· Public charity
League of Chicago Theatres Foundation
LEAGUE OF CHICAGO THEATRES FOUNDATION supports the work of league of chicago theatres through grantmaking and fundraising.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2019–2025.
Where the money goes
Your grants by size, and where they go.
The 17 grants below total $199,360 — the rows itemised in this filing. The $4,095,331 headline is the total grant expense reported on the return, so the remaining $3,895,971 is giving the schedule does not break out: grants under the $5,000 itemisation floor, grants to individuals, and grants reported on other schedules. Every figure below describes the itemised rows only.
By grant size · FY2025
- Under $10k6 grants · $44k
- $10k–50k11 grants · $155k
| Recipient | Amount |
|---|---|
| Steppenwolf Theatre Co | $25,000 |
| Chicago Sinfonietta | $25,000 |
| Goodman Theatre | $25,000 |
| Crossing Borders Music | $10,000 |
| Free Street Theater | $10,000 |
| The Firehouse Dream Inc | $10,000 |
| Elastic Arts Foundation | $10,000 |
| Chicago Dance Crash | $10,000 |
| THEATRE Y | $10,000 |
| Oil Lamp Theater | $10,000 |
| Full Spectrum Features | $10,000 |
| Batavia Foundation Education | $9,000 |
| Korean Performing Arts Inst | $8,000 |
| Berwyn Public Art Initiative | $8,000 |
| FILAMENT THEATRE ENSEMBLE | $7,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–22, $27k) land where the poverty rate runs at 11%, against an area that typically sits at 10%. 64% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +44% since the first grant, against +15% for the ones you funded once.
9 repeat relationships — 2 still active in FY2025, 7 since wound down; 15 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 10% of grant dollars renewed an existing relationship; $179k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- TYTheatre Y2× · 2020–2025 · $37k · revenue +254% · 33% of their budget
- CCCHICAGO CHILDREN'S THEATRE2× · 2020–2024 · $33k · revenue +44%
- MFMaywood Fine Arts Association3× · 2019–2024 · $30k · revenue +90%
Funded once
- UTUNDERSCORE THEATRE COMPANYone grant, 2019 · $26k · revenue -100%
- APAlbany Park Theater Projectone grant, 2022 · $25k · revenue -26%
HYDE PARK ART CENTERone grant, 2022 · $25k · revenue +17%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Pegasus Theatre Chicago is a professional theater approaching 45 years of supporting Chicagos diverse community by producing accessible, socially relevant theatre and promoting the development of new artists for the stage. Our mission is…
Teatro Vista Productions is a non-profit theatre-based company dedicated to multidisciplinary artists of color whose artistic expression on stage and beyond is rooted in the transformative power of owning and telling our own stories.
The Story Theatre will pose questions, rather than provide answers. We develop and produce new work that is whimsical, melancholic, mythic in vision, and intimate in scale. We are run by a governing artistic ensemble, who ensures our work…
South Chicago Dance Theatre (SCDT) is a multicultural organization seamlessly fusing classical and contemporary dance styles as well as preserving historic dance work. With Choreographic Diplomacy at the heart of the organization, the…
Remy Bumppo expands and enriches our communitys view of the world, and our own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, we author a more humane culture as we…
We strive to create searing hot drama from bold new works to obscure buried treasures that builds empathy dissects cruelty and reveals broader truths. We realize these goals by transforming our tiny black box and its explosive immediacy…
Center in chicago for arts community purpose
Creating innovative puppetry performances utilizing musical, literary, and puppetry traditions.
Open Space Arts is a Chicago-based nonprofit dedicated to producing bold LGBTQ-focused theater and presenting independent queer cinema. The organization supports emerging and established artists while engaging audiences through live…
To provide an artistic home for the development and production of contemporary plays that engage and challenge a diverse audience.
American Blues Theater is an Ensemble of artists committed to producing new and classic diverse stories that ask the question: What does it mean to be American?
For reference, the grantee most central to the portfolio’s shape is Chicago Children's Theatre and the most unlike its peers is Batavia Foundation for Educational Excellence. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 26 years old; the field is 17. You back the established end — and your money leans older still.
The field is 21% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 3% lost their exemption, against 16% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
93 grantees tracked through their own filings, 2017–2026.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2026, not grant rows in a single year — so this will not match the grant count on the cover. 93 of the 97 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Theatre Y ↗
- Who funds CHICAGO CHILDREN'S THEATRE ↗
- Who funds Maywood Fine Arts Association ↗
- Who funds Free Street Theater ↗
- Who funds UNDERSCORE THEATRE COMPANY ↗
- Who funds Albany Park Theater Project ↗
- Who funds HYDE PARK ART CENTER ↗
- Who funds STEPPENWOLF THEATRE COMPANY ↗
- Who funds NORTHLIGHT THEATRE INC ↗
- Who funds Lyric Opera of Chicago ↗
- Who funds CHICAGO THEATRE GROUP INC ↗
- Who funds CHICAGO SINFONIETTA INC ↗
- Who funds THEATER WIT NFP ↗
- Who funds SPECIAL GIFTS THEATRE INC CO ELISE LARSEN ↗
- Who funds ELMHURST ART MUSEUM ↗
- Who funds Rivendell Theatre Ensemble ↗
- Who funds JACKALOPE THEATRE COMPANY ↗
- Who funds About Face Theatre Collective Inc ↗
- Who funds Beverly Arts Center of Chicago ↗
- Who funds THE MIRACLE CENTER ↗
- Who funds ADVENTURE THEATRE INC ↗
- Who funds THE ARTS OF LIFE INC ↗
- Who funds INTERNATIONAL LATINO CULTURAL CENTER OF CHICAGO ↗
- Who funds INSTITUTE FOR LATINO PROGRESS ↗
- Who funds Illinois Philharmonic Orchestra ↗
- Who funds West Side Show Room ↗
- Who funds Aguijon Theater Company of Chicago ↗
- Who funds ESPERANZA COMMUNITY SERVICES ↗
- Who funds Full Spectrum Features NFP ↗
- Who funds CHANGING WORLDS ↗
- Who funds THE EXPERIMENTAL STATION ↗
- Who funds Auditorium Theatre of Roosevelt University Inc ↗
- Who funds SALT CREEK BALLET COMPANY ↗
- Who funds SNOW CITY ARTS FOUNDATION ↗
- Who funds OIL LAMP THEATER NFP ↗
- Who funds Chicago City Theatre Company dba Joel Hall Dancers & Center ↗
- Who funds ARCHI-TREASURES ASSOCIATION ↗
- Who funds COLLABORACTION THEATRE CO ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Field Foundation of Illinois · Ncrc Community Development Fund Inc · The Chicago Community Trust · Gaylord and Dorothy Donnelley Foundation · John D and Catherine T Macarthur Foundation · Polk Bros Foundation Inc · The Richard H Driehaus Foundation · Lloyd a Fry Foundation · Walder Foundation · Prince Foundation · The Joyce Foundation · Reva and David Logan Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization League of Chicago Theatres Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Adventure Theatre Inc — 2% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.