDS ↗
- Who funds Second Line Arts Collective ↗
- Who funds GRACE AT THE GREEN LIGHT INC ↗
- Who funds DRESS FOR SUCCESS CHARITY NEW ORLEANS ↗
- Who funds New Orleans Ballet Association ↗
- Who funds DEUTSCHES HAUS INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Greater New Orleans Foundation · Gayle and Tom Benson Charitable Foundation · New Orleans Community Support Foundation · Baptist Community Ministries · The Mary Freeman Wisdom Foundation · New Orleans Theatre Association Inc · Oscar J Tolmas Charitable Trust · Shell USA Company Foundation · National Philanthropic Trust · American Online Giving Foundation Inc · Donor Advised Charitable Giving Inc · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization 610 Stompers Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.