· Public charity
Young Audiences Inc
The mission of young audiences is to inspire young people and expand their learning through the arts.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k1 grant · $9k
- $10k–50k3 grants · $35k
| Recipient | Amount |
|---|---|
| YOUNG AUDIENCES OF MARYLAND | $15,000 |
| ARTS FOR LEARNING NORTHWEST | $10,000 |
| YOUNG AUDIENCES OF LUBBOCK | $10,000 |
| YOUNG AUDIENCES OF LOUISIANA | $9,450 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY19–20, $255k) land where the poverty rate runs at 14%, against an area that typically sits at 12%. 98% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +36% since the first grant, against +25% for the ones you funded once.
16 repeat relationships — 3 still active in FY2025, 13 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 78% of grant dollars renewed an existing relationship; $10k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- YAYoung Audiences of Louisiana Inc6× · 2018–2025 · $95k · revenue +107%
- AFARTS FOR LEARNING MARYLAND INC5× · 2018–2025 · $94k · revenue +280%
- YAYOUNG AUDIENCES INC OF HOUSTON4× · 2017–2021 · $55k · revenue +110%
Funded once
- ECEDWARD CHARLES FOUNDATIONgraduatedone grant, 2019 · $250k · revenue +409%
- AFARTS FOR LEARNINGMIAMI INCgraduatedone grant, 2017 · $25k · revenue +36%
- AFARTS FOR LEARNING CONNECTICUTone grant, 2024 · $10k · revenue +25%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Youth in Arts builds visual and performing arts skills through innovative and in-depth programs that foster confidence, compassion and resilience in students of all abilities. We develop capacity among educators and teaching artists,…
To advocate for and provide educational opportunitiesin the arts
Young Auidiences (YA) mission is to inspire young peope and expand their learning through the arts. Arts education is who we are and what we do. The work of the board, staff, and teaching artists is guided by a vision of a future in which…
Utah Arts Academy is a premier academic and arts-focused school. By combining rigorous academic programming with pre-professional training in a wide array of arts (theatre, dance, music, visual and media arts), we inspire our students'…
Provide arts education
The chicago high school for the arts (chiarts) develops the next generation of diverse, artistically promising scholar-artists through intensive pre-professional training in the arts, combined with a comprehensive college preparatory…
Open Arts Alliance empowers youth through performing arts education in a supportive environment fostering creativity, confidence and self expression. Our programs nurture the next generation of leaders both on and off the stage while…
Arts+ teaches music and art to students of all socioeconomic backgrounds, offering financial assistance, scholarship and free outreach programs to honor its founding mission to make high-quality arts instruction available to all.
The mission of young audiences is to inspire young people and expand their learning through the arts. by integrating the arts into the learning environment, generations of children will thrive by realizing their creative and critical…
Learning Through Art, Inc. is dedicated to providing quality performing arts programs in support of arts integrated education, literacy, community development and engagement encouraging multi-cultural awareness and understanding.
Creating opportunities for youth to transform through art
For reference, the grantee most central to the portfolio’s shape is Young Audiences New York Inc and the most unlike its peers is Lubbock Symphony Orchestra Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 56 years old; the field is 16. You back the established end — and your money leans older still.
The field is 22% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 0.0% lost their exemption, against 13% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
24 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds EDWARD CHARLES FOUNDATION ↗
- Who funds Young Audiences of Louisiana Inc ↗
- Who funds ARTS FOR LEARNING MARYLAND INC ↗
- Who funds YOUNG AUDIENCES OF OREGON INC ↗
- Who funds CENTER FOR ARTS-INSPIRED LEARNING ↗
- Who funds YOUNG AUDIENCES INC OF HOUSTON ↗
- Who funds ARTS PARTNERS INC ↗
- Who funds ARTSNOW INC ↗
- Who funds KANSAS CITY YOUNG AUDIENCES INC ↗
- Who funds YOUNG AUDIENCES OF INDIANA INC ↗
- Who funds ARTS FOR LEARNINGMIAMI INC ↗
- Who funds YOUNG AUDIENCES OF NEW JERSEY INC ↗
- Who funds Arkansas Learning Through the Arts ↗
- Who funds YOUNG AUDIENCES OF WESTERN NEW YORK INC D/B/A ARTS FOR LEARNING WNY ↗
- Who funds THINK 360 ARTS FOR LEARNING ↗
- Who funds YOUNG AUDIENCES NEW YORK INC ↗
- Who funds Arts Education Connection San Diego ↗
- Who funds LUBBOCK SYMPHONY ORCHESTRA INC ↗
- Who funds ARTS FOR LEARNING CONNECTICUT ↗
- Who funds Abilene Chamber of Commerce ↗
- Who funds YOUNG AUDIENCES OF VIRGINIA INC ↗
- Who funds CHICAGO ARTS PARTNERSHIPS IN EDUCATION ↗
- Who funds Young Audiences of Northeast Texas Inc ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Nordson Corporation Foundation · The Bank of America Charitable Foundation Inc · National Philanthropic Trust · Donor Advised Charitable Giving Inc · American Online Giving Foundation Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Young Audiences Inc funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal, a single department, or state — and drag the year to watch it move.
- Young Audiences of Oregon Inc — 23% of income from government
- Arts for Learning Connecticut — 14% of income from government
- Arts for Learning Maryland Inc — 1% of income from government
- Young Audiences of New Jersey Inc — 1% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.