· Private foundation
Embrey Family Foundation
Its FY2024 filing reports that it funds preselected organizations and did not take unsolicited requests; check the foundation's own site before ruling it out.
What you funded, over time
Every grant placed by its stated purpose and the recipient’s mission, by year — across FY2018–2024.
Where the money goes
Your grants by size, and where they go.
By grant size · FY2024
- Under $10k11 grants · $56k
- $10k–50k5 grants · $85k
| Recipient | Amount |
|---|---|
| Forest Forward | $25,000 |
| Pen America | $25,000 |
| TACA | $15,000 |
| Outloud Dallas | $10,000 |
| Making Gay History | $10,000 |
| MS Foundation for Women | $7,600 |
| Make Art With Purpose | $7,500 |
| Resource Center of Dallas Inc | $5,530 |
| Dallas Theatre Center | $5,175 |
| NTX Downwinders at Risk | $5,000 |
| Planned Parenthood | $5,000 |
| South Dallas Parent Coalition | $5,000 |
| Artsillery | $5,000 |
| Life Jacket Theatre Company | $5,000 |
| Sundance Institute | $4,000 |
Do your dollars go where the need is?
Each grant placed by the hardship in its grantee’s ZIP, then read against the area’s typical level.
Your human-services grants (FY18–21, $135k) land where the poverty rate runs at 12%, against an area that typically sits at 11%. 57% of those dollars go to grantees based in above-average-need neighborhoods. Most of your grants land in higher-need ZIPs.
Matched: human-services grants are those whose grantee’s IRS cause code is Human Services. Placed by people below the poverty linein the grantee’s ZIP, averaged from the tracts in that ZIP; grantee ZIP can differ from where services are delivered.
Which US states your grants reach
US grants placed by each grantee’s ZIP, which can differ from where services are actually delivered. Need from public data — U.S. Census/ACS, CDC PLACES, Eviction Lab, USDA — shown as context about the area, never attributed to your giving.
Who you back again
Which organizations you funded more than once, and which you funded a single time. Each grantee is matched to its own filings.
27 repeat relationships — 7 still active in FY2024, 20 since wound down; 9 grantees were first funded in FY2024 (too recent to call).
How the two cohorts compare
Organizations
Total granted
Median revenue growth · since first grant
Still filing today
New vs renewed · share of each year
In FY2024, 50% of grant dollars renewed an existing relationship; $71k went to new ones.
Where new relationships form · theme of each grantee’s first grant
First-time = a grantee’s first year in your filing window; renewed = funded in an earlier year too. As a portfolio matures the renewed share naturally climbs — once funded, an org stays “renewable” — so the signal is the years that buck it (a new-grantee intake wave). The earliest year is left-censored: relationships that predate the data read as “new.” Theme is the grantee’s IRS cause.
Backed again, and grew
- PAPEN AMERICAN CENTER INC4× · 2018–2024 · $103k · revenue +61%
- TITACA INC6× · 2018–2024 · $65k · revenue +15%
THE UNIVERSITY OF TEXAS FOUNDATION INC2× · 2018–2020 · $65k · revenue +80%
Funded once
- SSMUone grant, 2018 · $580k
- DCDALLAS CENTER FOR PERFORMING ARTSone grant, 2018 · $210k
NEO Philanthropy Incgraduatedone grant, 2020 · $105k · revenue +27%
Repeat = funded in two or more distinct years; growth and survival are read from each grantee’s own subsequent IRS filings.
The map has a center of gravity: the average direction from the rest of the sector toward the organizations the foundation funds — the shape of its giving. Scoring every nonprofit along that direction surfaces the ones that look most like the portfolio. These are the closest matchesthat aren’t grantees — a resemblance in what they say they do, not a recommendation.
Glasstire is a website about visual art in Texas. Our mission is to expand the conversation about visual art in Texas.
Dallas contemporary presents art in a forum that cultivates artists, ignites learning and inspires the community. dallas contemporary is a non-collecting art museum presenting new and challenging ideas from regional, national and…
The Progress Texas Institute provides research and strategic communications on issues with the ultimate goal of increasing civic engagement.
Teatro Dallas is committed to the cultural empowerment of the Latino community by representing our varied experiences, voices, and artistic expressions. Through high quality theatrical programming Teatro Dallas employs the power of theater…
The ACLU Foundation of Texas is the unyielding guardian and promoter of freedom, justice, equality and dignity of all people, particularly for those who are still fighting to secure the full exercise of their civil rights and liberties.…
We are an intimate stage for everyone. Playwrights will invent, artists will risk, and audiences will be immersed in new and familiar plays they can see from all sides. Feel emboldened, entertained and intrigued rediscover and reach for T3.
To facilitate collaboration, innovation, strategic growth and cultural impact for the media arts field. We are a network of networks; we embolden creative media organization and artists and connect them with the world.
Ten Thousand Things awakens the creative spirit of audiences and artists by bringing essential and exceptional theater to people from all backgrounds and life experiences.
Austin Rainbow Theatre provides affordable theatre that focuses on creating belonging, reducing stigma, honoring diverse LGBTQIA+ history and stories, and amplifying LGBTQIA+ artist and community voices.
Klru is a leader in public media, distinguished by its energetic engagement with the community and for the quality and creativity of content. klru illuminates the wider world of knowledge; the importance of discourse; and the many…
Progress Texas is a non-profit media organization advocating for progressive ideals and policies in our state.
EQTX Equality Texas dba Equality Texas works to secure full equality for lesbian, gay, bisexual, transgender, and queer Texans through political action, education, community organizing, and collaboration.
For reference, the grantee most central to the portfolio’s shape is The Dallas Foundation and the most unlike its peers is Unleashed Productions Inc. Resemblance is measured on each organization’s own IRS 990 mission text; it reflects how work is described, not its quality or impact.
Your grantees are a median of 28 years old; the field is 12. You back the established end — and your money leans older still.
The field is 26% startups (under 5 years old) — 2% of your grantees by number, and just 3% of your money.
The orgs you fund almost never close — 2% lost their exemption, against 15% of the field you don’t fund.
Age = years since IRS exemption (a founding proxy). “Closed” = auto-revocation for 3 years of non-filing — a floor on closure, not proof, and bigger established orgs lapse least. Association, not causation.
95 grantees tracked through their own filings, 2017–2025.
Each one resolved to its own IRS returns and tracked year by year — your grant beside their revenue from every source. Association, dated; never a causal claim.
Counted here: distinct organizations you funded across 2017–2025, not grant rows in a single year — so this will not match the grant count on the cover. 95 of the 145 grantees resolved in that span have returns of their own we could reconcile; the rest are funded organizations whose filings we could not track year by year.
Where your money sits — by cause, then by grantee
Each org by its size and your share of it — top-left is where you’re load-bearing
Go grantee by grantee — a decade per org, and how each moved after you funded them
A decade per grantee — revenue shaded, your grants as bars, all rows on one timeline.
- Who funds Texas Women's Foundation ↗
- Who funds DALLAS THEATER CENTER ↗
- Who funds COMMUNITIES FOUNDATION OF TEXAS INC ↗
- Who funds NEO Philanthropy Inc ↗
- Who funds PEN AMERICAN CENTER INC ↗
- Who funds PLANNED PARENTHOOD FEDERATION OF AMERICA INC ↗
- Who funds THE SYNERGOS INSTITUTE INC ↗
- Who funds THE DANCE EXCHANGE INC ↗
- Who funds TACA INC ↗
- Who funds THE UNIVERSITY OF TEXAS FOUNDATION INC ↗
- Who funds YOUTHZONE INC ↗
- Who funds Dallas Holocaust and Human Rights Museum ↗
- Who funds ASPEN COMMUNITY FOUNDATION ↗
- Who funds JUST COMMUNITY INC ↗
- Who funds FOR OAK CLIFF ↗
- Who funds THE WOMENS MEDIA CENTER INC ↗
- Who funds THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES ↗
- Who funds MS FOUNDATION FOR WOMEN INC ↗
- Who funds DALLAS SOCIAL VENTURE PARTNERS ↗
- Who funds OFICINA LEGAL DEL PUEBLO UNIDO INC ↗
- Who funds Higher Heights Leadership Fund ↗
- Who funds THE NASHER SCULPTURE CENTER ↗
- Who funds NOMI NETWORK INC ↗
- Who funds KITCHEN DOG THEATER ↗
- Who funds BIG THOUGHT ↗
- Who funds FOREST FORWARD ↗
- Who funds NEW VENTURE FUND ↗
- Who funds UNLEASHED PRODUCTIONS INC ↗
- Who funds COLORADO MOUNTAIN COLLEGE FOUNDATION INC ↗
- Who funds FUND FOR THE CITY OF NEW YORK INC ↗
The grantmakers whose grantees overlap with yours far more than size alone predicts. Each orbits closer the stronger the alignment; the arcs between them show where they also fund each other. Here it reads as a tightly interlocked camp — most of these funders back each other's grantees too.
Open a dossier: The Dallas Foundation · Communities Foundation of Texas Inc · Texas Women's Foundation · United Way of Metropolitan Dallas Inc · The Addy Foundation · The Eugene McDermott Foundation · Texas Instruments Foundation · Meadows Foundation Inc · Aspen Community Foundation · Taca Inc · Dallas Center for the Performing Arts Endowment Inc · Hoblitzelle Foundation
Affinity is a Gamma-Poisson posterior co-funding rate, re-centered on the typical rate, so thin evidence shrinks toward no signal. A research starting point: overlap is association, not proof of shared intent.
Government reliance of your grantees
Every dot is one organization Embrey Family Foundation funds. Left–right is the share of its income from government; up–down is the share from you. Bigger dots raise more. Filter to federal or a single department — and drag the year to watch it move.
- Music to Life Inc — 5% of income from government
- American Repertory Theatre Co Inc — 0% of income from government
Government income is each org’s traced federal awards (USASpending — grants and contracts) plus state payments (open checkbooks) as a share of its total revenue (IRS Form 990); the self-reported government-grant line (990 line 1e) is carried for cross-check: a grantee that reports government grants we could not trace to a source is left off the chart rather than shown as receiving none. An association, not a claim that your grant caused the public funding. Coverage is precision-first — a floor, not a census; state records exist for 9 states, so a grantee outside them shows no state figure (dimmed) rather than a false zero. Federal award amounts are obligations, which can span years, so a single-year share is indicative. 990 filings lag 12–24 months.