· Private foundation
The Richard H Driehaus Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2020–2024.
Where the money goes
Your grants by size, and where they go.
The 235 grants below total $3,838,626 — the rows itemised in this filing. The $5,162,401 headline is the total grant expense reported on the return, so the remaining $1,323,775 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2022
- Under $10k111 grants · $435k
- $10k–50k109 grants · $2.1M
- $50k–250k15 grants · $1.3M
| Recipient | Amount |
|---|---|
| FRIENDS OF HISTORIC SECOND CHURCH | $200,000 |
| LOCAL INITIATIVES SUPPORT CORPORATION | $110,000 |
| NATIONAL TRUST FOR HISTORIC PRESERVATION (NATIONAL) | $100,000 |
| THE CHICAGO COMMUNITY FOUNDATION | $100,000 |
| BETTER GOVERNMENT ASSOCIATION | $100,000 |
| NEIGHBORSPACE | $100,000 |
| ACTIVE TRANSPORTATION ALLIANCE | $75,000 |
| THIRD COAST INTERNATIONAL AUDIO FESTIVAL | $75,000 |
| CHICAGO BUNGALOW ASSOCIATION | $65,000 |
| LEAGUE OF CHICAGO THEATRES FOUNDATION | $60,000 |
| FRIENDS OF THE PARKS | $60,000 |
| CONGRESS FOR THE NEW URBANISM | $60,000 |
| LAWYERS FOR THE CREATIVE ARTS | $60,000 |
| CHICAGO ARCHITECTURE CENTER | $50,000 |
| HISTORIC PULLMAN FOUNDATION | $50,000 |
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +44% since the first grant, against +10% for the ones you funded once.
85 repeat relationships — 83 still active in FY2022, 2 since wound down; 124 grantees were first funded in FY2022 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2022, 34% of grant dollars renewed an existing relationship; $2.5M went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- BGBETTER GOVERNMENT ASSOCIATION INC2× · 2021–2022 · $205k · revenue +50%
- CCChicago Cultural Alliance2× · 2020–2022 · $94k · revenue +43%
- LOLEAGUE OF CHICAGO THEATRES FOUNDATION2× · 2021–2022 · $90k · revenue +64%
Funded once
- 5C53rd Coast International Audio Festivalone grant, 2021 · $75k
- NNEIGHBORSPACEgraduatedone grant, 2021 · $50k · revenue +77%
- AWArts Work Fund, a project of the Chicago Community Funone grant, 2021 · $50k
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Pegasus Theatre Chicago is a professional theater approaching 45 years of supporting Chicagos diverse community by producing accessible, socially relevant theatre and promoting the development of new artists for the stage. Our mission is…
The Story Theatre will pose questions, rather than provide answers. We develop and produce new work that is whimsical, melancholic, mythic in vision, and intimate in scale. We are run by a governing artistic ensemble, who ensures our work…
Open Space Arts is a Chicago-based nonprofit dedicated to producing bold LGBTQ-focused theater and presenting independent queer cinema. The organization supports emerging and established artists while engaging audiences through live…
American Blues Theater is an Ensemble of artists committed to producing new and classic diverse stories that ask the question: What does it mean to be American?
Creating innovative puppetry performances utilizing musical, literary, and puppetry traditions.
Reimagines and diversifies the aesthetics of contemporary dance by uniting modern, American, and African-American traditions in dance and storytelling.
To support Court Theatre, a department of the University of Chicago.
Remy Bumppo expands and enriches our communitys view of the world, and our own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, we author a more humane culture as we…
Free Street Theater creates afforable, inclusive and innovative theater in communities across Chicago Seeking new and effective ways to challenge racial and economic segregation through the arts.
Presenting free high-quality classical music performances and music education experiences in the Chicago metropolitan area for people of all ages and degrees of musical awareness so they can experience how music enriches life.
Know Theatre is a small professional theatre showcasing voices, new works, & plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic…
For reference, the grantee most central to the portfolio’s shape is Urban Theater Chicago Nfp and the most unlike its peers is Collaborative Arts Institute of Chicago. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
For each theme you fund, this compares how the sector’s money is shifting with how your own giving is shifting.
Sector change and giving change are each shown relative to their own range, growing (right) or shrinking (left); both normalized, so inflation isn’t mistaken for growth.
Your grantees are a median of 21 years old; the field is 20. You back the established end — and your money leans older still.
The field is 18% startups (under 5 years old) — 2% of your grantees by number, and just 1% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 12% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
132 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 132 of the 244 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Showing your 200 largest grantees by grant value.
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds BETTER GOVERNMENT ASSOCIATION INC ↗
- Who funds Chicago Cultural Alliance ↗
- Who funds Storycatchers ↗
- Who funds LEAGUE OF CHICAGO THEATRES FOUNDATION ↗
- Who funds Oil Painters of America ↗
- Who funds SOCIETY OF ARCHITECTURAL HISTORIANS ↗
- Who funds Third Coast International Audio Festival ↗
- Who funds ACTIVE TRANSPORTATION ALLIANCE ↗
- Who funds FOUNDATION FOR CULTURAL REVIEW ↗
- Who funds FRIENDS OF THE PARKS ↗
- Who funds Columbia College Chicago ↗
- Who funds Arts & Business Council of Chicago ↗
- Who funds Chicago Architecture Foundation ↗
- Who funds NEIGHBORSPACE ↗
- Who funds Invisible Institute ↗
- Who funds HISTORIC PULLMAN FOUNDATION DBA FRIENDS OF PULLMAN ↗
- Who funds GROWING HOME INC ↗
- Who funds LAWYERS FOR THE CREATIVE ARTS ↗
- Who funds FOREFRONT ↗
- Who funds UKRAINIAN INSTITUTE OF MODERN ART ↗
- Who funds LEAGUE OF CHICAGO THEATRES ↗
- Who funds THE RUTH PAGE FOUNDATION ↗
- Who funds URBAN THEATER CHICAGO NFP ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Gaylord and Dorothy Donnelley Foundation · Field Foundation of Illinois · The Chicago Community Trust · John D and Catherine T Macarthur Foundation · Ncrc Community Development Fund Inc · Walder Foundation · Lloyd a Fry Foundation · The Joyce Foundation · Alphawood Foundation · League of Chicago Theatres Foundation · Illinois Humanities Council Inc · Polk Bros Foundation Inc
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
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