· Public charity
New Orleans Theatre Association Inc
Provide grants and other services to support cultural, educational, and arts-based organizations, and to promote and develop skills and abilities in all fields related to the performing arts including music, dance, theatre, creative writing, and stagecraft.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
The 29 grants below total $473,523 — the rows itemised in this filing. The $506,023 headline is the total grant expense reported on the return, so the remaining $32,500 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k6 grants · $44k
- $10k–50k21 grants · $330k
- $50k–250k2 grants · $100k
| Recipient | Amount |
|---|---|
| CC Chamber Music Festival | $50,000 |
| New Orleans Opera Association | $50,000 |
| Melange | $25,000 |
| UNO School of Music | $25,000 |
| KidsmaART Arts in Classroom | $20,500 |
| New Voices New Orleans | $20,000 |
| Lyrica Baroque | $20,000 |
| Goat in the Road | $20,000 |
| Fashion Institute of NOLA | $20,000 |
| NOBA | $15,000 |
| Intramural Theatre | $15,000 |
| La Museum Foundation | $15,000 |
| Tennessee Williams Festival | $15,000 |
| Moscow Nights | $15,000 |
| Junebug | $15,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–23, $55k) land where the poverty rate runs at 23%, against an area that typically sits at 11%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +5% since the first grant, against +3% for the ones you funded once.
38 repeat relationships — 22 still active in FY2025, 16 since wound down; 7 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 83% of grant dollars renewed an existing relationship; $79k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- MCManhattan Chamber Players Inc6× · 2018–2025 · $200k · revenue +4% · 47% of their budget
- KSKID SMART8× · 2017–2025 · $151k · revenue +176%
- UOUniversity of New Orleans Foundation2× · 2019–2025 · $125k · revenue +12%
Funded once
- XUXAVIER UNIVERSITY OF LOUISIANAone grant, 2019 · $30k · revenue +22%
- NMNO MUSICIAN'S ASST FOUNDone grant, 2020 · $25k
- SAST AUGUSTINE HIGH SCHOOLone grant, 2024 · $17k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
The Arts Council of New Orleans dba Arts New Orleans is a private, nonprofit organization with 501(c)(3) status dedicated to supporting arts and culture in the city.
At Home in New Orleans, we devoted to making work that is outsize in scope, physically evocative, socially provocative, and couched in humor as a vehicle for storytelling. We function in service of artists by putting the full weight of our…
Masno's vision is to be a primary source in establishing new orleans as a vital and vibrant center for the musical arts recognized regionally, nationally, and internationally. masno's mission is 1) to create opportunities to hear,…
The mission of new orleans ballet theatre (nobt) is to be the premier resident ballet company of the gulf south internationally renowned for world-class performances, innovative choreography, and outstanding professional training,…
Provide local access to performances by nationally and internationally known artists, associated educational outreach and residency activities and paid performance opportunities for local performing artists
Schedule o
Prospect New Orleans is a citywide contemporary art triennial. Every three years, we bring new art to an old city by inviting artists from all over the world to create projects in a wide variety of venues spread throughout New Orleans.…
Court 13 Arts is a New Orleans-based 501(c)3 nonprofit. Our mission is to grow and sustain New Orleans cinema culture by advancing visual literacy, fostering creative education, and inspiring community-driven collaboration.
Greater New Orleans Youth Orchestra ("GNOYO") provides young musicians the opportunity to participate in a high-quality, full orchestra program. Participants significantly improve individual performance and ensemble skills, while…
#CreateLouisiana champions Southern talent in the film + media space, supports the entertainment industries that are integral to the region, and fosters a sustainable creative economy for a homegrown cultural workforce. Through…
Keep New Orleans Music Alive preserves the city's unique legacy by providing community services and financial aid to native musicians and culture bearers.
For reference, the grantee most central to the portfolio’s shape is The Louisiana Philharmonic Orchestra and the most unlike its peers is Aqua Mob. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 22 years old; the field is 12. You back the established end — and your money leans older still.
The field is 26% startups (under 5 years old) — 15% of your grantees by number, and just 9% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 18% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
52 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 52 of the 70 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Manhattan Chamber Players Inc ↗
- Who funds NEW ORLEANS OPERA ASSOCIATION ↗
- Who funds KID SMART ↗
- Who funds University of New Orleans Foundation ↗
- Who funds THE NOLA PROJECT INC ↗
- Who funds NEW ORLEANS CENTER FOR CREATIVE ARTS FOUNDATION ↗
- Who funds Tennessee WilliamsNew Orleans Literary Festival ↗
- Who funds MELANGE DANCE THEATRE ↗
- Who funds THE TENNESSEE WILLIAMS THEATRE COMPANY OF NEW ORLEANS ↗
- Who funds GOAT IN THE ROAD PRODUCTIONS ↗
- Who funds Contemporary Arts Center ↗
- Who funds LYRICA BAROQUE ↗
- Who funds CRESCENT CITY STAGE CO ↗
- Who funds SOUTHERN REPERTORY THEATRE ↗
- Who funds New Orleans Ballet Association ↗
- Who funds FRACTURED ATLAS INC ↗
- Who funds NEW ORLEANS JAZZ CENTENNIAL CELEBRATION INC ↗
- Who funds TIPITINAS FOUNDATION INC ↗
- Who funds LE PETIT THEATRE DU VIEUX CARRE ↗
- Who funds UPTURN ARTS ↗
- Who funds DISTRICT 2 COMMUNITY ENHANCEMENT CORPORATION ↗
- Who funds NEW ORLEANS MUSEUM OF ART ↗
- Who funds XAVIER UNIVERSITY OF LOUISIANA ↗
- Who funds Friends of Beauregard-Keyes House Inc ↗
- Who funds NEW VOICES NEW ORLEANS INC ↗
- Who funds FAMILIES HELPING FAMILIES OF SOUTHEAST LOUISIANA INC ↗
- Who funds DANCING GROUNDS ↗
- Who funds THE LOUISIANA PHILHARMONIC ORCHESTRA ↗
- Who funds New Orleans Trad Jazz Camp Inc ↗
- Who funds Second Line Arts Collective ↗
- Who funds Young Audiences Charter Association ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Greater New Orleans Foundation · Keller Family Foundation · Arts Council of New Orleans · Goldring Family Foundation · New Orleans Community Support Foundation · Ella West Freeman Foundation · The Alex Berger Foundation · Baptist Community Ministries · The Helis Foundation · The Kabacoff Family Foundation · The Almar Foundationdba The Alden and Margaret Laborde Foundation · Foundation for Louisiana
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization New Orleans Theatre Association Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
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