· Private foundation
The Sugimoto Family Foundation
Its FY2025 filing reports that it accepted unsolicited grant applications.
What it funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year, FY2017 to 2025.
Where the money goes
Grants by size, and the largest recipients.
By grant size · FY2025
- Under $10k10 grants · $40k
- $10k–50k10 grants · $165k
- $50k–250k1 grant · $135k
| Recipient | Amount |
|---|---|
| Individual grant recipient | $135,000 |
| NISEI WEEK FOUNDATION | $25,000 |
| JAPANESE AMERICAN NATIONAL MUSEUM | $25,000 |
| THE RAFU SHIMPO FOUNDATION | $25,000 |
| CENTER THEATRE GROUP | $15,000 |
| UCLA FOUNDATION | $15,000 |
| JAPANESE AMERICAN CULTURAL AND CMNT | $15,000 |
| HEADS UP YOUTH FOUNDATION | $15,000 |
| GRATEFUL CRANE ENSEMBLE | $10,000 |
| KIZUNA LITTLE TOKYO | $10,000 |
| LASC CHILD DEVELOPMENT CENTER | $10,000 |
| USC ARCADIA HOSPITAL | $7,500 |
| SUBURBAN OPTIMIST CLUB FOUNDATION | $6,000 |
| JAPANESE CHAMBER OF COMMERCE | $5,750 |
| CARING SHARING OF SOUTH BAY | $5,000 |
Does the money reach high-need areas?
Each grant placed by the hardship in its grantee’s ZIP, against the area’s typical level.
Its human-services grants (FY23–25, $15k) land where the poverty rate runs at 14%, against an area that typically sits at 12%. 100% of those dollars go to grantees based in above-average-need neighborhoods. Most of its grants land in higher-need ZIPs.
How this is measured
How this is measured
Who it funds again
Organizations funded in more than one year, against those funded once.
Grantees it renews have grown median revenue +20% since the first grant, against -33% for those funded once.
19 repeat relationships: 12 still active in FY2025, 7 since wound down; 8 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 84% of grant dollars renewed an existing relationship; $53k went to new ones.
Where new relationships form · theme of each grantee’s first grant
How this is measured
Backed again, and grew
- 1L1979 LEGACY CORP8× · 2017–2024 · $561k · revenue +159%
JAPANESE AMERICAN NATIONAL MUSEUM8× · 2018–2025 · $139k · revenue +94%- TRTHE RAFU SHIMPO FOUNDATION INC4× · 2017–2025 · $89k · revenue +12% · 53% of their budget
Funded once
- NVNIKKEI VINTAGE GARDEN FOUNDATIONone grant, 2017 · $15k
- KKIZUNAone grant, 2024 · $10k
- CCCREATIVE CLASS COLLECTIVEone grant, 2024 · $10k · revenue -33%
How this is measured
Repeat means funded in two or more distinct years. Growth and survival are read from each grantee’s own subsequent IRS filings.
Closest unfunded matches
The nonprofits that most resemble its grantees but are not funded by it, scored along the direction from the rest of the field toward the portfolio. A resemblance in what they say they do, not a recommendation.
The mission of soka university of america is to foster a steady stream of global citizens committed to living a contributive life. continued on schedule o.
The central mission of the university of southern california is the development of human beings and society as a whole through the cultivation and enrichment of the human mind and spirit. the principal means by which our mission is…
How this is measured
16 grantees tracked through their own filings, 2017–2025.
Each grant beside the grantee’s revenue from every source, year by year.
How this is measured
Counted here: distinct organizations funded across 2017 to 2025, not grant rows in a single year, so this will not match the grant count on the cover. 16 of the 32 grantees resolved in that span have returns of their own we could reconcile.
Each grantee is resolved to its own IRS returns. Association, dated; never a causal claim.
Where the money sits, by cause and then by grantee
Each grantee by its size and the funder’s share of it; top left is load-bearing
Grantee by grantee: a decade per organization, before and after funding
A decade per grantee: revenue shaded, grants as bars, all rows on one timeline.
- Who funds 1979 LEGACY CORP ↗
- Who funds JAPANESE AMERICAN NATIONAL MUSEUM ↗
- Who funds CENTER THEATRE GROUP OF LOS ANGELES ↗
- Who funds NISEI WEEK FOUNDATION INC ↗
- Who funds UCLA FOUNDATION ↗
- Who funds THE RAFU SHIMPO FOUNDATION INC ↗
- Who funds THE HEADS UP YOUTH FOUNDATION INC ↗
- Who funds USC ARCADIA HOSPITAL FOUNDATION ↗
- Who funds SOUTHERN CALIFORNIA PUBLIC RADIO ↗
- Who funds Suburban Optimist Club Foundation ↗
- Who funds CARING AND SHARING OF SOUTH BAY ↗
- Who funds Pasadena City College Foundation ↗
- Who funds KIZUNA LITTLE TOKYO INC ↗
- Who funds GRATEFUL CRANE ENSEMBLE INC ↗
- Who funds CREATIVE CLASS COLLECTIVE ↗
- Who funds USC ARCADIA HOSPITAL ↗
Co-funders
Grantmakers whose grantees overlap with this funder’s far more than size alone predicts. Closer means stronger alignment; arcs show where they also fund each other. Here they form a tightly interlocked group: most of these funders back each other's grantees too.
Open a dossier: California Community Foundation · Sempra Foundation · Donor Advised Charitable Giving Inc · Fidelity Investments Charitable Gift Fund · Amazonsmile Foundation
How this is measured
How much its grantees rely on government
Each dot is one organization The Sugimoto Family Foundation funds: left to right is the share of its income from government, bottom to top the share from The Sugimoto Family Foundation. Bigger dots raise more.
How this is measured
Warm introductions · Powered by PlinthPlus
How do I get to The Sugimoto Family Foundation?
Find your warmest path to The Sugimoto Family Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.
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