· Private foundation
The Loreen Arbus Foundation
Its FY2025 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2017–2025.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2025
- Under $10k2 grants · $8k
- $10k–50k3 grants · $60k
- $50k–250k7 grants · $483k
| Recipient | Amount |
|---|---|
| REELABILITIES INTERNATIONAL | $150,000 |
| WOMEN'S ENEWS | $82,675 |
| WOMEN'S MEDIA CENTER | $50,000 |
| TELEVISION ACADEMY FOUNDATION | $50,000 |
| PALEY CENTER FOR MEDIA | $50,000 |
| BARNARD COLLEGE | $50,000 |
| CEREBRAL PALSY FOUNDATION | $50,000 |
| NEW YORK WOMEN IN FILM & TELEVISION | $25,000 |
| DISABILITY RIGHTS ADVOCATES | $25,000 |
| BROOKINGS INSTITUTION | $10,000 |
| CHICKEN & EGG FILMS INC | $5,500 |
| INEVITABLE FOUNDATION | $2,500 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY17–25, $694k) land where the poverty rate runs at 17%, against an area that typically sits at 12%. 99% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
And the relationships you keep tend to grow: grantees you re-up on have seen median revenue of +16% since the first grant, against 0% for the ones you funded once.
35 repeat relationships — 11 still active in FY2025, 24 since wound down; 1 grantees were first funded in FY2025 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2025, 99% of grant dollars renewed an existing relationship; $6k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- CBCrystal Bridges-Museum of American Art Inc5× · 2017–2024 · $323k · revenue +79%
BARNARD COLLEGE5× · 2018–2025 · $230k · revenue +16%- CPCEREBRAL PALSY FOUNDATION INC7× · 2017–2025 · $187k · revenue +255%
Funded once
- 2I2Gether-International Incgraduatedone grant, 2021 · $50k · revenue +669%
- WEWOMENS ENTREPRENEURSHIP DAY ORGANIZATION INCone grant, 2023 · $50k · revenue -4%
- WIWORLD INSTITUTE ON DISABILITYone grant, 2023 · $50k · revenue +8%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Established in 1971, the mission of the new york foundation for the arts (nyfa) is to empower artists in all disciplines, as well as cultural workers, to achieve success on their own terms by providing critical support, resources, and…
The mission of the jewish museum is to collect, preserve, exhibit and interpret art and jewish culture. see schedule o for more information.
Gender equity in media access, representation, employment and ownership and a world in which a just media is considered essential to a just society. women, action & the media (wam) connects and supports media makers, activists, academics…
Forum membership provides extraordinary women with the opportunity to network with a diverse array of peers, to help one another succeed and to share unique experiences. we believe the potential for cross-collaboration among our diverse…
A center for exhibitions, information, and documentation about living artists since 1977, which continues to be a place of experimentation and a hub of new art and new ideas.
The mission of the international women's forum is to advance women's leadership worldwide. iwf takes direct action to achieve our mission in three important ways. connect: our convenings provide networking and cutting-edge content…
White columns identifies significant emerging and under-represented visual artists and encourages their creative and professional development through the presentation of group and solo exhibitions, an online curated artists registry, and…
New york school of interior design provides the most innovative, immersive, and transformative interior design education in the world, demonstrating the impact of professionally designed interiors on the health, happiness, and well-being…
The mission of the organization is to foster the development of creative individuals as writers and artists and to promote public appreciation of excellence in the literary and graphic arts by publishing a magazine containing fiction,…
Our mission is to equip women and non-binary folks to thrive in product management careers at all levels. we want all people to have equitable opportunities to build rewarding careers and shape the products of the future.
For reference, the grantee most central to the portfolio’s shape is Women's Forum of New York Inc and the most unlike its peers is Give Beauty Wings Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 30 years old; the field is 15. You back the established end — and your money leans older still.
The field is 23% startups (under 5 years old) — 2% of your grantees by number, and just 6% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 14% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
62 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 62 of the 79 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds WOMEN'S E-NEWS ↗
- Who funds Crystal Bridges-Museum of American Art Inc ↗
- Who funds NEW YORK WOMEN IN FILM & TELEVISION INC ↗
- Who funds THE WOMENS MEDIA CENTER INC ↗
- Who funds BARNARD COLLEGE ↗
- Who funds REELABILITIES INTERNATIONAL INC ↗
- Who funds CEREBRAL PALSY FOUNDATION INC ↗
- Who funds THE PALEY CENTER FOR MEDIA ↗
- Who funds Disability Rights Advocates ↗
- Who funds INEVITABLE FOUNDATION ↗
- Who funds THE JEWISH COMMUNITY CENTER IN MANHATTAN INC ↗
- Who funds THE BROOKINGS INSTITUTION ↗
- Who funds THE STUDIO MUSEUM IN HARLEM ↗
- Who funds WORLD SCIENCE FOUNDATION ↗
- Who funds Equality Now Inc ↗
- Who funds WOMEN MOVING MILLIONS INC ↗
- Who funds 2Gether-International Inc ↗
- Who funds WOMENS ENTREPRENEURSHIP DAY ORGANIZATION INC ↗
- Who funds WORLD INSTITUTE ON DISABILITY ↗
- Who funds MUSEUM OF ARTS AND DESIGN ↗
- Who funds METROPOLITAN MUSEUM OF ART ↗
- Who funds MUSEUM ASSOCIATES ↗
- Who funds TOWN HALL LOS ANGELES ↗
- Who funds Luisa Diaz Foundation Inc ↗
- Who funds PROJECT ANGEL FOOD ↗
- Who funds SHARE INC ↗
- Who funds WHITNEY MUSEUM OF AMERICAN ART ↗
- Who funds Americans for the Arts Inc ↗
- Who funds THE SYNERGOS INSTITUTE INC ↗
- Who funds UN Women For Peace Association Inc ↗
- Who funds THE PERFORMANCE ZONE INC ↗
- Who funds THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES ↗
- Who funds THE BROOKLYN COLLEGE FOUNDATION INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Ford Foundation · Jewish Communal Fund · California Community Foundation · The Goldman Sachs Charitable Gift Fund · The San Francisco Foundation · Harnisch Family Foundation · P-Squared Philanthropies Inc · Samuel J & Ethel Lefrak Charitable Trust · Embrey Family Foundation · Spectemur Agendo Inc · John S and James L Knight Foundation · Tides Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization The Loreen Arbus Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.
Warm introductions · Powered by PlinthPlus
How do I get to The Loreen Arbus Foundation?
Find your warmest path to The Loreen Arbus Foundation through trustees and officers whose names appear on both boards. Search for your organization and Plinth traces the shortest route it can evidence.
Each link is a name appearing on two organizations’ public IRS 990 filings, matched on that name and, where the filings support it, on location. A same-state match has geographic support, which is a second matching feature rather than confirmation that the two are one person; a cross-state one is the likeliest to be two people who share a name. Every hop shows its tier, low-confidence and distant paths are held back rather than guessed, and it is worth confirming the person before you use the introduction.