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· Public charity
LEAGUE OF CHICAGO THEATRES FOUNDATION supports the work of league of chicago theatres through grantmaking and fundraising.
Every grant clustered by its grantee’s IRS cause code (NTEE), by year — across FY2019–2024.
Beneath the NTEE codes, this is what the grant descriptions actually say.
…and in their own words, year by year
Words distinctive to each year’s grant purposes (TF-IDF) · event-driven terms in cyan.
Your grants by size, and where they go.
By grant size · FY2024
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY21–22, $27k) land where the poverty rate runs at 11% — the area typically sits at 10%. 64% of those dollars reach neighborhoods with above-average need. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty line in the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA, United Way ALICE — shown as context about the area, never attributed to your giving.
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +54% since the first grant, against +44% for the ones you funded once.
7 repeat relationships — 3 still active in FY2024, 4 since wound down; 13 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 22% of grant dollars renewed an existing relationship; $156k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Teatro Vista Productions is a non-profit theatre-based company dedicated to multidisciplinary artists of color whose artistic expression on stage and beyond is rooted in the transformative power of owning and telling our own stories.
Hyde Park Theatre produces and presents contemporary performances and contemporary visual art.
To create vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world.
The Black Ensemble Theater Corporation provides opportunity for training, employment and cultural enrichment for minority artist in the Chicagoland area.
We promote theatre in Illinois. Our members are students, educators, community & professional theaters, actors & producers all joined together to support the art of theatre.
To provide an artistic home for the development and production of contemporary plays that engage and challenge a diverse audience.
To utilize the talents of Chicagos top-notch professional theatre artists in meaningful plays that stimulate the minds of audience members.
Mixed Blood Theatre Company, a professional, multi-racial company, promotes cultural pluralism and individual equality through artistic excellence, using theatre to address artificial barriers that keep people from succeeding in American…
Pegasus Theater Chicago ("Theater") is an Illinois not-for-profit corporation that was founded in 1978. The Theater produces and performs theatrical productions for the general public, and through various other programs, provides a service…
Redtwist is a theatre company. We have been a theatre company in the uptown since 2001 and just recently were able to renovate and begin to expand. We were able to put on three main stage shows and a staged reading festival that included…
South Chicago Dance Theatre (SCDT) is a multicultural organization seamlessly fusing classical and contemporary dance styles as well as preserving historic dance work. With Choreographic Diplomacy at the heart of the organization, the…
Creating innovative puppetry performances utilizing musical, literary, and puppetry traditions.
For reference, the grantee most central to the portfolio’s shape is Chicago Children's Theatre and the most unlike its peers is Court Theatre Fund. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 27 years old; the field is 17. You back the established end — and your money leans older still.
The field is 21% startups (under 5 years old) — 0% of your grantees by number, and just 0% of your money.
The orgs you fund almost never close — 4% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: Ncrc Community Development Fund Inc · The Chicago Community Trust · Gaylord and Dorothy Donnelley Foundation · John D and Catherine T Macarthur · Field Foundation of Illinois · Polk Bros Foundation Inc · Lloyd a Fry Foundation · Prince Foundation · Walder Foundation · The Shubert Foundation Inc · United Way of Metropolitan Chicago Inc · Arie and Ida Crown Memorial
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Every dot is one organisation LEAGUE OF CHICAGO THEATRES FOUNDATION funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Through Plinth
This dossier was generated cold from public filings. In Plinth it’s a working system — every applicant assessed and every grant monitored. Here’s a taste, run on one of your grantees: THEATRE Y.
Agentic due diligence · confidence × risk
Limited financial data in public filings.
9 years of Form 990 filings, still active; revenue up 4.5× since.
US 501(c)(3); EIN 208459362 on file with current IRS Form 990 filings.
Board composition & governance documents — verified live in Plinth from the applicant.
OFAC / UN sanctions screening — run live in Plinth at assessment.
Staffing, M&E and activity alignment — assessed live in Plinth from submitted proposals.
Live · Plinth’s real DD engine
Run the actual assessment on THEATRE Y, cold from public data.
Generated live from public IRS filings + open web sources by Plinth’s agentic engine. Shown as an illustration of the product, not a formal assessment.
Post-award monitoring · continuous checks
What you see here is static and public. In Plinth it’s operational — the full six-pillar framework on every applicant (with their own documents + live registry and sanctions checks), monitoring dashboards on every award, custom board reports, and eligibility routing for intake.
Preview generated from this grantee’s public IRS filings and independent reporting. Pillars marked “live in Plinth” require the applicant’s submitted documents. Shown as illustration, not a formal assessment.
Warm introductions · Powered by PlinthPro
Find your warmest path to League of Chicago Theatres Foundation through people who sit on both boards. Search for your organization and Plinth traces the introduction across shared trustees and officers.
Every link is a documented governance overlap in public IRS 990 filings — not a personal network — and each hop carries its own confidence tier. Low-confidence or distant paths are held back rather than guessed.