· Private foundation
The Willem de Kooning Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- $10k–50k4 grants · $100k
- $50k–250k5 grants · $402k
Largely a single collection: about 91% of reported assets are Willem De Kooning Artwork.
| Recipient | Amount |
|---|---|
| THE BROOKLYN RAIL | $100,000 |
| SWISS INSTITUTE | $100,000 |
| NEW YORK FOUNDATION FOR THE ARTS INC | $75,000 |
| J PAUL GETTY TRUST | $75,000 |
| THE ARTS CENTER AT DUCK CREEK INC | $51,930 |
| ARTADIA (ART COUNCIL INC) | $40,000 |
| PUBLICOLOR INC | $25,000 |
| STUDIO IN A SCHOOL ASSOCIATION | $25,000 |
| THE ASPEN INSTITUTE | $10,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY20–22, $300k) land where the poverty rate runs at 7%, against an area that typically sits at 11%. 0% of those dollars go to grantees based in above-average-need neighborhoods. Its grants skew toward lower-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +67% since the first grant, against -2% for those funded once.
16 repeat relationships: 8 still active in FY2025, 8 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 85% of grant dollars renewed an existing relationship; $75k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- SISWISS INSTITUTE4× · 2020–2025 · $1.2M · revenue +82%
United States Artists Inc2× · 2020–2021 · $1.1M · revenue +67%
NEW YORK FOUNDATION FOR THE ARTS INC4× · 2020–2025 · $697k · revenue +127%
Funded once
- PIPARTICIPANT INCgraduatedone grant, 2021 · $320k · revenue +394% · 91% of their budget
- ISINTERNATIONAL STUDIO & CURATORIAL PROGRAM INCone grant, 2021 · $300k · revenue -2%
- IRINTERNATIONAL RESCUE COMMITTEE FOR UKRAINEone grant, 2022 · $250k
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The Museum's mission is to encourage and promote the appreciation of fine art to people in its surrounding communities and beyond. The Museum is dedicated to fostering a deeper understanding of the arts, with particular emphasis on the…
The museum encourages an appreciation of modern and contemporary art through exhibitions, education, and public programs for diverse audiences.inspired by the natural setting and historical artistic community of long island's east end, the…
The mission of the brooklyn institute of arts and sciences, d/b/a brooklyn museum (the "museum") is to bring people together through art and experiences that inspire celebration, compassion, courage, and the will to act. (see schedule o).
Support an open exchange of ideas and risk-taking by women and non-binary artists in order to provide support and visibility. as an artist-run organization, artists in residence fosters involvement through multiple tiers of representation:…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
White columns identifies significant emerging and under-represented visual artists and encourages their creative and professional development through the presentation of group and solo exhibitions, an online curated artists registry, and…
The Museum of Modern Art is a private, non-profit institution chartered by the State of New York Department of Education in 1929 to foster public awareness of modern and contemporary art. (Continued in Schedule O)
Founded in 1881 the Staten Island Museum engages visitors with interdisciplinary exhibitions, public programs, and educational activities for all ages. It is the mission of the Staten Island Museum to spark curiosity and generate…
The mission of the national academy of design is to promote the fine arts in america through exhibition and education.
How this is measured
28 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 28 of the 33 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds SWISS INSTITUTE ↗
- Who funds United States Artists Inc ↗
- Who funds FOUNDATION FOR CONTEMPORARY ARTS INC ↗
- Who funds NEW YORK FOUNDATION FOR THE ARTS INC ↗
- Who funds THE BROOKLYN RAIL INC ↗
- Who funds ARTS CENTER AT DUCK CREEK INC ↗
- Who funds PARTICIPANT INC ↗
- Who funds INTERNATIONAL STUDIO & CURATORIAL PROGRAM INC ↗
- Who funds ELEANOR WHITMORE EARLY CHILDHOOD CENTER INC ↗
- Who funds LONG ISLAND CHILDREN'S MUSEUM ↗
- Who funds INTERNATIONAL FOUNDATION FOR ART RESEARCH INC ↗
- Who funds AMERICAN FRIENDS OF THE MUSEE DORSAY ↗
- Who funds LONGHOUSE RESERVE ↗
- Who funds PUBLICOLOR INC ↗
- Who funds ARTCOUNCIL INC DBA ARTADIA ↗
- Who funds Retreat Inc ↗
- Who funds THE J PAUL GETTY TRUST ↗
- Who funds SPRINGS FOOD PANTRY INC ↗
- Who funds STUDIO IN A SCHOOL ASSOCIATION INC ↗
- Who funds AMBER WAVES FARM INC ↗
- Who funds ALL FOR THE EAST END INC ↗
- Who funds EAST HAMPTON HEALTHCARE FOUNDATION ↗
- Who funds EAST HAMPTON LIBRARY ↗
- Who funds THE ASPEN INSTITUTE INC ↗
- Who funds EAST HAMPTON VILLAGE AMBULANCE INC ASSOCIATION ↗
- Who funds EAST HAMPTON MEALS ON WHEELS INC ↗
- Who funds THE ANNA MIRABAI LYTTON FOUNDATION ↗
- Who funds GUILD HALL OF EAST HAMPTON INC ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: Jewish Communal Fund · Kate Cassidy Foundation · The Donald and Barbara Zucker Family Foundation · The New York Community Trust · The Jct Foundation · The Reba Judith Sandler Foundation Inc · J & Ar Foundation · The Hilaria and Alec Baldwin Foundation Inc · Andrew Sabin Family Foundation · Helen Frankenthaler Foundation Inc · The Andy Warhol Foundation for the Visual Arts Inc · The Maryam and Hervey Seley Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Willem de Kooning Foundation funds: left to right is the share of its income from government, bottom to top the share from The Willem de Kooning Foundation. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Willem de Kooning Foundation?
Find your warmest path to The Willem de Kooning Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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